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From Bonaparte to Casanova, history is cast in the light of famous escapes from various European countries.

Téléfoot is a French football programme created by Pierre Cangioni and produced by TF1 Production for TF1.

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

In this radically unconventional television series, Godard and Miéville analyze the political economy of personal and mass media communications in relation to society, culture, family and the individual. Their inquiry focuses "on and beneath" communications in a provocative critique of the power of media images in contemporary culture and everyday life. Each of the six programs is constructed of two complementary segments: A discursive visual essay on one aspect of the production and consumption of images is paired with a related interview on labor and leisure with an individual — an amateur filmmaker, a dairy farmer, the mathematician René Thom, Godard himself. These extended interviews provide a subjective counterpoint to the theoretical essays on work, economics and mass cultural imagery.

Produced for television by Claude-Jean Philippe, the « Encyclopédie audiovisuelle du cinéma », recounts the history of French cinema from its birth to the beginning of the 1960s. With commentary read by Jean Rochefort.

This devil of a man plunges the viewer into the very heart of the Voltaire whirlwind, that incandescent mind who shook his century. The series follows his meteoric rise, his exiles, his battles and flashes of genius, in a Europe still tightly bound by absolutism. We discover an unbowed, charming, formidable man whose pen makes ministers, kings and fanatics tremble. Between glittering salons, damp prisons and passionate loves, Voltaire crosses the Age of Enlightenment like a meteor. Each episode reveals a confrontation, a flight, a victory wrested through the sheer force of intellect. Carried by elegant direction and a sweeping, novelistic energy, the series paints a vibrant portrait of a fighter for freedom. A journey into the life of a man who never stopped thinking, loving and provoking.

Around the World in 80 Days is an animated television series that lasted one season of sixteen episodes, broadcast during the 1972-1973 season by NBC. It was the first Australian-produced cartoon to be shown on American network television. Leif Gram directed all sixteen episodes, and the stories were loosely adapted by Chester "Chet" Stover from the novel by Jules Verne.

Ironic portrait of the strong men of the Chilean military dictatorship commanded by General Augusto Pinochet after September 11, 1973. As a counterpoint, the families of the victims and the missing bear witness to a different reality.

In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la France par deux enfants — Godard and Miéville take a detour through the everyday lives of two children in contemporary France.

L'Apocalypse des animaux is a six-part documentary series by Frédéric Rossif, broadcast in France in the early 1970s. It marks the first collaboration between filmmaker Frédéric Rossif and Greek composer-musician Vangelis.

Les Carnets de l'Aventure is a cult French television program of adventure and extreme sports documentaries broadcast on Saturday afternoons on Antenne 2 (France 2) between 1980 and 1989. At the beginning of the 80s, in full transformation of mountain activities into high level sports, Les Carnets de L'Aventure revealed from to the country that invented alpinism to the whole world the "French-Touch" of these talents of the new approach to the mountains and its new disciplines. Patrick Edlinger and solo free climbing with the film La Vie au Bout des Doigts, directed by Jean-Paul Janssen in 1982. But also his brother in arms Patrick Berhault, Christophe Profit in the solo ascent of Les Drus, the trilogies of Jean-Marc Boivin in hang-gliding, the Himalayan expoits of Marc Batard but also those of Patrick Gabarrou, opener of routes in the Alps and elsewhere, Patrick Vallencant and his extreme skiing, Paul-Émile Victor and many others...

From the first men in their flying machines to World War One, from the first Atlantic crossing to the supersonic era, this is the story of the most daredevil challenges the world has ever known, braved by the men and women who wrote the history of human flight.

Three programs made on the basis of material gathered for the documentary His Master's Voice, where twelve CEOs of large French companies face the camera and talk about power, hierarchy, trade unions, strikes and self-management: Secrets About the Worker; A Spanner in the Works and The Battle Started at Landerneau. The three parts were banned from French national television (Antenne 2) but released at Cinéma La Clef in Paris a few weeks later.

The story of a journey through the mountains of Africa, conceived and realised by Giorgio Moser, with mountaineer and writer Stefano Maestri. The journey of documentary filmmaker Moser and mountaineer Maestri, both born in Trento, goes up the continent's peaks following the trails of mythology and legends, without neglecting the ancient culture of the different populations they meet along the way

A series based on films by amateur filmmakers, retracing French (film) history.