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Detective Ukyo Sugishita confronts crime on the basis of his own convictions. He has a partner that works for him in the Special Task Unit. For the first 7 seasons, Ukyo’s first partner is Kaoru Kameyama. He is a good-natured, hot-tempered, straightforward and somewhat scattered detective. Beginning in Season 8, Takeru Kanbe replaces Kameyama. Contrary to his predecessor, Takeru is a lanky, cool, conceited and confident detective. From Season 11 to Season 13, Ukyo’s partner is a young detective Toru Kai. Toru is a son of Deputy Director-General of The National Police Agency. But he became a detective by his own effort. And starting with Season 14, Ukyo’s current partner is Wataru Kaburagi, an elite bureaucrat who came to the Metropolitan Police Department on temporary assignment. As the first partner without any career of a police officer, he will face challenging cases together with Ukyo.

.hack follows several young players as they navigate the vast, mysterious MMORPG known as “The World” – a place, it turns out, that is sometimes impossible to leave.

"Mirror World" exists symmetrically beyond an invisible mirror in space, and an exact copy of our human world, where only monsters can dwell. Evil monsters frequently cross the mirror and attack our world. Only Kamen Riders who make a contract with a specific monster and obtain special power from it, can enter "Mirror World" and fight against evil monsters with the help of an "Advent Card." Shinji Kido, a journalist, contracts with a dragon and becomes Kamen Rider Ryuki. He fights a fierce battle with evil monsters. Many Kamen Riders appear one after another and fight to satisfy their own aims. However, only one Kamen Rider can outlive others. Thus, it is their fate to keep fighting to the last man.

Princess Tutu follows Duck, a duck who was transformed into a young girl and takes ballet at a private school. She becomes enamoured of her mysterious schoolmate Mytho, and transforms into Princess Tutu to restore his shattered heart. Mytho's girlfriend Rue transforms into Princess Kraehe to frustrate Tutu's efforts, and Mytho's protective friend Fakir discourages Mytho's burgeoning emotions. When it becomes apparent that Duck, Rue, Mytho, and Fakir are meant to play out the characters in a story by a long-dead writer named Drosselmeyer, they resist their assigned fates and fight to keep the story from becoming a tragedy.

In Star century Zero-One-Sixty-Five, the Global Union was born. The G.O.T.T. was simultaneously formed to settle disputes amongst the member planets. Existing in the shadows, the ES Force serves as the primary law enforcement organization, seeing that the Galactic Organization’s orders are enforced. ES Force members Éclair and Lumiere are on the front line, pursuing all manner of criminals and bringing them to justice. This is their story.

Ayumu Narumi has lived all his life in the shadow of his famous detective brother, Kiyotaka. However, Kiyotaka disappeared two years ago, leaving behind his wife Madoka and Ayumu himself, along with a cryptic message about the "Blade Children." One day, a girl at Ayumu's school suddenly dies. What seemed like a suicide at first glance turns out to be a murder, and Ayumu is the prime suspect. While investigating the person responsible for framing him, he discovers that the mysterious Blade Children are involved—and they somehow know Kiyotaka personally. Ayumu soon finds out just how dangerous the Blade Children are and learns that, in reality, he and Kiyotaka are intertwined more closely than he had ever believed.

The down-and-out detective Kanzo Dojima (Sanma Akashiya) is thinking about hanging up his job. A mysterious man named Ryo Katase (Takuya Kimura). No one seems to know what's going on in the heart of this lonely guy, what he believes in, what he really loves. Then these two men meet by chance one day. The story takes an unexpected turn of events concerning a murder case. Maybe the two of them should never have met. And then there's Kanzo's sister Yuko (Eri Fukatsu). What will the relationship between her and Ryo be like?

.hack//Liminality is an OVA series directly related to the .hack video game series for the PlayStation 2, with the perspective of Liminality focused on the real world as opposed to the games' MMORPG The World. Liminality was separated into four volumes; each volume was released with its corresponding game. The initial episode is 45 minutes long, while subsequent episodes are 30 minutes long. The video series was directed by Koichi Mashimo, written by Kazunori Itō with music by Yuki Kajiura. Primary Animation production was handled by Mashimo's studio Bee Train which collaborated for the four games as well as handled major production on .hack//Sign.

Hinamizawa, a small rural village in Japan, circa 1983. The village is known for its annual Watanagashi Festival, which honors the local deity, Oyashiro-sama. The story follows Maebara Keiichi, a teenage boy who has recently moved to Hinamizawa with his family. He quickly becomes friends with a group of local girls: Ryuuguu Rena, Sonozaki Mion, Houjou Satoko, and Furude Rika. On the surface, Hinamizawa is a peaceful, tight-knit community. However, Keiichi soon discovers that the village harbors dark secrets and a history of mysterious disappearances and gruesome murders that occur each year around the time of the Watanagashi Festival.

There are all kinds of people living in the back street tenement houses in old Edo. One of them is Ashiya Dosan, the descendant of an Onmyoji who made a name for himself back in the Heian period. Unfortunately, unlike his forefathers, Dosan has not made much of a living off the fortune telling and amulet peddling that he does.

Locked away deep in his home and hiding a secret that keeps him there, Detective Kozaburo Himuro remains ever vigilant in his duties of police work. But how does the wunderkind detective investigate crime scenes without ever stepping out of his home? Enter traffic cop Kurumi Ayaki. She's a young lady who's about to marry and resign from the force when tasked with being Himuro's eyes and ears on the beat. While on the scene of the crime their only means of communication is via mobile phone. Together they investigate a series of mind-boggling murder mysteries that put them, particularly Kurumi, in constant danger. Can Kurumi keep up with Detective Himuro, and the fast-paced and dangerous work of criminal investigation?

An old saying has it that it takes the first generation to create the business and the second one to destroy it. When the Tanaka Family's father, a career private eye, passes away, eldest daughter and mother figure Sayuri has to decide whether or not to continue the family detective business. Seeing no hope or interest on the part of her other younger siblings to carry on the business, she is about to shut it down when her long-lost elder brother, Ichiro, returns. A down-on-his-luck truck-driving single father now, he decides to take the mantle and continue the family tradition-his only experience being that he played cops and robbers as a kid. In his new capacity of "president" of the family business, he conveniently decides to move into the home that he left many years before. Will the Tanaka Clan really be able to resurrect the business together? Or does elder brother Ichiro have some other plans for the business?

Tokura Takashi (Oda Yuji) is a talented and somewhat arrogant surgeon who is recruited to work for a private hospital run by the secretive Izumida family. Through an odd series of events, he finds himself in the company of Misuzawa Yukiko, a detective, who has some issues of her own. As the story unfolds, Tokura finds himself embroiled in Izumida family and police matters. What do he, the Izumidas, and Misuzawa all have in common...? -Jdorama.com

an unnamed, cynical college student narrator who gets unwillingly pulled into bizarre, complex mysteries, starting with a locked-room murder on an island of geniuses, exploring themes of genius, meaninglessness, truth, and the struggle to find one's place through philosophical dialogue and intricate plots. Despite trying to remain a detached bystander, he's always at the center, only to find his actions ultimately meaningless, a core theme of nihilism and the search for value in a world of lies and exceptional individuals.