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Mein Leben & Ich is a German situation comedy produced by Sony Pictures in association with RTL Television for RTL. The series was created by Paula A. Roth and loosely based on ABC's 1994 teen drama My So-Called Life. The series focuses on the life of student Alex Degenhardt, who deals with everyday life and sometimes frustrating friends, Claudia and Niko, as well as her family; her little brother Basti and her Hippie-parents Hendrik and Anke. A sixth Season was produced in 2006 but not shown until late 2009. It is also telecast in Finland by Nelonen, in France and in Spain.

Bernds Hexe is a German comedy television series about a banker who is married to a witch. The series is a joint venture between Cologne Filmproduktion GmbH and Grundy Light Entertainment. It aired on RTL in 39 episodes between 2002 and 2005.

Die Dreisten Drei – Die Comedy WG is a German sketch comedy series, which aired from 2003 to 2008 on Sat.1 and returned in February 2012 with a new cast.

Sylter Geschichten is a German television series.

The lives of teenagers Emma, Cleo and Rikki are forever changed when a magical, forbidden island gives them the power to turn into mermaids.

Imagine Zoe Stranek’s surprise when she finds out her dad didn’t work at Starbucks, but used to be a secret agent, protecting our planet against Alien invasions. So when Ulav, her dad’s old partner and weird comedic alien, tells her this, she decides to step into her father’s footsteps. Together with her new alien bestie and her best friends Quigley and Rock, she protects our planet from General Gore, the ultimate badass alien, hoping to find out what happened to her father.

Broti & Pacek – Irgendwas ist immer is a German television series.

Pan Tau is a kind gentleman who wears an elegant suit and is always there when families need him. Although it radiates from a completely different time and not a word is spoken, but everything is there and responds to problems in its own way. There can be magic appearing seemingly randomly among families across all social strata in any way possible by tapping the bowler hat on his head for magical perspective shifts. By doing this, it seems to be ignoring all the laws of physics.

The context of the show is that unsuspecting and often male passers are put in comical situations by three female decoys: Annett Fleischer, Isabell Polak and Manuela Wisbeck. Female stereotypes and corresponding reactions by men are put in the foreground during the show. For example a woman fills up the cabrio of her boyfriend after she asked another driver for the right sort of fuel and fills up the inner of the car and not the tank.

At the Berlin dance school "Galant," worlds collide and the struggle between prudishness and emancipation is carried out. The proprietor of the dance school, Caterina Schöllack, has three daughters whom she orders to integrate into this hierarchically structured society. Two of her daughters seem to abide by their mother's wish. Only Monika, the middle daughter, rejects the given path and discovers rock 'n' roll for herself.

Der Bastian is a German television series written by Barbara Noack, broadcast in 13 episodes between 1972 and 1973 on ZDF.

When the failed soldier of fortune Johnny returns to his little sister Charlie after years abroad, he finds that his late father's beekeeping business is at an end.

Mensch Markus is a German television series, starring Markus Maria Profitlich.

Me and My Monsters the story of the Carlson family who have recently relocated from Australia to the UK to discover there are three out of control hilarious monsters living in their basement.

Alles außer Sex was a German "dramedy" television series which aired on the TV station ProSieben between 2005 and 2006. The German television premiered on 9 November 2005 with an audience of 2.9 million viewers. Thematically, it is similar to the American television series Sex and the City and the British series Coupling.

“Otto – The Series” is an unusual comedy format from the early 1990s centred on Otto Waalkes, blending classic crime entertainment with Otto’s distinctive brand of humour. Rather than telling a continuous story, the series combines newly shot sketches featuring Otto with scenes from old Edgar Wallace films. These original sequences were re-dubbed, completely transforming their content. Dialogue that was once serious turns into absurd wordplay, and the originally suspenseful plots are deliberately played for laughs. In this way, Otto effectively “smuggles” himself into the dark world of the Wallace films, turning it into a parody driven by nonsense, running gags, and his characteristic humour. The result is an idiosyncratic mix of crime and comedy, whose particular charm lies above all in its playful use of the original material.

Toni, who has Asperger’s syndrome, and Valerie, who has Tourette’s syndrome, have been a happy couple for over a year. When Valerie’s grandmother dies, however, the two face a major decision: whether to buy her grandmother’s run-down house in the village and start a new life. A life in which the routine-loving Toni cannot hold on to the structures he is accustomed to.

Alfons Zischl, mayor of Hindafing, tries to give his community a new image by building a mall for organic food. Soon enough the whole village is taking part in his corrupt games, entangling Zischl in growing debt and dubious obligations.

Salto Kommunale is a German television series.

Scheibenwischer was the name of a long-running German Kabarett show. It was founded in 1980 by Dieter Hildebrandt and produced by BR / RBB to be broadcast on Das Erste. The show ended in 2008 after 28 years on the air.

In the midst of a masculinity crisis, four friends in their forties are losing their throne, privileges and identity; years ago, they would have been alpha males in charge of their lives, but they have had to live in the era of equality.

18 – Allein unter Mädchen was a German comedy television series broadcast between 2004 and 2005. It centered around four eighteen-year-old boys, who, due to a ministerial decision, are sent to a conservative boarding school, against the wishes of the strict school headmistress.

Perhaps the fun-loving Lotta takes her impulsiveness a bit too far: so far, she’s taken a detour at every turn on the path to adulthood. Now in her mid-20s, she believes she’s finally found her place in life. After passing her exam to become a geriatric nurse, she naturally wants to return to work at “Haus Abendrot.” Once again, there are cheerful, touching, and even sad encounters with the residents of the nursing home, and everyone is happy that Lotta is back. But just now, as she’s making long-term plans for her future for the first time, fate throws a wrench in her plans. Lotta discovers that a fleeting encounter at a party has not gone without “consequences.” So Lotta is suddenly faced with the big question of how much responsibility she can and wants to take on in her life.