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Guyana Tragedy: The Story of Jim Jones

In the 1960s, Reverend Jim Jones began as an idealist helping minorities and working against racism. After a move to San Francisco and increased power and attention, Jones became focused on his belief in nuclear holocaust, declared himself a prophet, and founded the Peoples Temple. With a loyal following of over 1,000, who donated their entire life savings to him and to join his commune, he moves them to Guyana. When possible crimes come to the attention of the authorities, and once notified that some individuals are being held against their will, an investigation begins. Rather than face the charges, Jones commits suicide, and roughly 900 of his followers do the same.

Guyana Tragedy: The Story of Jim Jones

7.3 N/A
Masterpiece Mystery!

Created as a mystery, police and crime drama spin-off of Masterpiece Theatre; from 1980 to 2007, Mystery! aired mostly British crime series purchased from or co-produced with the BBC or ITV and adapted from British mystery fiction. In 2002, due to pressure to include more American material, a series based on the novels of US mystery writer Tony Hillerman was produced, but the vast majority of Mystery! programming has always been and continues to be British literary adaptations co-produced with UK-based production companies. In 2008, PBS combined Mystery! with Masterpiece Theatre under the umbrella title Masterpiece, which includes the sub-brands Masterpiece Classic, Masterpiece Mystery!, and Masterpiece Contemporary.

Masterpiece Mystery!

NR N/A
Breaking Away

Breaking Away is a 1980 American comedy-drama television series that was based on the 1979 film of the same name. It was created by Steve Tesich, who wrote the original film, and the film's director Peter Yates served as Executive Producer. As a prequel, the series was set during the year prior to the events of the film. Shaun Cassidy took over the role of Dave Stohler, a young man mad about bicycle racing and all things Italian. Barbara Barrie, Jackie Earle Haley and John Ashton reprised their roles from the film. The television series was set in Bloomington, Indiana, but was actually shot in Athens, Georgia. The show was caught up in the 1980 Screen Actors Guild Strike and did not begin production until that fall. While heavily promoted by ABC, it was overlooked by TV audiences once it got on the air and suffered low ratings. It was cancelled after eight episodes were filmed, though only seven episodes aired during its original run. ABC showed reruns of the show during the summer of 1981, and it was also rerun by the Arts & Entertainment cable channel during 1985–1987.

Breaking Away

7.0 N/A
Scruples

The title of the bestselling 1978 novel by Judith Krantz is the name of an ultra-chic Bevery Hills boutique that rags-to-riches Billy Ikehorn (Lindsay Wagner) established to fill the void left in her life by the illness of her elderly tycoon husband (Efrem Zimbalist Jr.) and his subsequent death. To help make Scruples what it has become, Billy had brought in top fashion photographer Spider Elliott (Barry Bostwick) and fashion designer Valentine O'Neill (Marie-France Pisier), and it is the intertwined lives and romances that propel this sumptuous but sudsy saga.

Scruples

4.9 N/A
Skag

Skag is a short-lived American drama series that aired on NBC and starred Karl Malden. Skag originated as a three-hour television movie that aired on January 6, 1980. Over a week later, it then premiered as a weekly series, Thursdays at 10/9c, which ran from January 17, 1980 until its cancellation on February 21, 1980. Skag focused on the life of a foreman at a Pittsburgh steel mill. Malden described his character, Pete Skagska, as a simple man trying to keep his family together. The series was created by Abby Mann, and executive produced by Mann and Lee Rich.

Skag

7.0 N/A
United States

United States is a short-lived half-hour comedy-drama that NBC added to its Tuesday primetime schedule in March 1980. Larry Gelbart, the show's executive producer and chief writer, said the name United States was not a reference to the country but rather to "the state of being united in a relationship". Gelbart envisioned a series that would be "a situation comedy based on the real things that happen in my marriage and in the marriages of my friends". Episodes tackled such topics as marital infidelity, household debt, friends who drink too much, death within the family, and sexual misunderstandings. United States focused on Richard and Libby Chapin, an upwardly mobile couple who lived in a Los Angeles suburb. Beau Bridges played Richard, and Helen Shaver played Libby. Gelbart reverted to black-and-white script for the show's titles. He said that was to convey the mood of "a sophisticated '30s film." Gelbart also avoided use of background music and a laugh track. Scripts featured dialogue such as, "Just for once I'd like to be treated like a friend instead of a husband," and "Maybe you and Bob can go out and get yourselves one redhead with two straws." United States premiered at 10:30 p.m. on March 11, 1980. NBC pulled it from the schedule within two months, after only six of 13 episodes had aired. The remaining episodes were not broadcast until 1986, when the A&E cable channel aired United States.

United States

7.5 N/A
On The Level

"On the Level" is designed to help young people understand what is happening to them as they grow up and to encourage their active participation in the hard work of adolescence-reaching maturity through social and personal growth. The twelve programs dramatize common teenage concerns like love, stress, conflict. and changing re­lationships with family and friends. The problem situations stimulate reflection and discussion about alternative courses of action for different individuals: the many approaches to problems. the many solutions. Programs objectify personal ex­periences and feelings so that you and your stu­dents can analyze and discuss them with no threats to individual privacy. Programs show the interactions of different aspects of the self-emotional, physical. intellectual, social. Look especially for the physical health implica­tions that have been built into each of the pro­grams.

On The Level

NR N/A