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Orson Welles' Great Mysteries

Orson Welles’ Great Mysteries is a British television anthology series produced by Anglia Television for the ITV network and broadcast between 1973 and 1974. The series presents standalone adaptations of classic mystery, crime, and supernatural stories drawn from literary sources including Dickens, Conan Doyle, Wilkie Collins, Balzac, Maugham, O. Henry, and others. Each episode is framed by original introductory and closing sequences performed by Orson Welles, who serves as the series’ host and sole recurring on-screen presence. These segments, written and directed by Welles (uncredited), function as stylized narrative framing devices rather than dramatic participation in the stories themselves. The dramatic content of each episode is performed by separate casts and directors, with no continuing characters or serialized narrative, establishing the series as a unified television anthology rather than a collection of standalone films.

Orson Welles' Great Mysteries

6.8 N/A
Warship

Written and filmed to reflect the reality of life in the Royal Navy and the Royal Marines in the 1970s, most stories focus on the Captain and his fellow officers, with subplots dealing with life on the lower decks. Episodes typically featured a variety of events at sea (the Cold War, smuggling, the evacuation of civilians from crisis-hit places, etc.), as well as the personal lives of officers and ratings and the impact their personal lives had on their professional lives and duties.

Warship

6.7 N/A
Molière pour rire et pour pleurer

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

Molière pour rire et pour pleurer

9.5 N/A
Hunters Walk

Hunters Walk – devised by Dixon of Dock Green creator Ted Willis – was about crime on a smaller – but no less dramatic – scale, and featured a police force in the fictional Midlands town of Broadstone (the series was actually filmed in Rushden, Northants). Sharing several similarities with the classic 1950s police drama, in particular a small-town settingband storylines encompassing the more human aspects of police work, Hunters Walk offered a contrasting alternative to the 1970s more hard-hitting, action-led urban crime dramas. The small, idiosyncratic team of officers faced a typically broad spectrum of cases, from neighbours’ disputes and hooliganism to suspected murder.

Hunters Walk

NR N/A
Graine d'Ortie

In Vendée, a little boy, Paul Guillet, is abandoned by his mother who places him in public assistance. He will go from host family to host family, these various experiences gradually shaping his personality. Graine d'ortie is a French television series in twenty-six thirteen-minute episodes, broadcast from June 1, 1973 on the first ORTF channel. It is also the title of the autobiographical novel by Paul Wagner from which the television series is inspired. In Quebec, it was broadcast from September 1, 1974 on Télévision de Radio-Canada, and rebroadcast from December 14, 1986 on TVJQ.

Graine d'Ortie

8.5 N/A
L'Éducation sentimentale

Miniseries adaptation of Gustave Flaubert's novel. Frédéric Moreau, an eighteen-year-old provincial youth, full of dreams and rather attractive, comes to Paris to study. From 1840 to the evening of the coup d'état in 1851, he learns about the world in a society in turmoil. Along the way, he encounters true love and the contingencies of pleasure, the Revolution and its false apostles, art, the power of money and stupidity, the reversibility of beliefs, brotherly friendship, and the inevitability of betrayal, without ever managing to commit himself to any cause other than that of following the loss of his illusions.

L'Éducation sentimentale

6.8 N/A
Weir of Hermiston

The old Lord Adam Weir of the Hermiston estate on the Scots borders is a gruff, boozy, hanging judge - the terror of Edinburgh law courts. His wife is a tremulous and pious Christian. Weir spends his time putting his wife down, even in the company of her only son, Archie. His mother dead of depression and stress, Archie grow to hate his father, but then goes into law studies, though his more modern and tolerant values clash with those of his father. Attending the hanging of yet another of his father's victims, Archie can no longer stand it and denounces his father publicly. As punishment he is rusticated to manage the family estate, Hermiston.

Weir of Hermiston

NR N/A