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The Hunger

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

The Hunger

6.1 N/A
Student Bodies

Student Bodies is a syndicated television comedy program that was produced in Montreal, Quebec, Canada from 1997 to the end of 1999. While a live-action series, animations are used throughout as thoughts and imaginations. The segments are usually dark and comical. Though the show enjoyed much bigger success in Canada, the show was originally made for the American market under the distribution of 20th Television and aired on many Fox affiliated stations for one year. The show aired in Canada on Global and YTV. It has been called "an imitation of Saved by the Bell" by critics, and featured an ensemble cast of high school students at Thomas A. Edison High School.

Student Bodies

7.6 N/A
The Adventures of Shirley Holmes

The Adventures of Shirley Holmes is a Canadian mystery TV series that originally aired from 1997 to 2000. The show was created by Ellis Iddon and Phil Meagher who had produced a successful series of books with Harper Collins, teaming up with Credo and Forefront to develop the TV series. Filmed in Winnipeg, Manitoba, the series follows the life of Shirley Holmes, the great grand-niece of Sherlock Holmes who, with the help of ex-gang member Bo Sawchuk, tackles a variety of mysteries in and around the fictional Canadian city of Redington. On some occasions, she found herself matching wits with archnemesis Molly Hardy. The show has been broadcast in over 80 countries and has been dubbed in French, Spanish, Italian, Portuguese, German, Norwegian, Polish and Turkish. Her performance in the show led to actress Meredith Henderson being nominated for a Gemini Award in 1998 and winning one in 1999. The show itself was twice nominated for a Gemini Award in the category "Best Children's or Youth Program or Series" in 1998 and eventually won it in 1999. In the spring of 1998 Susin Nielsen won a Gemini Award in the category "Best Writing in a Children's or Youth Program" for her screenplay of the episode "The Case of the Burning Building". In the same year, Elizabeth Stewart won a WGC Award from the Writers Guild of Canada for her writing of the episode "The Case of the Maestro's Ghost".

The Adventures of Shirley Holmes

7.0 N/A
My Life as a Dog

My Life as a Dog is a contemporary, half-hour Canadian TV series that aired in 1996 and ran for 22 episodes. It was based on the 1985 Swedish movie of the same name and developed for Canadian television by, among others, Reidar Jönsson, author of the original autobiographical book. It is the coming of age story of a young boy, brutally dragged away from his familiar universe into an unknown world. Though aimed at teens, it has been rated above the usual "infantile sitcoms". The series was shot on location in Winnipeg and Gimli, Manitoba. It was directed by Neill Fearnley and produced by Atlantis Films Limited and Credo Entertainment Group.

My Life as a Dog

9.0 N/A
The Duplessis Orphans

In the 1950s, young boys were placed in orphanages and endure harsh and austere living conditions. As a united group, they supported each other and survived despite bullying, hardship and little hope for better days. While these children were doing their best to survive, they had no way to suspect the secret dealings between the clergy, the medical profession and the government that will inevitably seal their fates. The institution faced with a precarious financial situation, the solution is to transform the orphanage into a psychiatric institute in order to obtain additional subsidies. To demonstrate the need for this change in status, the orphans are labeled as insane by the very people who took them in to help them. While their future as orphans was already precarious, they become prisoners of an asylum system from which they have little hope of being able to free themselves even as they grow older.

The Duplessis Orphans

8.0 N/A