Ambitious Nice seeks social advancement through Rodrigo Medeiros, but ends up truly falling in love with him. This is the second version of the telenovela, originally aired in 1976.
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Ambitious Nice seeks social advancement through Rodrigo Medeiros, but ends up truly falling in love with him. This is the second version of the telenovela, originally aired in 1976.
Helena is an independendent woman with strong emotions. More than a dedicated mother, she is also a friend to her daughter. Her daughter is experiencing difficulties in her marriage with Marcelo because of his renewed interest in a formoe girlfriend. Marcelo‘s mother deslikes Helena and would like nothing better to see her son‘s marriage destroyed. Helena starts her life over again when she falls in love at first sight with Atilio, whom she marries. Although of poor health, her daughter wants to have a baby, believing that by fulfiling her husband‘s dream, she can save her marriage. As fate would have it, mother and daughter fall pregnant at the same time, each giving birth to a boy.
In Greenville, some families never lose their composure. This is the case with the Mendonça and Albuquerque families, who would never allow a "noble" member of their family to become involved with a sugarcane cutter.
Santos Dumont's daughter, Marisa Dumont, known as Zazá, flies over the Eiffel Tower in a replica of the 14 Bis. During one of her flights, she decides to find guardian angels to protect her seven children.
Diana is woman who lost her child for her Husband. A evil man behind a series of crime operations. Searching for her son, Diana is hired for a underground organization to fight crimes all over Brazil. Now, Diana has the meanings to locate her former husband and search for her son.
Guerra de Canudos is a 1997 Brazilian film, of the drama genre, directed by Sérgio Rezende. It was shown in miniseries format on TV Globo, between December 16 and December 19, 1997, in 4 chapters, replacing "Decadência", and being replaced by "Dona Flor and Her Two Husbands", being the first time that the broadcaster adapted the exhibition of a feature film in this format, an expedient that became be used more frequently since then.