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The Count of Monte Cristo

The Count of Monte Cristo was a 1956 ITC Entertainment/TPA television series adapted very loosely from the novel by Alexandre Dumas, adapted by Sidney Marshall. It premiered in the UK in early 1956 and ran for 39 thirty-minute episodes. The first twelve episodes were filmed in the United States, at the Hal Roach studios, with the rest being filmed at ITC's traditional home of Elstree. A 5-disc DVD set containing all thirty-nine episodes was released by Network Studio on 12 April 2010. ITC produced a film based on the same source-material, The Count of Monte-Cristo, in 1975.

The Count of Monte Cristo

5.6 N/A
Sunday Night Theatre

Sunday Night Theatre was a long-running series of televised live television plays screened by BBC Television from early 1950 until 1959. The productions for the first five years or so of the run were re-staged live the following Thursday, partly because of technical limitations in this era, and the theatrical basis of early television drama. Some of the earliest collaborations between Rudolph Cartier and Nigel Neale were produced for this series, including Arrow to the Heart and Nineteen Eighty-Four. The Sunday night drama slot was subsequently renamed The Sunday-Night Play which ran for four seasons between 1960 and 1963. ITV transmitted its own unrelated run of Sunday Night Theatre between 1971 and 1974.

Sunday Night Theatre

3.5 N/A
Compact

Compact was a British television soap opera shown by the BBC between 1962 and 1965. The series was created by Hazel Adair and Peter Ling, who together went on to devise Crossroads. In contrast to the kitchen sink realism of Coronation Street, Compact was a distinctly middle-class serial, set in the more "sophisticated" arena of magazine publishing. An early "avarice" soap, it took the viewer into the business workplace, and aligned the professional lives of the characters with more personal storylines. The show was scheduled for broadcast on Tuesdays and Thursdays, thus avoiding a clash with ITV's Coronation Street on Mondays and Wednesdays. When Compact began, the editor was a woman, Joanne Minster, yet it was not long before she was replaced by Ian Harmon, the son of the magazine's owner. Despite being largely criticised by reviewers, Compact was popular with the general public, and in 1964 a regular omnibus edition was introduced, broadcast on Sundays. Morris Barry, a some-time actor and BBC director – he directed several Doctor Who stories in the 1960s – took over as producer and was given a brief to spice the series up in view of the criticism it had received from the national press. But the BBC, never comfortable with the concept of soap opera, quietly dropped the series in 1965.

Compact

5.0 N/A
No Offence

Keeping these streets clean is a Herculean task, enough to demoralize even the keenest rookie – but there’s a reason why this hotchpotch of committed cops are on this force, on this side of town. Drug labs, arsonists, neo-Nazis and notorious murderers are all in a day’s work for this close-knit team, led by the dizzyingly capable but unquestionably unhinged DI Vivienne Deering. But when a particularly twisted serial killer emerges it leaves even the most hardened of these seasoned coppers reeling.

No Offence

7.5 N/A
Where the Heart Is

In the small, fictional Yorkshire town of Skelthwaite is an engaging story of life, love, family and people’s ever-changing fortunes in rural England. Set against the rugged landscape of Yorkshire, it follows the busy professional and family lives of District Nurses, as they bring nursing and emotional care to young and old alike. The first four series concentrates on the lives of district health nurses Peggy Snow and Ruth Goddard. The story expands to focus on the lives of more Skelthwhaite residents, particularly those related to the nurses as well as those employed in a local toilet tissue factory.

Where the Heart Is

7.7 N/A