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Canavial de Paixões is a Brazilian telenovela produced and shown by the Sistema Brasileiro de Televisão from 13 October 2003 through 22 March 2004. Based the original text of Caridad Bravo Adams, it was translated into the Portuguese for Enrique Zambelli and Simoni Boer, with supervision of text of Ecila Pedroso and general direction of teledramaturgia of David Grimberg. It had 118 chapters. Bianca Castanho and Gustavo Haddad are the main protagonists. Débora Duarte, Helena Fernandes, Oscar Magrini are the main antagonists.

Brasileiros e Brasileiras is a Brazilian telenovela shown in some schedules SBT between November 5, 1990 and May 14, 1991. Writing for the show was done by Carlos Alberto Sofredini and Walter Avancini, who also directed it. The show was a co-production of the Miksom.

'Cuca Legal' tells the story of Mário Barroso, a single aviator involved with three women at the same time: Virgínia, Irene, and Fátima. Virgínia is a wealthy businesswoman obsessed with the direction of her late father's business; Irene is a middle-class young woman who gives private piano lessons; and Fátima is a poor widow. Mário can't decide which of them is the ideal woman to give him a child with a "cool head" (cuca legal). Things get even more complicated when Maria Joaquina, nicknamed Kinu, Virgínia's mother, also catches the aviator's attention. To escape the troubles he constantly gets into, Mário relies on the help of his mother, Dalva, and Jacaré, his great friend.

Carlão is an honest but hot-tempered taxi driver who discovers a suitcase containing two million reais in his car, the proceeds of a bank robbery. This is the second version of the telenovela, originally aired in 1975.

Tells the story of the quartet formed by a friendly and bankrupt ex-football player, a rich and snobby surgeon, a powerful and arrogant executive and a scammer with a heart of stone. They are victims of a plane crash on the same day they met each other and end up dying. When they meet Death, they are told that their time to go has not yet come and that they must return to life to deal with their personal issues. However, Death warns that, in a year, one of them will actually die and the four decide to take this second chance to achieve their greatest goals in life.

Class differences and a childhood dream are the highlights of "A Patota". Juliana, Vicente, Pedro, and Tião are children who live in a village where the poor and the rich coexist. They dream of traveling to Africa. Teacher Neli, her boyfriend Jorge, and Professor Simões join forces to help them realize this dream.

Amidst an unresolved crime, Simone protects Cristiano and falls in love with him. However, the couple faces ambition and betrayals that tear them apart. Presumed dead, she returns under a new identity seeking revenge.

Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

When his father passes away, Estácio (Osmar Prado) and his aunt Úrsula (Ida Gomes) receive his will and are surprised to discover that most of the inheritance was left to Helena (Lúcia Alves), a previously unknown daughter. In the will, her father asks that his daughter be taken in by her relatives. The news infuriates Úrsula, who has been in charge of the family business and caring for Estácio since his mother passed away, and does not accept Helena willingly, seeing her as an intruder in the family. In addition to Úrsula, someone who is not pleased with the girl's arrival is Dr. Camargo (Rogério Fróes), father of Eugênia (Ângela Valério), Estácio's fiancée. Even so, Estácio obeys his father's request and takes the girl to live with his family. Helena has a cheerful and outgoing temperament and her arrival affects everyone's lives. At first, she is hostile to Úrsula, but later wins her sympathy.

Set in a fictional South American country, the telenovela was based on the true story of Saint Martin de Porres, born in Peru and canonized in 1962. In the plot, the Dominican friar faces strong religious persecution, but resists and remains in the country to help the faithful. Rosamaria Murtinho played Isabel, a lieutenant in a female militia who believed that religion was a danger to the regime.