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After Wang Wei's daughter is kidnapped by a criminal network and he receives no help from the corrupt police, Wei sets out to find her himself. His only ally is Navin, a relentless journalist whose wife has mysteriously disappeared. Fueled by a furious vengeance, the unlikely duo ruthlessly battle the kidnappers in this explosive martial arts showdown.

Flashback to 1994, before Hong Kong’s handover to China. As the Special Branch of the Royal Hong Kong Police Force prepares to disband, the kidnapping of a powerful business tycoon ignites a dangerous covert power struggle within the force. Caught in the conflict are two officers: the passionate and righteous M.B. Lee and the cold-blooded and ambitious Peter Choi. Four formidable factions — the city’s wealthiest family, the Poon’s, the police, the triads, and the British authorities — are drawn into a deadly vortex of ambition, betrayal, and hidden agendas. As old alliances fracture and new ones form, Hong Kong stands on the brink of a seismic power reshuffle that will cast a long shadow into the future.

In the early spring of 2021, a man and a woman flew to Hong Kong at the same time, and while waiting to enter the mainland, they stayed in the same hotel, separated by a wall. During the short intersection of their lives, the two confided in each other about the pressure they were burdened with and found a spiritual harbor in Hong Kong, where tenacious vitality was blooming. And before the answer is revealed, the choice stops abruptly.

The once-glamourous Club EJ suddenly experiences a hostile takeover. Much like the nightclub industry, the glory days are over for the club’s manager, despite having stood tall in East Tsim Sha Tsui for decades. To make matters worse, the new CEO is none other than his cutthroat ex-wife.

Remake and update on Au Yeung Ping Keung’s murder mystery after his death

The Yau Tsim Mong area, the core commercial area of Hong Kong, has recently experienced a series of robberies. Many jewelry stores in the area have been ransacked by gangsters. Police unit is given the mission to take the gangsters into a custody, but the operation is not so easy.

On Valentine’s Day, a double-decker bus explodes in a fiery blast, killing many and leaving charred remains, with evidence pointing to a deliberate act by two passengers, Fai and Ike, a gay couple from troubled backgrounds living on society’s margins. As retired forensic expert Lung Sir investigates, he uncovers their tragic story of abuse, homophobia, and despair, culminating in their decision to end their lives in a suicidal protest against an unjust world, leaving behind a haunting message: “On a beautiful day, we end our unbeautiful lives.”

A story of big losses, small triumphs, and moments of grace amid the grind of capitalism — in other words, life itself. Four Hong Kong immigrants are living lives of desperation in Scarborough, Ontario: Dan was a pop singer on the rise before his move to Canada, now he’s barely scraping by; Eva is a lonely woman whose commitment to her aging mother has held her back in life; Fan is a part-time sex worker struggling to break into real estate; Tony is an aging widower whose factory job is at risk.

A hostage situation occurred at a TV station. The kidnapper K was not after money, he just wanted to terminate the monthly subscription to the TV station.

A transgender woman from mainland China travels to Hong Kong with a single, urgent goal: to undergo gender-affirming surgery. Moving through the city in a state of emotional suspension, she navigates temporary lodging, medical bureaucracy, and fleeting encounters with strangers who alternately offer intimacy, indifference, or quiet solidarity. As the date of the operation approaches, her journey becomes less about the procedure itself than about the weight of expectation, fear, and self-recognition.

Kam Muiday (Elaine JIN) has long been asking her granddaughter Sunnie Lam (CHUNG Suet Ying) to buy the same set of lucky numbers in each Mark Six lottery ticket for years. However, fate played a cruel trick. During the Lunar New Year’s "Snowball Draws", Sunnie was unable to place the bet, and that set of lucky numbers won a jackpot of HK$ 88.88 million. Not wanting to shatter grandmother's dream, Sunnie borrowed a villa from her filming colleague Jay Lai (Edan LUI), claiming that it was purchased with the winnings. Sunnie's father, Ken Lam (Jiro LEE), mother Charlotte Tong (Harriet YEUNG), and younger brother Harry Lam (LI Hoi Lam Marek), moved into the villa with her grandmother. Living together under one roof gradually healed their once-distant relationships and brought them closer. However, an unexpected incident ultimately revealed this well-intentioned "villa lie"...

From stand-up stages to the big screen, from global fame to “Finally Home,” Jimmy is back! Packed with rapid-fire punchlines and iconic one-liners, this time you don’t need to fight for concert seats—just step into the cinema and laugh out loud together.

Early one morning in a Southeast Asian tourist destination, dismissed police officer Paisa approaches a Japanese tour bus—but it drives away.Parked in front of him is another bus, carrying a group of Hong Kong tourists. Among them, Elaine chats with her boyfriend Wang Jinming, holding a souvenir she plans to bring back to her son.A brief delay keeps the bus from leaving on time.Moments later, Paisa—this time armed—steps onboard.Nothing will be the same again.

Youth is always full of confusion, electronic gaming may be a way to achieve hero's dream. This is a story of six passionate girls fighting hard in the gaming world, hoping to break the social stereotype. Yet this is more difficult than it seems, with all the unknown challenges ahead.

Following the devastating news of his colleague's assassination in Hong Kong, CIA operative Mark engages in a relentless pursuit to find her killer. His quest leads him to an underground shadow network lead by the enigmatic "Blackjack" that everyone seems to fear. As he dives deeper, he discovers that the real threat is closer to home than he would have ever imagined. The stakes rise and the clock ticks down. A cat and mouse chase ensues as Mark must confront the ghostly presence of Blackjack head on if he wants to uncover the truth before it's too late.

Melor, who is forced to inherit her family's inheritance. As a result, she must race against time to save her daughter from a dark entity that is beginning to take over her life.

Wrongly imprisoned after Hong Siu-lung’s time-traveling disappearance, Ken was wrongly imprisoned and lost everything. After his release, he leads his daughter Galie and a team to steal the Cme machine. Equipped with a face-duplication device, Ken plans to pose as the Qin Emperor and realize his dream of being king as his way of making up for everything he lost. Meanwhile, in the Qin Dynasty, Hong Siu-lung has been living in seclusion in the countryside with his wives Kam Ching and Ting-fong, his son Bowie, and his blood brother. Life looks peaceful on the surface, but the family are closely watched by the Qin Emperor. Ken launches an ambush on the Qin Emperor, but the emperor manages to escape. Meanwhile, Hong knows that as the only person who knows that the Qin Emperor is actually impersonated his disciple, he will be worthless once the Qin unites the warring states. To protect his family, Hong decides to uproot his family.

When an influencer couple's prank turns deadly, blackmail, aliens, and links to a 25-year-old missing child case emerge, plunging them all into a web of mystery.

Owen, a once prestigious and acclaimed stage director, has fallen into depression after more than a decade of creative drought. His ex-lover Su Manling comes back into his life leveraging their old romance, whereas his wife Tracy hovers on the verge of crossing the marital line. Eager to reclaim his dignity, he resolves to write, direct and perform in a brand-new play. However, while holding open auditions for the leading actress, he is powerfully drawn to amateur newcomer Hannah, slowly slipping into a dangerous grey area where stage drama intertwines with real life.

After nearly a decade apart, two former lovers from Hong Kong unexpectedly meet again in the UK, where they have each built a different life. Their reunion brings back memories they have tried to move on from, as they slowly reconnect and begin to see how much has changed. Now living far from home, they are forced to face the distance between who they were and who they have become. Set within the everyday reality of immigrant life, The Distance We Drift is a quiet and intimate story about love, memory, and the way time reshapes people in ways they don’t always realise.

A grieving Chinese father travels to America to collect his daughter and stays to catch the killer.

While trying to keep his struggling business afloat, a chef goes on a dating app in search of Zelda, his crush from his chatroom days as a teenager. For each Zelda he meets, he makes a tailor-made meal to fit their story. Putting a spotlight on the city’s struggling restaurant sector, indie filmmaker Amos WHY and his co-director Frankie Chung’s unconventional and bittersweet road movie follows a rootless man who turns to his memories to avoid confronting his unknown future. Is it better to drift with uncertainty, or to stay in your comfort zone whilst tethered to a sinking ship?

The long-awaited director’s cut, with 30 minutes of unrevealed and breathtaking highlights! The year is 2012. The once-glamourous Club EJ suddenly experiences a hostile takeover. Much like the nightclub industry, the glory days are over for the club’s manager, Foon (Dayo Wong), despite having stood tall in East Tsim Sha Tsui for decades. To make things worse for Foon, the club’s new CEO is none other than his cutthroat ex-wife, Madame V (Sammi Cheng)! Determined to change things up, she leaves Foon and his hostesses with no choice but to transform and modernize in order to breathe new life into their business. Little do they know, a powerful conglomerate has been pulling the strings all along to shut down Club EJ for good. To save their neon empire, Foon and V must join forces and make an epic last stand with the hostesses against what seems to be inevitable doom.

In bowling, there is nothing more daunting than the 7-10 split, which leaves two side pins in a position that is almost impossible to knock down. In this stirring sports film, the infamous split serves as a metaphor for not only a long-standing rivalry between two retired female bowlers, but also rare second chances to correct past mistakes. Produced by the team behind sleeper hit Love Lies (2024), this directorial debut shows us that bowling involves far more than just hitting wooden pins with a ball – it requires precise timing, immense strength, and grace under pressure.

Where Comes Mulan follows artist and filmmaker Tianyi Zheng as she returns to her ancestral village in Huangpi, Wuhan, where the legendary figure of Mulan is said to have originated. Beginning with intimate conversations with relatives and local residents, the film traces how Mulan has been remembered or forgotten in everyday life, only to collide with how local authorities have transformed her image into a powerful tourism brand. Through walks across tourist sites and abandoned ruins, Zheng questions the gap between lived memory and official narrative.

Eagerly wanting to have a last bloom of her youth, Mama Yeung conceals her stubborn husband and rebellious son, and steps into the new splendid world of pole dance. Yet, this secret has been accidentally revealed, putting her into a dilemma between fulfilling her family’s needs and pursuing her dream…

Love in the Gaze of a Panopticon

A documentary feature celebrating the music, life, and artistic pursuit of Canto rock music legend Wong Ka Kui, whose voice and vision defined the sound of Beyond- the most influential Canto rock band of all time. Featuring rare concert footage, never-before-seen archives of Ka Kui's early years, and unreleased work, this documentary offers an intimate portrait of Wong Ka Kui- not through nostalgia, not as a distant legend, but as he truly was. At its heart is the precious legacy of his character and convictions—one that continues to transcend generations, his music still lifting spirits and inspiring hope today.

Video trailer for the album《永遠。》by mossheilys.

During a casting session, an actress auditions to play a shrimp. As her performance unravels, so does her certainty. Watching from behind the glass, the shrimp begin to question not only her, but also what it means to be represented — and whether something truly real can ever be performed.

Veteran filmmaker Mary Stephen digs into her own family past to uncover the long-hidden origins of her Western surname, revealing a story of culture shock, colonialism, and contested remembrance.

Shifting his lens from Cantonese opera to Japanese Noh drama, documentary filmmaker Cheuk Cheung continues his exploration of complex gender issues ingrained in traditional theatres. For seven centuries, only the male body has been granted the privilege to inhabit this highly stylised art form that embraces spirituality in subtle movements. The film traces the journey of third-generation Noh performer Uzawa Hikaru, a young woman who makes her presence in the male-dominated space; yet behind the mask lies a daughter yearning to seek a resolution beyond her mother’s path – a quest to fuse body and soul in pursuit of the profoundly mysterious aesthetic.

Caught between his parents’ academic expectations and his grandfather’s devotion to kung fu, young Liang Ruicheng loses his confidence after a youth martial arts competition costs his family a treasured jade heirloom, sending tensions soaring. At his lowest point, Ruicheng discovers how kung fu shaped three generations of his family and finds the strength to forge his own path forward.

Kam Tin is home to people of many ethnicities, like a miniature United Nations. Chris moves there from the city with his wife Erica and their daughter, Wing Yan. As they adjust to their new life, they must also learn how to get along with neighbors of different ethnicities. Chris starts a business with an Indian partner, though Erica has little faith in it. Wing Yan befriends an African asylum seeker, sparking gossip. Haunted by unpleasant past experiences, Erica carries racial stereotypes, growing increasingly anxious and unsettled as tensions rise…This film is funded by the Hong Kong Arts Development Council.

In the rural Liangshan Mountains, 14-year-old Qihuo and her friends embark on a road trip to find a skirt for her traditional menarche rite of passage.

On a romantic night, she goes on a date with “him.” Through the taste of the delicious meal and the in-depth conversation with him, she recalls the lovely memories from the past.

Drawing on films made by Chinese state studios in the 1950s–1980s, this work revisits island narratives of war, revolution, espionage, and class struggle once shaped to engineer shared sentiments. Images from these features are dismantled and recomposed as propaganda dissolves into tropical murmurs, blurring borders between history and fantasy, individual and collective.

Panning from a tour guide testing his microphone, to tourists deciding on a cafe, to a camera operator hurriedly scouting for locations, this comedic single-take filmed from a rooftop in Kowloon City, Hong Kong, moves between rehearsed, reenacted, real, and all the way back again. Who’s watching who, and if everyone is both watching and performing, who gets to frame the truth?

The salt deserts of the Argentine Andes are being disrupted by profound changes that impact the environment, entire communities, and individual lives. As corporations extract lithium from the soil, two young political leaders, activist Vanesa and miner Elbio, run for president in their respective indigenous communities. In Buenos Aires, teenager Milagros protests outside the parliament as it holds uncertain national elections.

Fragmented coastal scenes scattered across the Guangdong–Hong Kong–Macao Greater Bay Area: a security guard on duty at a Shenzhen beach, a woman posing for bridal photos along the West Kowloon Waterfront Promenade, children playing in the shallows beneath a bridge, the transparent glass interior of the M+ Museum, the rooftop of Sky100, the upper reaches of the Pearl River, and the waterfront of Victoria Harbour in Hong Kong, among others. Most of these filming locations were chosen from lists of photogenic sites popular on Xiaohongshu (RedNotes), i.e. places that have become “internet-famous” through a single viral post, attracting waves of photographers and tourists. Yet the artist deliberately diverges from these original images, turning away from the sharply defined details and edges of these celebrated sites. Instead, the camera retreats into marginalized zones at the limits of visibility, areas suffused with blinding halos of light.

During the turmoil of 2019 Hong Kong, before pursuing his studies in Taiwan, the director was abruptly frozen in the present by a message from his father. As Hong Kong entered a pandemic lockdown, the director, now in Taiwan, began to Skype call his father, unpacking his traumatic memories and their entangled hearts.

A struggling couple in a Shenzhen urban village find hope in a friend's investment fantasy — until job loss and deception shatter their fragile relationship.

The feature directorial debut of Jiang Wenjie, cinematographer and editor of Keep Rolling, explores the inner lives of three female Hong Kong writers: Hon Lai-chu, Lee Wai-yi, and Human Ip. Though their styles and thematic concerns differ considerably, the film shows that their literary works are all informed by their immediate surroundings, whether that be a childhood home, the streets of Sham Shui Po, or the cattle and woods near Lai Chi Wo village. Time may inevitably erode everything in this city, but these writers continue to tell their hometown's stories in their own unique ways.

This short documentary depicts the experience of Selina Cheung, the producer of “The Road Runners' Spring” (2025), who began working part-time as a delivery walker during the film production. It explores the unique features of three food delivery platforms in Hong Kong and examines which urban landscapes are suitable for these walkers.

Sparked by an unexpected movie ticket, Mary began writing to a long-lost primary school pen pal. This visual diary documents a journey to rediscover the warmth of handwritten words, leading to a profound self-exploration.

After years of silence, the director and his friends return to fragments of a youth shaped by imprisonment, scars and dreams. Lingering with fading images and fragile memories, they together build a space where unspeakable collective traumas can exist and be held.

Built within the 3D worlds of Grand Theft Auto: San Andreas, Condemned 2: Bloodshot, Call of Duty: Black Ops II, Saw II: Flesh & Blood, and Call of Duty: Advanced Warfare, Pastinaca Videotapes Plantation’s machinima exploit each engine’s abrupt, uncanny atmosphere, creating bizarre collages that challenge any single interpretative move. Cold Cakes / 冰冷的蛋糕 / コールド・ケーキ is no exception and adopts the look of damaged evidence. Burnt-in timestamps, murky contrast, smeared textures, and VHS-like degradation give the film the texture of a copied, handled, and partially lost recording. Moving between domestic interiors, found footage, flickering images, bodily aftermath, cryptic imagery and open-world urban drift, the film assembles fragments rather than a linear narrative. Working through a text-first method that pairs written themes with archival and game footage, PVP reflects on suppressed histories, hoaxes, mockumentaries, and the erasure of inconvenient events.

An office worker’s encounters with a caterpillar unlock childhood memories, looping through time, blending the mundane and the magical.