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A Flame in My Heart

Mércedès, an actress from Paris attempts to break off a difficult relationship with the jealous and possessive stalker Johnny. She meets newspaper writer Pierre and goes with him for an afternoon fling. Before the sweat even dries, she finds herself hopelessly in love with him. But soon after their affair begins, he is called off on a business trip leaving the suddenly distraught Mércedès alone. Though preparing for a new play, she is unable to concentrate and barely able to function. Mércedès quits the production, locks herself in Pierre's apartment and quietly begins falling apart, collapsing into a bleak, reclusive madness until his return.

A Flame in My Heart

6.1 1987
The Magician

In this scene is shown a magician behind an ordinary table, upon which he suddenly and mysteriously causes to appear a large box, into which he leaps. The sides of the box fall to the ground, but instead of containing the magician a lively clown steps forth who further mystifies the audience by causing the box to disappear, and in its place is seen a fully laid table with a smoking dinner, to which the clown applies himself. The table, however, suddenly disappears much to the astonishment of the clown, who is confronted by the magician in the garb of Mephistopheles. This he suddenly changes to that of a sculptor, and in the background is seen a pedestal with the bust of a young lady, which comes to life as the sculptor applies the mallet and chisel.

The Magician

6.2 1898
Labyrinth

The landscape surveyed here might be the estranged interior of your typical East-European émigré animator’s skull; with its deranged narrative values, artfully disturbed graphic style, and aggressive "musique concrète" sonorities, Kamler's are among the most astounding works you'll ever see... In company of Walerian Borowczyk, Peter Foldes & Arcady, Kamler is the successor to a prestigious tradition of East European émigré animators (think: Alexieff, Bartosch, Starewycz). Like their precursors, they are also among the most distinguished artists in cinema, celebrated for their graphic style and narrative experiment.

Labyrinth

7.3 1969
Taken

Bryan Mills, a former government operative, is trying to reconnect with his teenage daughter Kim. After reluctantly agreeing with his ex-wife to let Kim go to Paris on vacation with a friend, his worst nightmare comes true. While on the phone with his daughter shortly after she arrives in Paris, she and her friend are abducted by a gang of human traffickers. Working against the clock, Bryan relies on his extensive training and skills to track down the ruthless gang that abducted her and launch a one-man war to rescue his daughter.

Taken

7.4 2008
Celestine

The story opens with Celestine eluding arrest with a friend as the police raid a brothel. While hiding out in the hayloft of the Count de la Braquette's estate, she meets the hayseed handyman Sébastien and the butler Malou, who reward her favors with the offer of employment. In a manner recalling Terence Stamp's effect on the household in TEOREMA, Celestine's open and relaxed attitude toward sexuality has a transformative effect on the isolated, moribund inhabitants of the mansion, imbuing them with gift of renewed life for the men and women alike, that remains even after a third act twist that forces her to betray them.

Celestine

5.6 1974
Messali Hadj - A Life In Service To The Algerian People

The life and political activism of Messali Hadj (1898-1974), an Algerian internationalist politician who played a pioneering role in the process leading to Algerian independence, which he demanded as early as 1927. He was initially secretary of the North African Star (ENA), then in 1937 he founded the Algerian People's Party (PPA), in 1946 he founded the Movement for the Triumph of Democratic Liberties (MTLD), and finally in 1954, the Algerian National Movement (MNA). In 1937, the leadership of the North African Star (ENA) created its flag, green with a white star and crescent. Messali Hadj's wife, Emilie Busquant-Messali, simply sewed this ENA flag by machine; it would later become the flag of the PPA. In 1943, Messali Hadj, in conjunction with the party leadership, created the ENA-PPA flag, green and white with a red star and crescent, which would later become the current flag of the People's Democratic Republic of Algeria.

Messali Hadj - A Life In Service To The Algerian People

10.0 2006