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Cristo

Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.

Cristo

10.0 1954
Welcome Mr. Marshall!

A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.

Welcome Mr. Marshall!

7.4 1953
The Violet Seller

On New Year's Eve 1899, Soledad is peddling violets in a Madrid busy street when she meets aristocrat Fernando. The couple falls in love but their different social backgrounds threatens the relationship. Fernando is under constant pressure from his older brother Alfonso who reminds him of his duties including his engagement to Magdalena, a countess. Disregarding all social conventions and scandalizing high society, Fernando sets up Soledad in a plush apartment and announces their marriage plans.

The Violet Seller

6.9 1958
The Little Apartment

Rodolfo and Petrita each live in separate quarters in dilapidated Madrid, while looking to have a little apartment (or "pisito", in Spanish dialect). Unfortunately their low salaries prevent them from acquiring one. Soon, Rodolfo's co-workers urge him to marry the old and frail Doña Martina, who is the main tenant in the apartment he boards in. According to Spanish rent-control law, he could inherit the lease from his spouse. Thus begin his misgivings, and Petrita's.

The Little Apartment

6.7 1959
Murió hace quince años

Diego Acuña was one of the five thousand children taken to Russia during the Spanish Civil War. He was educated in the communist pedagogy and prepared for a career as an agitator that developed in France and Italy under the command of Goeritz, one of the party officials. One day he was commissioned a delicate mission: assisting in the murder of his father, because he turns out to be a major obstacle to the illegal actions of communism. To do so he moves to Spain, pretending he is bored of Soviet doctrine

Murió hace quince años

4.9 1954
Desert Warrior

Omar Sultan's army has been defeated. However, Prince Said, son of the Sultan died, encourages people to form an army and fight again to Ibrahim. The town gets excited and running quickly, while crossing the desert, they encounter the enemy caravans and raid without knowing that one of them is Fatima, daughter of Ibrahim, who poses as a singer of the harem. Said, dazzled by the beauty of the girl, released. But soon after, Fatima, who also doesn´t know the origin of the robber, sees him again, and among them born a strong attraction.

Desert Warrior

7.0 1957