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West Coast

Four inseparable teenagers in a small town in Brittany (France). As lifelong fans of the West Coast, they think are real gangstas. Together as a "gang", they are invincible, respected, fearless and nothing can reach them, certainly not the teasing and contempt of their fellow classmates. So when Fle-O, the leader of this merry gang, learns that he has to leave his town and his friends at the end of the year, his whole world falls apart leaving him vulnerable when the most popular kid in school decides to make fun of them in front of everyone. Humiliated, our protagonists decide to take their revenge through one last expedition together that will lead them further than they would have imagined. Through incongruous situations and successive meetings, they will grow and learn.

West Coast

5.5 2016
The Assembly

Just one year ago, citizens joined together at Place de la République in Paris to demonstrate against labor reforms, the El Khomri law. This rapidly became an opportunity to invent another way of handling politics. It was the beginning of Nuit Debout. The film follows closely this social movement's inner core, a new kind of citizen's and democratic parliament, without representatives or leaders, which attempts to allow everyone the chance to speak. How do we speak in unison without speaking with a single voice?

The Assembly

4.5 2017
Dictator: One Crazy Job

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

Dictator: One Crazy Job

6.5 2013
The Lies of the Victors

Fabian Groys, a renowned journalist for a political news magazine, enjoys great freedom, since the stories he uncovers make for good sales. When he loses a hot story about the German army, the editor saddles him with a young female intern. Fabian hates teamwork and sticks the intern with what seems a classic tabloid story about the suicide of a man who had himself torn to shreds by a lion at the zoo. But thanks to the intern’s dogged determination, signs emerge that the story Fabian was working on and the gory zoo story are actually interlinked. Is it pure coincidence? And if it isn’t, how can Fabian fight a nebulous enemy?

The Lies of the Victors

4.2 2014
Body Double 32

For Body Double 32, Dellsperger takes the second scene from Carrie. Played by androgynous model Alex Wetter, a happy gang of girls are whooping it up under the showers in a high school locker room where the rows of lockers seem to double up and form a space-time loop. The loop comes to an end as, one by one, they disappear into the steam and turn into infinite variations on one of their number : Carrie. Still under the shower, Carrie herself seems unaware of what is going on around her. With a touch of sensuality the camera suggests that the child is becoming a woman. Terror-stricken, Carrie sees that her hands are covered with blood.

Body Double 32

NR 2017
Un jour en Allemagne

With aerial shots filmed from helicopters and drones, moments of life and encounters, this abundant geographical narrative offers a unique perspective on today's Germany, providing an overview of a territory undergoing profound change. Committed to an unprecedented energy transition, Germany has been working for several years to reconcile economic development with respect for nature. This challenge is profoundly transforming its urban and rural landscapes, even though they still bear the traces of a partition that the reunification of a little over a quarter of a century ago has not completely erased.

Un jour en Allemagne

NR 2016
Chinese Ink

In Chinese Ink, composed from a series of shots taken with an iPhone, Salhab expands questions of location and the act of filmmaking itself. Some images were captured in the moment ‘without quite knowing why’, and others were filmed at an earlier time ‘with no apparent motive’ or as a result of specific circumstances. Salhab jotted down notes all along, excerpts from books he read or reread, sounds he recorded and preserved. He approached this film essay as a work in progress with no preconceived structure; instead, he let the work gradually reveal itself. All at once, in terms of ‘place’ and his relationship to ‘here’, with all its entanglements, it became clear to him that he needed to invoke the ‘elsewhere’, to start with the first place, his childhood in Senegal, and ‘retrace’ certain steps: his connection to armed struggles, the Palestinian cause, the present moment.

Chinese Ink

3.0 2016
Côté jardin

Pierre Creton placed his camera opposite the small black table that had always stood in the middle of the lawn facing the front of the house. He filmed himself gardening – potting plants, preparing cuttings. Cat, dog, donkey, hens are moving about, playing, resting around the table, the goat is prancing on the table top, the whole menagerie is living its life, crossing the frame freely. On these images of perfect insouciance, he edited the sound of a radio news report about the Fukushima disaster. The date is March 2011: here, the garden, the end of winter and the pleasure of plunging one’s hand into the earth, touching the plants, to prepare for spring’s arrival; over there, death, sky and sea contaminated for many years, untouchable. The garden is not at odds with the disaster provided it heeds its echo, albeit unwillingly. The garden table is also the altar where domestic rituals are performed to ward off the horror.

Côté jardin

NR 2011
Graves Without a Name

After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Graves Without a Name searches for a path to peace. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? And above all, what is he looking for? Spectral trees? Villages defaced beyond recognition? Witnesses who are reluctant to speak? The ethereal touch of a brother or sister’s body as the night approaches? A cinematic movie that reaches well beyond the story of a country for that which is universal.

Graves Without a Name

5.0 2019