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Kill Me Today, Tomorrow I'm Sick!

A tragicomedy about mankind. Pristina 1999. NATO has bombed Serbia. The Kosovo-Albanians celebrate "their victory" over the "Serb oppressors". Ethnic hate is rampant. The International Community sends thousands of emissaries to democratize the country. Young German Anna is full of idealism and proud to contribute for a democratic change. Hustler Plaka belongs to the repatriates, who have a faible for Westerners and their currencies. Anna becomes Plakas favorite target of seduction. On the other hand Anna soon understands that her neurotic international colleagues are ignorant, corrupt and bored by their own mission. Worst of all Commander Rhaci, the alleged Kosovarian freedom fighter and darling of the West exploits the country like a Mafioso. Anna witnesses nationalistic violence, her world falls apart after feeling responsible for a deadly mistake, where Plaka is her accomplice. Up in arms the two special friends now risk their lives for humanity and against indifference.

Kill Me Today, Tomorrow I'm Sick!

6.2 2020
RES CREATA - Humans and other animals

Technological advances and cultural development have disrupted the balance between humankind and other animals. Instead of looking at similarities, we focus on differences. Coexistence has been replaced by dominance. We have forgotten that we live in a house that does not belong only to us. However, the ties between humans and other inhabitants of the animal kingdom have not been irreversibly broken. In his visual essay, which is both intimate and philosophical, Alessandro Cattaneo focuses specifically on those things that connect us. The statements of thinkers and idyllic shots of interspecies interactions indicate that if we change the way in which we think about animals, it will be beneficial for the entire ecosystem.

RES CREATA - Humans and other animals

7.1 2020
I Am the Sun

The intimate portrait of the Italian stylist Lorenzo Riva and his relationship with his collaborator and ex partner in life Luigi Valietti. Since the crash of their brand, the couple have been forced to work in the shade and depend on each other, economically and emotionally. In an economically depressed Italy, alternating a routine life and luxury events, Lorenzo and Luigi do not stop fighting from the dark to regain their prestige in the world of international fashion and shine again with their art.

I Am the Sun

NR 2020
The Last Five Years

Two New Yorkers fall in and out of love over the course of five years. Written by Tony Award-winning composer Jason Robert Brown, the play is now produced in an entirely new and innovative way. It is the musical’s unconventional structure that is allowing this brand-new, highly innovative form of streamed theatre to be created. Jamie tells his story chronologically from their love-at-first-site meeting, whilst Cath tells her story in reverse, from the end of their turbulent relationship to the start. This means the two characters do not directly interact except for one song in the middle of the show when their timelines intersect.

The Last Five Years

10.0 2020
ARTASERSE

A one-of-a-kind cinematographic experiment. A grotesque fairy tale, staged in the real lives of the characters. A completely self-produced movie, designed and directed by two visual artists, with the purpose of telling the tale of Artaserse, a retired worker, boxer, trainer and life-long painter. Everything is staged in an industrial, now decadent Terni; like a steel bay without the sea, here it's difficult to dream about becoming an artist. This movie is like a suburban western movie; the boxer and the painting dancing the communal square dance together, in life and death, the meeting-match between Artaserse and an allegorical and remorseless art world, and more generically, the battle of all the colorful characters, appearing throughout.

ARTASERSE

NR 2020
With Silver Bells

Commissioned for Art in Romney Marsh, "With Silver Bells" dives into Whitebread’s past and present interactions with nature using photograms and both her and her mother’s video footage to try and grasp how we as humans can rethink our interactions with non-humans. The work was created during Whitebread’s self-initiated residency on the Marsh, a place that she often returns to in her work both physically and mentally. Heavily influenced by Derek Jarman’s writings on gardening, Whitebread tries to open up a wider discourse on our role as humans on planet Earth. The film is an experimental video focused on unhinging our commonplace connections between language, images and perceptions of nature by exploring her own sensual and somatic feelings towards the Marsh, experiencing the geography as an important site of creative and ecological insight. Using photograms as a tool enables the artist to play with slow/non-human time and to imagine her own ecological existence.

With Silver Bells

NR 2020
Three territories: a landscape, a nation, a right

Documentary that explains the current climate of political turmoil in the north of Africa caused by the embedded problem of the decolonization of Western Sahara. A region on the brink of war. The responsibility of Western governments and social media, especially France and Spain, whose foreign policy based on economic interests puts on the background moral principles. In the case of Spain also its responsibilities as administrator of the territory which has triggered a situation of chaos and violence. The film describes the current situation of Western Sahara in its three conflict zones, presents its protagonists and denounces the informative silence condemning the Saharawi people to the oblivion.

Three territories: a landscape, a nation, a right

NR 2020