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The Troublemakers‎

Schorsch and Franz are two rascals who are full of mischief and constantly tease both their teachers and their fellow pupils. Vera, the new classmate, decides to put her foot down and bring an end to the poor situation. With skill, patience and the help of the other pioneers she finds out about the troublemaker’s love for miniature trains and tries to direct their redundant energy onto the right track. However, Vera and her pioneers have to overcome some resistance before Schorsch and Franz finally change their behavior and become better classmates.

The Troublemakers‎

8.0 1953
Faces

The screening of the short film 'Faces' at the 1961 Edinburgh and London Film Festivals kick started the film career of young McConnell, then studying at Glasgow School of Art. 'Faces', a comment on the personas we adopt, was inspired by a visit to the Brussels Experimental Film Festival of 1958 where McConnell saw the work of many European film makers, films of a genre unseen at that time in Britain. Many were without words, telling their stories in a variety of genres, live action, animation, puppetry, and making social comments on their times.

Faces

NR 1957
El presidio

After being fired from his company, Pablo meets his friend Ana, who introduce him to Pedro Ramírez, an undesirable lawyer, who offers him 15,000 pesetas for reports about his ex-company with the intention of doing a rob. When the lawyer's gang goes to give the coup, Ana reports them to the police, with the idea of taking the loot and fleeing with Pablo. But all of them are arrested and end up together in prison, where the intrigues and skirmishes between them will continue.

El presidio

6.5 1954
The Merry Farmer

Matthias Scheichelroither is a poor but always cheerful, or rather, jolly farmer. He has grand plans for his son Heini, nicknamed "Heinerle": He intends for him to one day become a trained academic, a doctor. To achieve this, the old man scrims and saves to give Heinerle a perfect education. But Heini has other plans: Instead of focusing on his studies, he is drawn to music. With the help of Vivian Harrison, a wealthy American woman who is in love with him, he finally manages to organize his first concert as a composer.

The Merry Farmer

10.0 1951
The Century Is Fifty

As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.

The Century Is Fifty

7.0 1950
I Accuse! [Magirama]

Magirama version, which is one of the four segments of the Magirama program, designed to illustrate the expressive possibilities of director Abel Gance's creation, Polyvision and Sonore Perspective, which used three screens to present a drama of simultaneous images. This program was shown the first time in 1956 in the Cinema theater "Studio 28" in Paris. After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.

I Accuse! [Magirama]

NR 1956