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An ice sculpture in a northern city, a marching band, and the bitter silence on the radio.

ZAC: Chapter 2, a Sci-Fi Short Film directed by Terence W. Yang, is the sequel of ZAC, telling a story about a AI computer system that is aimed to collect real-life education data.

Sometimes, people are unable to confront with their true selves. Girls Who Talk To Flowers is an intense love story between a female racer and a florist. What sparks would they produce?

The story took place in 2008. Henan Guo Hui, who was a harvester, went to the provinces to harvest wheat for him. He and his father then invited a driver and set off. I went to Shanxi, Shaanxi, and also included Henan. They met other mairs to talk about the earthquake in Sichuan and talk about the difficulties of collecting wheat. Bargaining with the farmers, thinking of the law less to give the leader a little commission, sometimes to think of the way to get money, sometimes to think of ways to escape the control of the leader. The driver complained that the car owner was too bad, and the owner complained that the driver had eaten too much. In the middle of the road, I also encountered the need to collect the toll, and finally met the young and confused.

Jia Zhitan investigates the One Strike-Three Anti campaign in his village.

A motorbike yearns to return to its good old days. One day it takes a courageous leap to its own future.

In the process of social transformation in China, urbanization has deeply affected and changed the countryside. Heishuigetuo is a remote village with over 300 years of history which is gradually withered. Currently, there're only 15 villagers living in it. The mountain village retains the traditional features of northwestern Shanxi Province. Hou Junli is the only young man in the village. He raises more than 500 goats with his father. Liu Sanlong, 82 years old, is a farmer of the older generation living on farming. Liu Guoping is a young man among the first group of people leaving the village to work in the cities.

At the end of the 1990s, about 40-50 million industrial workers were laid off in China, and the family population involved was hundreds of millions. He Guoping was one of them. After he was laid off, his wife opened a rental house. He became the "housekeeper" who cooks and cooks every day. His son He Huan was also raised by a playful child. Twenty years of follow-up shooting of this ordinary family, this continued "presence", the film has a time tentacle of "seeing the growth of grass". Some people say that this is a "civilian epic".

A girl from an orphanage and a stray puppy save each other from loneliness. There is an indissoluble connection between them.

While combating enemies along the way, Special Operatives Goodman and Lynch must navigate the Iraqi countryside to assist in an Air Strike. Before reaching their goal, they're faced between confronting terrorists and completing their mission.

Because of a severe smog in the whole country, respiratory diseases rate is soaring. One night, after venting his desires with self-pleasure the main character receives a phone call from the man who had been constantly pursuing him with no results, and asks him to go out for a drink… After struggling for a while, the main character decides to go out. However, a familiar figure appeared in front of him, this this figure suddenly disappeared…

The father of an RAF reservist killed in Basra in 2007 travels to the Iraqi city to discover the impact of the war and the subsequent occupation on ordinary Iraqis.

Leave all the messages for the future⋯ Hamasen is one of the first modernization regions. Since the Japanese colonization era, there had been many scenic postcards recording images of Hamasen. Some of the architectures still remained in the same places as they had been in the postcards. Over hundreds of years, this piece of reclaimed land carries memories of fishing men, customs declarers, and local elders from generations to generations. Sceneries in people's memories intertwine with different time layers of maps of Hamasen. What kinds of messages do we intend to leave for the next generation?

Money and family ties come into conflict on New Year’s Eve when CuiYing’s younger sister, Huang CuiNa, drops by, demanding repayment of a debt. The ensuing commotion prompts CuiYing’s elder son, Jian FanCheng, to call the police, and the entire family ends up spending New Year’s Eve at the police station.

Koh and Hua are 2 old school radio deejays struggling to stay relevant after their company gets bought over by a mainland Chinese MNC. They are thrown into a trans-media project about the Chinese diaspora, which mirror their lives. Part of the 'Letters From the South' film anthology.

With an audience of 40 million, Ding Yu, a beautiful Chinese journalist interviews condemned prisoners shortly before execution. But what about the emotional burden this is having on Ding Yu herself?

Between 1959 and 1961, more than 35 million people starved to death because of Mao’s Great Leap Forward policies. To avoid censorship in China, this painful period is now euphemistically referred to as the “Three Years of Natural Disasters.” This courageous oral history, directed by Zhang Mengqi, tells the story from the point of view of her grandfather’s village, to which she returns every winter to interview survivors. Central is moving voice-overs from a grandmother who details harrowing pregnancies and lonely births during the Great Famine and her granddaughter, a migrant worker. In this agricultural village, the landscape is stark yet beautiful with plenty of room for contemplation. When a hand appears in front of the camera, Zhang transitions into a delightfully playful territory, incorporating a uniquely participatory experience that extends beyond the screen.

The film follows Yang (Wang Jianbao), a 50-year-old peasant who’s sent on a quest to the city to retrieve a condom that his family, thinking it was a preservative (they don’t get out much), put into a box of bamboo destined to be donated to township officials. Yang sets off to find the pesky prophylactic and save his family’s face, meeting an eccentric collection of equally disenfranchised locals along the way.

Li is over 70 years old, he sits in front of his window in the afternoon every day and smokes the cigarette to pass the time. The sound of water drops in the kitchen, two pigeons are roosting on roof of the opposite building, and the sunshine comes into the room, which make Li feel alive. His emotions usually could be fluctuated with the plot of the TV programmes, because he even could find out his own fitful memories from it. One was is the whole family, another one also is the whole family. During worshipping of the ancestors, he listened to his mother's arrangements and felt sincere concern from his brother. However, happy time was so short. After he returned to his rental place, the only thing that he can do is to look at the dream which was outlined in the New Year's Gala, and which gradually away from his dream. Everything just was the same as the past in this new year, he was still feel so lonely.

This is a documentary filmed in a subjective perspective. Without any commentary, the film records, in the switches and transitions of the faces, the gamut and track of emotions and vision of the author in enjoying the photographs by Koudelka—from the scenes of life in “Gypsies”, to the conflicts in “Invasion”, further to the still images in “Exiles”, and finally focused on desolately dignified “Chaos”. The four chapters of the film echo the four photo albums of Koudelka. With the indoor CD player playing the music by Shostakovich, the invasion of the landscape without the windows, intermingled with the background noise, complicates the ambient circumstances of the film and renders an immediate sense of urgency and relevance.

At 14:28 on May 12, 2008, an 8.0-magnitude earthquake happened in Sichuan, China. Over 5,000 students in primary and secondary schools perished in the earthquake, yet their names went unannounced. In reaction to the government's lack of transparency, a citizen's investigation was initiated to find out their names and details about their schools and families. As of September 2, 2009, there were 4,851 confirmed. This video is a tribute to these perished students and a memorial for innocent lives lost.

Bichang Zhou SZ Lunar Concert (2019)

Sleepwalking Through The Walk Simulators is the first feature-length animated film made by Xi Chen.​ Either producing events or walking into the life cycle of the others, the characters speak to their own narrative tale under this beyond-event structural framework.

Academy Tianjin (2012) is a silent, 52-minute video that documents a visit to the seemingly abandoned Tianjin Academy of Fine Art, China. The video is shot with a camera mounted on a Steadicam to produce an ethereal and disquieting view of the empty halls and studios. Littering the scene are abandoned paintings and drawings made in the tradition of Western figurative art.

Every child has the right to education in China. But ten-year-old Anni is not allowed to go to school. Why? Her father is a dissident. Anni and her father moved to be closer to her older sister. The little girl was not in her new school long enough to get settled – the secret police took her away after three days. Her father was, as so many times before, being interrogated. The school preferred to not have anything to do with such a family, so they have refused to continue educating her. Independent Chinese director Zhu Rikun, camera in hand, follows the movement of activists who have joined forces through the Weibo social network to support Anni. Will peaceful protests in front of the school and a petition be enough to pressure the school to take her back?

Thousands of poor Chinese workers wait years to petition against injustices suffered in their home districts with the court of the plaintiffs in Beijing - often the last resort for those seeking redress for dismissals, land confiscations, beatings and arrests. Filmed over a decade, director Zhao Liang gives an insight into the shared disenchantment of those who search for justice from a system that pays little to no significance to their individual suffering.

This is a story about a five-year battle waged between the farmers of two villages and the local government over land-use rights. This documentary illustrates the subtle changes being made to the rules of the game between officials and citizens, and provides deep human insight into the loss, despair and increasing awareness experienced by common farmers in the pursuit of land-use rights.

Gei Libao, the former Olunchun hunter raised more than 100 Hunting horses in the traditional way. Although hunting was banned, Libao occasionally went into the mountains, not for hunting, but for the ancestors' hunting culture. Libao's son Liang Liang and his partner are inseparable from the forest, and are more enthusiastic about modern extreme sports. They have formed an off-road motorcycle team, which is consuming the youth of the mountain. One day in summer, Libao's horses was hit by a poacher's bullet, which caused a series of cultural collisions.

A Muslim living in a non-Muslim region of China. It attempts to explore the relationship between ethnic, cultural background and survive.

Last Harvest follows the journey of an elderly Chinese farming couple as they are being relocated by the government's mammoth and controversial South-to-North Water Diversion Project.