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Hideous Creatures

Dr. Rottenberg, the greatest Martian scientist, comes to Planet Earth to make preparations for a wild invasion involving re-animated Earth bodies, Martian zombies and teenagers playing in the woods. Criaturas Hediondas is one of the first Brazilian Shot On Video (SOV) to have national distribution via VHS tapes that were marketed in stands at grindcore, death metal and punks shows, becoming a reference (at the time) in the national underground. The video was filmed with a VHS camera and mounted from video to video, in an analog way.

Hideous Creatures

5.0 1993
As Mães de Chico Xavier

Three mothers see their reality become completely, they are: Ruth, whose teenage son, Raul, faces problems with drugs; Elisa, trying to make up for the absence of her husband giving full attention to the child, the little Theo, and Lara, teacher who faces the dilemma of an unplanned pregnancy. These three women, living in different times of their lives, seeking comfort next to Chico Xavier. And Karl reporter remains insisting on interviewing the medium, even without being prepared for it.

As Mães de Chico Xavier

7.8 2011
Caixa D'Água: Qui-Lombo é Esse?

The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.

Caixa D'Água: Qui-Lombo é Esse?

NR 2012
Caio

The teenage aspiration for independence crashes like an aggressive wave of loneliness. Some drown. In a century where the normal has been transformed into hiding behind lenses, Caio does not learn how to express his feelings, which ends up costing him his life. Only then, the space to explore the boy's suffering appear. Marisol, Elena, and Artur cope with the loss of Caio in different ways. The Brazilian independent film, created by two teenagers, offers a profound reflection on the fragility of existence, the risks of isolation, the power of hope, and the importance of unbreakable bonds formed in moments of shared pain.

Caio

NR 2024