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Hypothesis Voyager

Hypothesis Voyager is a road trip film that weaves social theory with a trip to the west of the United States.The video opening with a gallery social scene through the viewfinder, point out the first-person view that associated with the spectator. Then the story turns into discovering the history of the first human shelter that held the social events. Through the shift of the way we see art, the narrator travels us to the gallery and the loop we all faced. To escape, the time froze, the artist takes a deep look into the story of volcano mt. Vesuvius and sees the crater from a historical and mythology perspective of how it formed. The artists' camera becomes the vehicle voyage the viewer through time and space. The narrator travels the audience with her emotions that served as the passages connect each chamber by making the tour and detours.

Hypothesis Voyager

NR 2023
The Inspired Island:  The Coming of Tulku

The Ancient Chinese philosopher Zhuang Zhou’s dream of becoming a butterfly blurs reality and fantasy, reflecting a poet’s desire for freedom and eternity. The coming of Tulku draws from Buddhist classics, using Chou Meng-tieh’s life as a metaphor. His experiences at WuChang Street and his bookstand, started in 1959, led to enlightenment and loyalty to Buddha and loved ones. Influenced by Buddhism, his poems blend Zen with grace, affection, and prudence, capturing life’s essence with strength and delicacy. He closed his bookstand in 1980 due to illness.

The Inspired Island: The Coming of Tulku

8.0 2011
Realm of Reverberations

For more than two decades, internationally acclaimed artist Chen Chieh-jen has illuminated the deep impact of power on bodies and architecture. Here he explores a pair of sites built by the Japanese colonial government in the early 20th century: the Losheng Leprosy Sanatorium and the Taipei Prison. The first was on the outskirts of Taipei, the second in the heart of the city. Both were used for controlling marginal populations; both continued to operate long after the Japanese left; and both were eventually torn down for urban redevelopment. Across its four sections linking different times, places and people, Realm of Reverberations reveals cycles of construction and destruction, and the ironies of emotional attachment and historical detachment.-UCLAFilm&TV

Realm of Reverberations

NR 2017
Farewell Party

“Lifeng Coal Mine” (利豐煤礦) in Sanxia, Taipei County, was once Taiwan’s largest specialized coal mine. Unable to compete with cheap imported coal amid Taiwan’s impending WTO accession, the mine shut down, leaving 118 miners unemployed and sparking disputes over pensions and severance pay. San Yan (《散宴》) follows several aging miners, including brothers Huang Wu-yi (黃武義) and Huang Rong-quan (黃榮全), documenting their reflections on unemployment and their lifelong labor underground. After sharing one final farewell banquet, the miners’ “black gold dream” disappeared together with the closing mine. Through the film, the director moves beyond stereotypical images of miners’ hardship, portraying instead the quiet resilience and optimism of these “last-generation miners.”

Farewell Party

NR 2001
Drowning Dogs During the COVID-19 Pandemic

During the covid-19 pandemic, everyone was kept at home and quarantined, The red granny only play with her dog Miaomiao, one day,the dog was lost.It turned out that the authorities thought pets also carried the virus, so they organized dog hunting teams to catch stray dogs, They happen to meet the dog Miaomiao and capture its. The red granny decides to rescue miaomiao. On the way, they meet Huang Xiaomei, who has also come to rescue the dogs.

Drowning Dogs During the COVID-19 Pandemic

NR 2024
Quousque eadem? (or a self-portrait)

This work started as a personal project. The artist initially intended to create a one-man home video only for himself, hoping to gather snippets from his life abroad to represent them as vital parts of his life and temporary definitions, forming a time capsule created to commemorate his graduation. A few months later, the artist restarted this unfinished project and changed his intention during editing. By remaking this essay film using several (pseudo-) video diaries and two different mediums—digital recording and digitized Super 8mm footage, the artist translates private, intimate whisperings into his reflections about memory, viewing, film, and the process of image (re-) production.

Quousque eadem? (or a self-portrait)

NR N/A
Rock in Puppet

"Nan Xia the Tramping Tiger" used to be the favorite show of Zhu, Ching-Quei, the founder and first-generation director of Shinergy Puppet Show Theatre, as it has been a renowned masterpiece of this theatre for years. When Zhu Ching-Quei died from disease in 2015, his eldest son Zhu, Sheng-Chueh started to take the helm of theatre, but was faced with a dire crisis in the fast-changing world. Then his younger brother proffered an idea of using projection mapping to create the best ever Golden Light Puppet Show. Hence the two brothers are faced with a tug-of-war between tradition and innovation.

Rock in Puppet

NR 2021
No Films Today

A-He, a 70-year-old film projectionist, has worked for 37 years in Shin-Rung theater in which just shut down recently. To make a living, he went to other theaters in Chiayi to look for a job. However, he was rejected due to his age. Suddenly, he felt he has lost something that has always been the majority in his life. Idling, he still went to Shin-Rung theater to clean up the projection equipment and tidy up the reels every day while waiting for the new investor to reopen the theater. One day, A-He returned to the theater and played a film. A long-awaited reunion is presenting through the image with movies.

No Films Today

NR 2020
Ju Ming

In his 40s, sculptor JU Ming had already made his name in the early 80s art scene in Taiwan. He then decided to pursue opportunities in New York. During then, HUANG Yu-shan made her first documentary with JU Ming as the subject when she studied at New York University. The film contains footage of JU knocking and carving in his studio and interviews with gallery managers, art critics, and sculptors. This film brings together two New York experiences from two Taiwanese/Asian “exhibitors” who respectively experienced documentary filmmaking and sculpting in the city.

Ju Ming

NR 1982
SEA 404

SEA 404 is inspired by Japanese photographer Hiroshi Sugimoto’s series Seascapes, and French philosopher Jean Baudrillard’s essay The Vanishing Point of Communication. It questions the contemporary condition in which the computer mediates our experience, and parallels Sugimoto’s observation that media has transformed the way we see the world. In this film, the shift from the horizon line to the world of the onlooker is underlined by the sudden entrance of everyday sounds. The soundtrack is made from field recordings taken every morning at the same time and location for thirty consecutive days.

SEA 404

NR 2021
Zazel

In an advanced city far into the future, a unique race called “The Human Cannonball Tournament” takes place. Contestants are fired from a series of cannons from a platform, and compete through the circular city hovering high in the sky for the highest honor. Back in the tournament’s maintenance bay, the technician Zazel has a childhood dream of entering the race one day. By an unexpected turn of events, she accidentally gets mistaken for one of the contestants and is thrown into tournament. With no experience and equipment, can she fulfill her dream and reach the finish line?

Zazel

NR 2014