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Want to meet your child early? With “Pre-Parenting,” now you can. In near-future Taiwan, the government promotes "Pre-Parenting", simulation glasses that allow mothers to see and bond with their future children. But what happens when the child you see no longer exists?

Since 1995, the TransAsia Sisters Association has been a pioneering force in supporting immigrant women in Taiwan, especially marriage migrants. What began as a small literacy class has grown into a vibrant community that empowers women to organise, speak out, and advocate for their rights. The film explores the struggles of belonging, the strength of sisterhood, and the quiet power of everyday resistance. From street protests to storytelling through food and culture, the Sisters continue to reshape the narrative of migration—one voice at a time.

A noir action comedy about a detective trying to retrieve a missing videotape.

Mixing drama and documentary, After Raining narrates a love story between two male adolescents, interlaced with five radio interviews with gay men, lesbians, and a worried mother.

Through its little screen, what kind of world does a Game Boy see as it records? As a child, the Game Boy was my most faithful companion at my hospital bedside. Years later, lying in a hospital room once again for surgery, my father couldn't be there because of other obligations. So I brought it with me, hoping to capture this journey through its tiny screen.

Set in a Tayal community, The Halfway explores the subtle ties between life and death through a tribal funeral. As traditional culture, religion, and modern life collide, the supernatural actions of a "dirty little boy" connect souls, rituals, and family emotions. Produced by an all-Indigenous crew, the film reflects the spirit of mutual support and aims to sincerely convey the cultural and spiritual values of the tribe.

At the end of 2023, my sister, living with schizophrenia for fifteen years, received her first electroconvulsive therapy. Watching her in the ambulance, I wondered: as she and I drift apart and our parents age, how long can I keep turning away—and how should I see her now?

Young Qin Chong fled his home, and was later adopted by the Zhu family, who own an oil shop, but his stepmother frames him and casts him out, forcing him to sell oil on the streets. A chance encounter with courtesan Yao Qin sparks instant attraction. When the Zhu family faces hardship, Qin Chong returns, vowing to achieve success in the imperial examinations, while Wu Ba kidnaps Yao Qin but meets his death in his own mansion, leaving her holding the murder weapon.This adaptation broke from tradition, replacing the usual gongs and drums with a Chinese orchestra for its score, adopting a folk-song style.

Taiwanese martial arts film.

Kuan has to straighten his naturally born curly hair with a hair straightener before school everyday. But due to the raining season...

Love of Tseng Wen River

This experimental animation made out of multi-techniques, to explore the new possibilities of mixing the stop motion and computer graphic images in animation making.

A story about a money machine, a poor man, and cat food.

Integrating home movies shot over six years of traveling with friends and lovers with postcards and flyers collected during past travels, Wu Chun-Hui takes us on a journey without end, a voyage searching for the origin of memory and infinite desire. Noah, Noah deals with relationships, distance, and memories, and turns the needs and desires that evolve from them into a cinematic experience. Trains departing, back roads roamed, navigating by water or air. It’s also about distance in filming, a distance from one image to another film roll, from one frame to another perforation, the distance from the real to the faded memory.

Mentioning Diao-yu-tai evokes an immediate patriotic response in Taiwan due to the territorial dispute between China and Japan, sparked by a 1968 oil field survey in the East China Sea.

Hura is ready to leave her boyfriend for good. On her way out the door, she discovers a 30 foot penis chaining her to her soon-to-be ex.

experimental short film but not that EXPERIMENTAL?????

A creature with a pig head and a human body is born. As it becomes more human-like, it is ready to make over the inequality between humans and pigs.

Combine animal rights, vegetarianism, feminism, lesbian, gay, male sex, Mozi, Hu Shi, Liang Qichao, Zhang Xiuya, Zhang Ailing.. with their own parrots, quails, little white birds, swallows, birds, rabbits in many households , cats, dogs... intertwined.

“My Life Against Taiwan Sotofuku – 1891~1931” is Taiwan’s first biographical animated documentary. The film combines animation, archival photos, footage, and sound theater to recreate the heroic epic of CHIANG Wei-shui, the “the Savior of Taiwanese People,” during Japan’s colonial rule of Taiwan. Through first-person flashback narrations, Taiwan’s pioneer revolutionary CHIANG Wei-shui tells the turbulent tale of the rise and fall of Taiwan’s non-violent anti-Japanese movements, as well as a lifetime of remarkable resistance against Taiwan Sotofuku (Japan’s colonial government). Cast

“Have we ever been to Matsu?” Does this question trigger some mental images, such as flashing postcards inside our mind, or memories of shared photographs through social media? How do we build a landscape of an island? By modifying the geography or by spreading its visual representations? Let’s replace the first inquiry with another one: “Have we ever listened to Matsu?”What would we listen to first? Who would we listen to? What do people in Matsu listen to? As islanders, do they listen to the sounds of the sea or to the sounds of the neighboring country? Is there any document we can listen to about Matsu? Just like images and the internet conspired to transform our vision and memory, may recorded sounds could alter our listening, and therefore our perception of these islands?

The film explores the leadership system in lives of chiefs such as Rangalu who was sworn in as the Head of Santiman District, Taiwan, which consists of 10 villages with the population of 70,000, most of whom are indigenous Paiwan. The Paiwan people live in the mountain area of southern Taiwan. Their rich oral traditions and cultural traits are revealed in this unique film. The two director, Daw-ming Lee and Sakuliu Pavaavalung, exchange their views on political and economic issues.

"1975 of My Mother and Me" is the final release of the series "Where Do You Come From." The series segments the artist's life experiences in different works featuring significant years. The previous three pieces are respectively about 1981, the year when he was born, 1990, in which his parents divorced, and the year of 2020 when his mother is living alone. "1975 of My Mother and Me" marks the year of 1975 when his parents got married. The artist explores the meanings of marriage and family in a retrospective way.

Witness the first light and sounds of a new dawn breaking, as observed around the world one year ago. Patrick Shen’s cinematic meditation was created during the first COVID-19 lockdown by 35 artists from over 13 countries on May 3, 2020. With a soundtrack filled with environmental bird songs and ambient aural awakenings, the contemplative and collective portrait moves from darkness to light as a metaphor for hope and rebirth. 2020, United States, digital, nonverbal, 21 min.

Sam, a 25-year-old young guy, is lost in the process of making his movie dream come true. Where is his future? Who should he believe? Sam doesn't have the answer. He decides to leave for Yunnan, trying to embrace the notion of pure nature, leaving all the frustration and difficulties behind. However, he still returns to Beijing for achieving his movie dream. During his journey, he has heard different opinions about what he should or should not do. Facing all the expectations and suggestions, Sam can't figure out his way, but wants to hide and to run away instead...

Along with the trans-island family migration, all the closely- linked images, memories, and family letters/photos were intertwined with multiple languages. As far as my family is concerned, the idea of bloodline has served as a trans- geographical connection beyond boundaries in Southeast Asia, becoming like a gaze at my family history, gentle but steady.

Sometimes you are the only one that can really see what’s out there.

What is it about the Ho-Hai-Yan Rock Festival that attracts so many bands? Called The Ocean Music Festival in Chinese, this annual rock and roll contest was first organized by Taipei county in 2000. What is it about the festival that keeps the bands coming back year after year? What is that attracts hundreds of thousands of fans to pour into The Ocean to hear the music, eagerly awaiting next year's festival as soon as this year's is over? All the bands striving to succeed at this summer event comes with its own attitude, its own story. But what they have in common is a striving for the chance to get up on their stage and dazzle hundreds of thousands of onlookers, just like The Ocean does every year.

Braised Delicacies is more than a flavor—it is a legacy shaped by three generations. Master Lin Shun-Cheng upholds traditional craftsmanship passed down from his father, while his apprentice Lai Yun-Chun brings innovation, and Lin's son works to meet his father's high standards. Though different in outlook, all three of them share deep respect for cooking. The film captures how craftsmanship and love quietly endure in this 80-year-old Chiayi establishment of food flavors.

Built in 1969, this former staff quarters of the Taiwan Tobacco and Liquor Corporation bears witness to Chiayi's postwar housing development and urban memory. Today, its walls are cracked, concrete eroded, timber decayed, tiles shattered, and the entrance hall is entirely gone. Yet traces of past daily life still linger. Drawing on experimental methods, the film seeks to construct a visually dislocated narrative in which past and present coexist out of sync, offering an alternative perspective on the act of gazing.

A couple, through a twist of fate, are forced to confront each other’s true desires.

Divine Intervention explores the journey of a woman tormented by the entanglement of her hair, seeking solace through a spiritual guide. Together, they employ a unique technique to enter her consciousness, aiming to uncover the root of her distress. The Yuan Shen Palace, also known as the House of the Mind, is depicted as a virtual world constructed by the brain. If it truly exists, it might function like a vast organic hard drive, recording the intricate details of one’s life. The film strives to rationalize magic and symbolize the process of spiritual healing.

One day after watching a film festival movie, I (the author) said to Chin-Chieh: "If there's nothing serious, I would like to watch another movie." That's when I realized I was classifying "go home" as a big event. February 23, 2023, I walked home on that day. On the way home, I noticed that it became quite ceremonial. The night scenes along the road, the memories of traveling with family, and the "failed" Super 8 images produced at home, all turned into the scenery of memories. At the same time, I also realize that when I am in the space of my home, I impose constraints on myself.

In Hpakant, Myanmar, poor young people are numerous. Some of them engage in drug trafficking and make a living out of it. Some of them choose to leave Hpakant in pursuit of love. Some of them stay in Hpakant and dream that the jade hidden in the mountains might be the hope of improving their future lives; thus they often sing this song: “…before the best of luck comes, don’t underestimate we, jade miners…”.

Around one hundred million sharks are killed every year because of overfishing. Only roughly thirty of them can be saved, which gives them a survival rate of one in three million. In 2016, at a fishing port in Tatung County, Taiwan, two pregnant tiger sharks were caught by local fishermen, and 75 shark pups were rescued. An unprecedented release operation thus began. Related Clips

Alice sees a stranded whale. When the lifeguard goes in to rescue it, a wave swallows him. Then Alice turns into a whale to save him.

Chaos has engulfed an industrial city whose residents greedily hunt creatures that can generate energy. Pier and Two, members of an expedition team, discover that under the sea exists a city that is a reflection of their tainted one – and it overflows with a stream of pure fuel. Inviting you to join this pair of adventurers, this deeply imaginative work impresses with its rich world-building and intrepid themes.

Director TSENG occasionally began to record the daily life of her mother, out of the need of completing her documentary assignment at school. The films presents a mother's persistence when facing difficulties and her love for her children. In the meantime, interactions and conversations between mother and daughter are revealed spontaneously.

Due to an assignment assigned by the school, David had to take the time to accompany with his father to go back to his hometown where he grew up. They rushed back from the bustling city to the beautiful town, and gave his father the opportunity to travel through time and space and see again his own hometown.

In 1949, the Nationalist government safely arrived in Taiwan, but the war between the Nationalists and the Communists continued to ravage the island of Kinmen. Situated between the two coasts, Kinmea was bombed by the Communist Chinese government on every odd-numbered day for over 20 years following the Battle of August 23. This island with an area of 140km^2 endured more than 970,000 bombs. Working with donations from over 300 island residents, local filmmaker Dong Cheng-Liang reveals this hidden history from the residents.

Without means to put down roots and settle, two migrant workers seek a solution on an island where anchorage is prohibited.

Jointly directed by filmmakers from both sides of the Taiwan Strait, The Forgotten City tells the story of how Taiwan and China each built special housings to meet the need of an era, and how, as time went past, these housings became ruins. The residents in Taiwan's 'dependents villages' and China's 'third-front factories' now face the fate of their homeland being abandoned or demolished...

In 1995 five hundred dock workers in Liverpool were fired for refusing to cross a picket line, sparking the Dockers' dispute of the 1990s. In protest, when the Neptune Jade – a Mersey-loaded ship – set sail from England dock workers across the globe refused to allow the ship to dock and unload its cargo – first at Oakland CA., then Vancouver, Canada and then Yokahoma and Kobe, Japan. The ship eventually sailed to Port of Kaohsiung, Taiwan where it was disbanded and sold. Neptune Jade stands as a significant event in the dock workers struggle and of their international solidarity. In The Route, Chen re-presents history by interspersing archive film footage with new footage of a picket line staged by Dockers at Port of Kaohsiung. A symbolic connection between workers in Liverpool and Taiwan, the artist's home, is created, echoing the Dockers' phrase 'The world is our picket line'.

On a calm summer day, children want to have a different end of the vacation......

In 1949, the Kuomintang retreated to Taiwan. But some went into hiding, waiting in the jungles of northern Burma and Thailand for orders from Taiwan. President Chiang Kai-Shek told them to keep hiding out in the jungle and to wait until the time was ripe to “retake mainland China” from the communists. They ended up waiting for fifty years and became a lost army.

In 1962 China, Japanese warlords hold the power and are wielding it with no regard to ethics or propriety. Two private entities, the Nagoa Isam Transportation Company and the Bai Loon Forwarding Agency, have taken competition to the extreme, wreaking havoc and violence as a means to hold onto whatever sovereignty they may have. Loyalty no longer exists as residents watch out only for their own interests.

In the heart of Taiwan, a young woman faces the pressure of a society that imposes strict rules and traditions on her. Trapped in a life that suffocates her, she begins to develop suicidal tendencies as a way to escape her deep suffering, slowly discovering that she dies over and over again, inhabiting a parallel universe.