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Les 4 saisons d'Espigoule

Filmmaker Christian Philibert takes a tongue-in-cheek look at his old hometown in this mock-documentary about a small French community and the people who live there. In Les 4 Saisons d'Espigoule, Philibert returns to the town where he grew up (and left when he was 25) to film the residents for a year. In addition to capturing Espigoule's annual Goat Rodeo and New Year's Eve costumes, the audience gets an inside look at the backbone of the local economy (sheep herding) and a night of big excitement (a bingo match). We also meet a few of the locals, who show off their talents (painting, classical piano, imitating Liza Minnelli). While scripted in advance by Philibert, the film was indeed shot in his hometown, and the "actors" playing the citizens of Espigoule actually do live there.

Les 4 saisons d'Espigoule

7.2 1999
Subterraneos

The future has arrived. Below, in the tunnels, inhabit the "underground": a tribe that survives on the fringes. Above, amidst decay and smog, a corrupt society is ravaged by a religious cult that kidnaps and murders beautiful teenage models. Detective Gutiérrez, tormented in dreams by the image of a young woman whom he has never met, is hired by a wealthy family to find a missing model. Tangled between these two worlds, Gutiérrez will have to push himself to his breaking point to solve the enigma.

Subterraneos

7.0 1996
Libera

Three episodes. In the first, Aurora lives in a luxurious apartment. Among some workers called to her house, she recognizes an old lover, who returns to courting her, but then empties her house. In the second, a boy released from reform school discovers that his mother is actually his father: a transvestite. In the third, a newsagent, suspecting her husband, who constantly pretends to be ill, is cheating on her, places a video camera in her room. She records his sexual encounters on a videotape that she sells at newsstands. In his directorial debut, Corsicato demonstrates a sharp and poetic talent (he was Almodovar's assistant) in creating three portraits of women that are also portraits of his city, Naples.

Libera

6.8 1993
Langlois monumental

On 13 January 1977, Henri Langlois died. For forty years, he had been the world's foremost film archivist, establishing the French Cinémathèque and its Museum of Cinema. Fourteen years later, on 13 January 1991, in the Montparnasse cemetery, his friends gathered to unveil his monument, a collage of photos on stone. The film records that day and includes testimonials from Marcel Carné, Samuel Fuller, and others, as well as archival footage of Langlois. At the dedication, they played a recording of Langlois' last interview: "[There can be] no compromise in art." Of Langlois Fuller says, "He was poetry."

Langlois monumental

9.0 1991
Beyond the Ocean

A big-time businessman throws in the towel on his company and high-tails it out to Bali just as its stock is about to be publicly offered. There, he tries to avoid the insistent phone calls coming from Manhattan and records his philosophical ponderings about this mid-life crisis on videotape. Before long, he is partying with another burnt-out businessman and avidly avoiding the attentions of colleagues who have come to Bali to try and get him to come back to Manhattan.

Beyond the Ocean

4.7 1990
Les Parasites

Oulage has it all planned: New Year's eve, at the stroke of midnight, he'll finally kiss Brigitte, the girl he's madly in love with. That'll be the moment, because Brigitte is having a costume party. Oulage has it all planned—except for the fact that Brigitte has also invited a gang of truly parasitical friends: an old girl friend who never leaves Brigitte's side, a manic-depressive police officer, a paranoid psychopath, a cannabis-addict suffering withdrawal pains, a stunning Cuban woman on the prowl for immigration papers, and many others who do everything to ruin Oulage's life.

Les Parasites

6.2 1999
Une sacrée chabine

On her way back from an internship in France, Yoka, a blonde from Martinique, learns that her boyfriend is getting married the same day. On the church square, Yoka makes a scandal and swears to take revenge. Taking advantage of her job as a contract worker, she makes life impossible for the whole Bonkan family. She starts with tickets and fines for illegal trade. Paul's family complains to the town hall, but the beautiful young girl has more than one trick up her sleeve.

Une sacrée chabine

10.0 1993
Unsere bösen Kinder

A film about five street children; children who have had to grow up too soon. The footage was shot at Christmas 1992, in Berlin. Claudia, 13, wants to show her mother "that kids can do what they want". 13-year-old Danny thinks Germany’s lousy, having lived on the streets for two years. His mother doesn’t try to contact him any more. Jonas, 13, is convinced that a bright future lies ahead of him. He shifts between his parents’ house and the streets, but feels most at home in a street riot. 13-year-old Daniela doesn’t want to leave home, despite suffering at the violent hands of her father. We meet her in a women’s refuge centre. David, 13, shows the director, his father, first-hand what street children go through and the pain they inflict upon their parents.

Unsere bösen Kinder

7.0 1993
Les heures

On the one hand: A frame - and then windows in the frame - Spiked - from one to the other - Images designated - fenced, inside / out. Every moment broken - repeated. Always past. One after the other. Cruelty of the open boundary itself - and immediately some untimely object comes up against it - clog the sight - obliterate the frame. On the other hand: The note pursues an eternal moment. It's his game, run the frame, draw the embrasure, and so on. (...) she passes. Immediately in it she plays with nothing. Immediately outside she finds.

Les heures

NR 1990
Animal Soccer World

The "Wild Dogs" assumed the challenge of the "Jungle Kings." The coach of the "Wild Dogs " spends sleepless nights. Will Bulli, his left defender, ever learn not to beat up his opponent, or Butcher, the keeper, ever loose his fear of a penalty kick? Also in the opposing team there are problems. The best forward of the "Jungle Kings", a small lion, never wants to pass the ball. To make things even worse, a swarm of Hooligeese is reported to be on the way.... Finally the time has come. The match is about to begin.

Animal Soccer World

3.0 1998
By the Lake

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

By the Lake

5.9 1994