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Olivier Messiaen and the Birds

"A renowned composer and organist, Olivier Messiaen was also a great teacher. Michel Fano, who took his composition class at the Paris Conservatory, films some of the privileged moments of his teaching. This film, co-directed with Denise Tual, also shows Messiaen as a devotee, an ornithologist, and a synaesthete, evoking the fundamental concepts of his inspiration with an often sparkling ease (the musician imitating certain bird songs in a manner reminiscent of Rouch recreating the cries of wizards for certain films). In this way, the film boldly collides sequences with visual or sound correspondences, the directors succeeding in dragging us into the world of mystery and dreams dear to the musician." (François Waledisch)

Olivier Messiaen and the Birds

NR 1973
We Spin Around the Night Consumed by the Fire

A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.

We Spin Around the Night Consumed by the Fire

6.7 1978
Pfarrer Iseli

Maria Kunz, a barmaid and hostess, is found strangled in her apartment on Helvetiastrasse. Gaudenz Moser is seen at the scene of the crime as he drives away on his motorcycle. He has an accident and is arrested. All the evidence points to him. His brother Vinzenz Moser calls on Iseli, the pastor of his home parish in Graubünden, for help. Iseli immediately sets off for Zurich, where the case has already been closed by the police because a confession has been made. Pastor Iseli, who has a keen sense of criminal investigation, does not believe that Gaudenz Moser is guilty and begins his own investigation in Zurich's underworld.

Pfarrer Iseli

NR 1970
Étranges étrangers

Marcel Trillat traveled to the slums of Aubervilliers and Nanterre, to meet immigrants of Portuguese and African origin. Composed of images taken on the spot and testimonies, this film forcefully denounces the policy then followed by France in terms of immigration. On the night of December 31, 1969 to January 1, 1970, five black workers died of asphyxiation in a home in Aubervilliers. In the post-68 context, this drama will experience national repercussions, both politically and in the media. Marcel Trillat and Frédéric Variot then produced Étranges Étrangers, a documentary that candidly shows the slums and hovels of Aubervilliers and Saint-Denis.

Étranges étrangers

7.0 1970
Ben and Benedict

Ben (Françoise Lebrun) is a woman who never gets to do what she really wants to do and is the victim of everybody and everything. Benedict is her imaginary creation: the girl who would respond with strength and mastery to situations she can only submit to. She is married to a cad who says he only married her because she was pregnant, and now he wants his freedom. Her real love is a fellow medical student, who shows some interest in her. Nonetheless, she remains faithful to her unenthusiastic husband, until she becomes pregnant again. At this point, she begins to act more like the Benedict of her dreams and less like the "Ben" she has lived as until now.

Ben and Benedict

6.0 1977