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Taoist Yan Chi Xia and scholar Ning Cai Chen battle the tree demon Grandma at Lanruo Temple to rescue Nie Xiao Qian. During the fight, the golden seal of the universe accidentally transports them to the modern era. There, they save a woman named Yuan Yuan from a demon and temporarily stay at her home, causing chaos in her life. Meanwhile, Grandma and a snake demon also arrive in the modern world, plotting to bring Lanruo Temple into the present and turn Earth into a demon paradise. Unbeknownst to them, they are pawns in Grandma’s larger scheme. Away from the temple too long, Nie Xiao Qian begins to lose her powers and faces possible disappearance.

The delayed live broadcast room is now online! You can feel the scene of @泽野弘之_nZk without leaving home! There is also a special sponsorship of the mobile game @手机战队 The official OP "Sea of Fire" and ED "N01R" will be released on-site for the first time! At 18:30 on the evening of October 13th @哔哩哔哩生 Broadcast Exclusive live broadcast, let's meet in the live room and call for Zeye together~ Sawano Hiroyuki LIVE [nZk] in Shanghai 2019 190914 Mercedes-Benz Arena (Shanghai)

Shenzhen River (the border btw Hong Kong and Shenzhen), and the Second Line of Shenzhen Special Economic Zone (the border between Socialism China and Capitalism China) were compared to the Berlin Wall. The Second Line were constructed June 1982, demolished June 2015. The First Line (Shenzhen River) still flows, running deeper and deeper after 1997. Artist Miaoyuan LONG and Zen LU (the ON/OFF media Group) documented major checkpoints along these two boundaries. It’s a piece to illustrate the Big Escape (Touch Base Policy) from mainland China to Hong Kong during 1950-70’s and the geopolitical history of Shenzhen. The 48min audio-visual live performance version was Official selection of Draft Systems 2017 WRO Media Art Biennale, Poland.

This short film was inspired by the story told in the prose written by Jia Pingwa to memorize his father in 1989. Set on the North Shannxi Loess Plateau, the story tells about two boys trying to sell a pig, the only valuable property of the poor family, for food. However, things go wrong. The film was artistically designed to present the spectacular and broad scenery of the Loess Plateau as well as the simple life of the people. This is a black humor about the difficult years in the northwest of China in 1970s.

Hong Kong is an international financial center where its property market is the most expensive in the world. Hong Kong people work hard all their life just to be able to pay for their house mortgage. Dream is a luxury in this city. Rachel and Ronald struggle between dream and reality. As time goes by, will they swim with the stream or forgo what they have and follow their dream...

Shao and Huang have cooperated for many years and invested a lot of human and financial resources in the research and development of a new product. Shao Guohui learned that China is promoting the “Belt and Road” and decided to return to China for development. Huang Shuaihuan was not clear about Shao Guohui's intention to return to China, thinking that he was absconding with confidential information, so he tried his best to sneak into Shao's house. Huang Shuai received warm hospitality from the Shao family, deepening Huang Shuai's suspicion of Shao Guohui, so he planned to take the documents away. In the process of implementing the plan, it caused an outrageous ending.

Born and raised in an industrial city, Taihang is surpressed by the sense of isolation and depression of this environment. The bizarre fate transforms this rebellious teenager into a compromising man, which is the shared nightmare that many people fail to escape.

an emotional geography of Yunnan Province, China.

Three people who meet at a wayside hotel one stormy night seem to share both past and future.

Speachless Flower. That lonely flower cannot help telling you that it lies. They are of tenderness but of secrets, of passions but of estrangement, of embraces but of confrontations. Three flowery boys, beautiful, but paralyzed in seeing their perishment. The ambiguous love raises imagined woman as protection; the body of lust offered as a comfort is soon held as captive of sentiments, thrown among ruins. The love is as undistinguishable as the hatred. My offering, can it ask for a receipt? Your departure, can I call an emergency? During the short stay in our life journey, I reserved one lamplight in my chest, leaving the other dying nowhere. In search for that lying flower, which survives, but speechless.

In Lengshuijiang, balanced in a space made up of official images, an audiovisual program presents itself as a taciturn witness of rigid, modulated, even aberrant moments in which China constantly tried to demonstrate its success through its own fresco, an atypical form in tone of virtual reality.

Scars, which are unfortunate or unexpected results, are also signs of healing. This new connective tissue replaces the process of injured tissues, and at the same time it becomes a metaphor for the pain and frustration of life: the sadness of the body, the union of pain... In short, scars have become a proof, a proof of existence, a proof of alive, a proof of pain, and a proof of a certain age. Beginning in 1949, in this vast land, these various scars, these healing marks, patterns, sad shapes, bring personal memories, collective pains, the marks of history, and come together Gaze, the meaning of the record. This film is the first part of the "Scar" project, the story of 110 Chinese scars.

Short film by Yang Bo.

A man, a woman and a crane, in six repeating scenes.

Documentary about a tribe of indigenous people in northern China.

The story of a series of absurd events that unfold in Taipei following the arrival of the apocalypse.

After "Old Tang Tou", Xu Tong continued to film the family of Old Tang Tou's son, Tang Laosan, in Northeast China. Tang Laosan was sent to prison for a murder case, and Tang Laosan's son, Xiaobao, unexpectedly encountered such a change in the year of his high school entrance exams, which made the fates of father and son both unpredictable.

This is a rare seen film about well known multidisciplinary artist YANG Chin-chih who was born in Taiwan, and has resided for more than 30 years in New York City. YANG is widely remarked as a performance artist in New York visual art world. His performances often dramatize the divided quality of the self such as the most praised piece “Kill Me Or Change” in which he dropped 30 thousand empty aluminum cans over his head within 20 seconds. The main theme of the story tangles in between YANG’s uniquely work which incorporates the actual rhythms and discords of human society and his own facial illness for a long time. Works he made were exhibiting in terms of the waste materials wantonly discarded by industrialized production. Whereas the disease he had suffered ever since his youth causes his face to become twisted for nearly 40 years. But all failed to cure with efforts of five surgical operations in his life.

Dhondup has dedicated his whole life to the art of thangka painting. Before completing his final masterpiece, he unexpectedly discovers he will soon go blind. His son has always wanted to serve as his successor, but Dhondup refuses to accept his Westernized painting style. Frustrated with his son, Dhondup searches for his late thangka teacher’s reincarnation and identifies him as a young disabled man from the grassland who knows nothing about painting. Is he really the thangka master's reincarnation?

A chance encounter between two people during an inopportune time in life.

This film documents the final conversation between director Hao Jian and Nobel Peace Prize laureate Liu Xiaobo.

A documentary following the filmmaker, Wang Hai'an, who went back to his hometown of Zhanggao Cun, a rural village in Shandong Province. He interviewed the elders in his village who lived through the Great Famine during 1959- 1961. His main purpose was to gather the names of those who suffered and died during the famine and to ask the village to donate money for erecting a monument in their name, but the idea was rejected by the villagers

A modern adaptation of the Ming Dynasty novel Journey to the West (aka Monkey) in which Emperor Li Shimin suffers a short death.

During the Zhenguan era, Emperor Li Shimin embraces Wei Zheng’s blunt counsel to curb corruption and luxury; after a fierce court clash, the ruler reforms the palace and wins public support—an emblem of “Zhenguan prosperity.”

Film “sly eighth floor” adaptation “Beijing four ghost house,” one of Beijing Hutong White Pagoda Temple Fu Suijing eighth strange ghost legends, but also again in 1989 banned the movie “Black House Alone” again the big screen. Tells the story of Li Qing (including Ken ornaments) in order to create a ’60s came celibacy detained “monsters” waste solitary building. Check-in Day Qing Li seems to be invisible force pulling wandering in solitary building, and only he can see what others can not see the strange

Zhou Tao spent nearly two years in an eco-industrial park at the foot of the Kunlun Mountains. The result is a rich repertoire of images that swiftly alternate between natural landscapes of sandstorms, dust clouds and the changing seasons, and realistic portraits of humans and other species fighting for survival in a state of exception.

In southwestern China, state athletic coaches scour the countryside to recruit poor, rural teenagers who demonstrate a natural ability to throw a good punch. Moved into boxing training centers, these boys and girls undergo a rigorous regimen that grooms them to be China’s next Olympic heroes but also prepares them for life outside the ring. As these young boxers develop, the allure of turning professional for personal gain and glory competes with the main philosophy behind their training – to represent their country. Interconnected with their story is that of their charismatic coach, Qi Moxiang, who – now in his late thirties and determined to win back lost honor – trains for a significant fight.

Kang Qing from Chenlu Township is in love with Geng Fei, the rich girl. Disregarding his parents' opposition, Geng Fei went to Chenlu and Kangqing to restore the wood kiln process. However, Kang Qing died in a car accident. In order to fulfill the lover's last wish, with the help of Kang Qing's father, Geng Fei finally succeeded in firing the best kiln products, fulfilling the wishes of generations.

Two boys fall in love during Summer.

Every child has the right to education in China. But ten-year-old Anni is not allowed to go to school. Why? Her father is a dissident. Anni and her father moved to be closer to her older sister. The little girl was not in her new school long enough to get settled – the secret police took her away after three days. Her father was, as so many times before, being interrogated. The school preferred to not have anything to do with such a family, so they have refused to continue educating her. Independent Chinese director Zhu Rikun, camera in hand, follows the movement of activists who have joined forces through the Weibo social network to support Anni. Will peaceful protests in front of the school and a petition be enough to pressure the school to take her back?

Animation film about people dressing up as animals.

The filial poor hawker Ah Hui, a rich woman Jing and a young singer Jojo have suffered a wave in their career, life and love. One day, Ah Hui dreamed that he had made a fortune, and later met a mysterious man who could solve his problems. The mysterious man taught him how to change his fortune through feng shui. Since then, Ah Hui’s career has skyrocketed and life has begun to flourish. Jing has repeatedly lost on the road of love, and Jojo's singing career is difficult to develop, causes her to suffer from depression. In order to change fate, Jing and Jojo were introduced a feng shui master who was anonymous. Ah Hui met Jing and Jojo coincidently. Three of them started a journey to find a new Sheng Ji life grave, and hoped to reverse their fortune. However, everything is not as good as imagined, how will their fate change?

In the Chinese countryside, an old woman tells the story of her deceased son, while a little girl paints her dreams on the walls of the house. A personal and attentive perspective on the territory, which articulates the memory of a disappearing generation and the hopes of the one to come.

The story is about a bamboo shoot salter from a traditional market. She is also “a self-portrait artist” whose works were collected by the National Museum of Fine Art. Her name is LIU Yi-Lan. In her story, you can see a typical image of “old-time female of Taiwan”.

This film depicts the everyday experience of 'doing tourism' in two rural, ethnic tourism destinations in contemporary China: Ping'an and Upper Jidao villages. Focusing on the perspectives of village residents, the film portrays how modern, rural Chinese negotiate between the day-to-day consequences of tourist arrivals in their home villages and ideal projections of who they are and what their lives can achieve through tourism development.

The 23-year-old director, fresh out of university, lives at home with her mother and grandmother. She rebels against them but also tries to understand the generation gap between them. While she gets angry and questions their expectations of her as a woman (i.e., to marry and have children), she also gropes for the meaning of real love. Along with her mother and grandmother, the three women wring out their loves and hates with explosive strength. The director in her performance piece uses her own body to project the images of her mother, turning her lost loves into springboards, practically jumping out of the screen so she can shout with all her might.

Yi Kai grows up in a happy family like everyone else. It is not different to him. Until a parent day, he becomes the one that the classmates laugh at and bully. He gradually realizes that the fact of having two fathers is different from others. But ridiculous bullying does not disappear with his tolerance. You Xiang leads everyone to bully him again and again until Yi Kai shuts himself. One day, the teacher announces the topic of a reciting contest: "My Family". Yi Kai refuses to participate in the contest. After the teacher patiently encourages him, he decides to speak out to everyone through the contest. But this upsets You Xiang. An accident happens and causes the pain that You Xiang and Yi Kai could not erase…

An unnamed woman encounters three different people over the course of a day in Shanghai. Presenting herself as a blank canvas, she invites them to project their expectations onto her, performing the role they assign for her, before violently disrupting their worlds. Loosely inspired on Muriel Spark's metaphysical feminist novella, The Driverr is a meditation on gender, sexuality and social identity.

This movie is a story centered on the theme of protecting ancient tombs in the Western Regions. The protagonist Li Tianxiang and Dong Ling fight against The Crow, Da Rong, Ma Hong, Lin Lu Tao and others who want to rob the tomb, but in the end, with the unremitting efforts of Li Tianxiang and Dong Ling, the found ancient tombs from the Western Regions were handed over to the archaeological team, so that the national cultural relics were properly protected.

Wang Hongwei, who played the leading role of Jia Zhangke's "Xiao Wu" twenty years ago, is still playing a role in the new film directed by the young people; there are always crowd actors at the entrance of Beiying, they are looking for job opportunities that day or a place tonight; a The students in the art test class are preparing for the film exam. The two girls were excited to see the idol at a premiere; the projectionist in a small city complained about everything about the film, and he missed the previous red film; one A new film critic has participated in her first film festival, the Shanghai International Film Festival. They share various dreams: make a fortune, maintain artistic independence, and have a full meal.

Tender exploration of a disconnected relationship between a beautiful stage performer from China, who is trying to preserve her dignity, and a Malay motorcycle gangster, who clings on to their love hopelessly.

In the realm of medical purgatory, where the mind roams free as the body is being repaired, two patients form an unusual bond. Between science and spirituality, consciousness and dream, the blossoming relationship leads one to think about the purpose of life, and another, the utter meaninglessness of it.