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Friend, Well Come!

Among the Senufo people of northern Côte d'Ivoire, the balafon (xylophone with calabash resonators) is an emblematic musical instrument. Returning to Senufo country 40 years after his first encounter with balafon music in 1958, ethnomusicologist Hugo Zemp recalls memories of this and subsequent visits in the early 60s, before participating in a musical event of startling impact. Six orchestras, playing simultaneously but independently, circle with the dancers around the deceased person, who is swathed in fabric by the men before being buried.

Friend, Well Come!

NR 2002
untitled part 4: terra (in)cognita

The film focuses on fragments of history, pre-European contacts, interactions, and colonization of the Kelowna region (south-central British Columbia) through the stories of several N'Syilx'cen (Okanagan Nation) speakers. It traces the links and correlations between periods of extermination/disintegration, assimilation, and marginalization up to their present day and their context of belonging to First Nations. Sites of social and historical significance are juxtaposed with the current realities of the region's "landscape." An experiential video that lends itself not to an exhaustive study, but to a sifting through the layers of time and the present, to inconclusive but incisive speculation, in a history that has been lived and survived.

untitled part 4: terra (in)cognita

NR 2005
Le corps sublime

Fiction-documentary about the short life of the photographer Francesca Woodman (1958-1981) who used to photograph herself, mostly naked in strange places, until she committed sucide. American photographer Francesca Woodman is best known for black-and-white pictures of herself and of female models, which still draws new fans. Many of her photographs show young women nude, blurred (due to movement and long exposure times), merging with their surroundings, or with their faces obscured. Years after her suicide at the age of 22, her photographic works became the subject of much attention, including many exhibitions and books.

Le corps sublime

5.0 2007
Out of (K)nowhere: un film d'Anne Prat

Very little was left of the film by Anne Prat, a brilliant student who studied cinema with me at the University of Paris in the 1970s. Anne Prat was not just any student. Three weeks before summer break in 1976, even though she had not taken part in any of practical lessons, she presented a short film, shot in the Brakhage style, which surprised all of us with its technical mastery. She informed me she was going to stop studying and go to Australia, and that her film was just the beginning of a larger and more complicated cinematographic work. She had left me the material for her film at the university, in a big box, and asked me to pick it up. At that time, I had no idea I would never going to see her again… (C. L.)

Out of (K)nowhere: un film d'Anne Prat

NR 2006
Schuss!

Rey's first feature film begins as a stylish quasi-verité documentary about everyday life in a modest French ski resort. Gradually the film's attention shifts and discovers the dominant presence of the aluminum industry in the area steadily reshaping the region and threatening the resort itself. Shot on grainy 16mm treated with extreme photochemical techniques, the fable about industry and capitalism is an exploration of landscape as a hidden set of signifiers of power. - Harvard Film Archive

Schuss!

3.6 2005