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Blood Hunt

Jim Hart, a young man who is down on his luck is approached by a lawyer, Steve Hall. Jim was adopted at birth and Hall reveals that he stands to gain an inheritance from his real father, wealthy anthropologist and explorer Alexander Moss. What Jim doesn't know is that 25 years ago, Moss attacked a tribe of vampires, the Drell Vorgora, in the Andes in order to steal a rare necklace. The tribe believes that guilt in hereditary, so when the vampires discover that Moss (who they have already killed) has a child, they come to hunt him down.

Blood Hunt

NR 1995
Du Salon indien au multiplexe

From the first paying public screening on December 28, 1895, at the Grand Café in Paris, to the present day, this film tells the story of movie theaters over a century of existence. Accompanied by a commentary, a skilful montage of archive footage, some of it previously unseen, traces this evolution - from the golden age of the Gaumont-Palace and the Grand-Rex to the era of multi-screen complexes - illuminated by memories and testimonials from exhibitors, architects and cinema professionals.

Du Salon indien au multiplexe

NR 1995
Nervous Energy

Tom is a young man with AIDS living in London with his lover Ira. The disease has exaggerated Toms nervous energy and in his manic state he suddenly decides to go to Glasgow to visit the family he hasn't seen in ten years. His brother Ian is thoroughly disgusted by his lifestyle and only his mother shows any compassion for him. The visit soon develops into a nightmare as dementia sets in and Tom's health rapidly declines. Finally, events come to a head and Ira has no choice but to force Tom back to London, where he expects him to die at any time. After treatment, Tom gets a brief reprieve, having discovered that his real family is his adopted one in London.

Nervous Energy

4.7 1995
Der Tod zu Basel

Mysterious deaths are occurring in Basel: people are dying out of the blue in public with no apparent cause of death. The coroner, Professor Rüegg, the cantonal doctor Zäslin, and politicians are at a loss and becoming fearful. There are even serious considerations to cancel the upcoming carnival. Rüegg's assistant Andreas Zinstag, who is also dealing with the deaths, lives with his uncle, Jean-Jacques Zinstag, a retired doctor. The latter begins to take an interest in the mysterious deaths. Among his friends, Zinstag develops the theory that people are not dying from a specific disease, but from "death" itself. The Grim Reaper himself is making his presence felt in Basel, as he once did in the Dance of Death.

Der Tod zu Basel

3.7 1992
There's No Business...

There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.

There's No Business...

9.0 1994
The Subversive Camera

The history of the GDR Super-8 scene—an underground art movement that produced films outside official channels in the 1980s—produced by Cornelia Klauss, herself a Super-8 artist. The Stasi (secret police) monitored this rebellious scene closely. Female artists Ramona Köppel-Welsch, Cornelia Schleime and Christine Schlegel, among others, talk about their art and films, their experiences as artists in the GDR, and how their work changed after the Wall came down.

The Subversive Camera

NR 1996
Circle of Fear

Michael Woods stars as Tony Giordani, a narcotics agent who learns that his wife has been murdered while he is recuperating from an attack by a mysterious stranger. His boss thinks it's a Mafia vendetta, but Tony follows the clues to an empty house which his wife had been photographing on the day of her murder. There, he finds a burned corpse and several clues leading to the Full Moon Killer, who has been decapitating prostitutes around the city. The owner of the house is an insane countess, whose escape from an asylum leads to yet another murder. Before long, Tony and his partner, Lisa, with whom he is engaged in a passionate affair, find themselves targeted for murder unless they can solve the case.

Circle of Fear

3.5 1992
Contacts: Sophie Calle

Sophie Calle often defines herself as a "narrative" artist. Her photographs are items of evidence through which she tells stories that are both ordinary and disturbing, using her own life and experiences as the raw material for reconstructions that hover somewhere between truth and fiction. The Contacts collection is an invitation to discover the artistic approach of the greatest contemporary photographers from an original angle. Through a series of images (contact sheets, proofs, prints and slides), with a commentary by the photographer, the viewer enters the secret world of their creation and is guided into the heart of the photographic creative process.

Contacts: Sophie Calle

NR 1997
Stolen Lives

“My life was wasted. I was 19 when I went in… all my life’s gone. I could have been happy.” Meanwood Park Colony for mental defectives opened 1920. One man, Samuel Wormald, stalked the teenage mill girls, forced them into his car, and took them straight to Meanwood. He rounded up more than 2000 mill girls, factory workers and children in the Leeds area, who were incarcerated. This film was made as the Colony was closing, and men and women who had been incarcerated against their will for more than 40 years were being set free. Now living independent lives in the community in their old age, they tell their dreadful stories.

Stolen Lives

NR 1994
The Last Real Men

Disappointed by failed relationships and the demands set by local women, more and more Austrians search for happiness in a marriage with women from Thailand and the Philippines. Asked about the positive properties of their Asian spouses, the answer of the Austrian husbands quite often is, "They don't talk back." Protagonist of the film is Karl S., a teacher in Vienna in his forties. Following his failed marriage he is now seeking a durable partnership and is on the lookout for a wife who doesn't question her traditional role. His solution: a wife from the Far East. Karl S. rounds up experiences and visits several mixed couples to get a clearer picture and to have his idea proven right. The film accompanies him on his search for the ideal woman and gives an insight into the imagination of these "last real men" who at the beginning seem to have hit the jackpot with their decisions

The Last Real Men

7.8 1995