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Mortadelo & Filemon: The Big Adventure

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

Mortadelo & Filemon: The Big Adventure

5.9 2003
To Our Friends

An intimate documentary exploring friendship, resilience, and love among a group of young people in Madrid. Through a cinéma vérité approach, the film captures their struggles, aspirations, and moments of joy amid economic uncertainty. A central thread follows Sara, who falls in love with another woman, navigating the excitement and vulnerability of new love. Her journey of self-discovery unfolds organically, adding depth to the film’s broader themes of identity and connection. With its raw, unscripted storytelling, To Our Friends offers a poignant look at contemporary urban life and the enduring bonds that sustain us.

To Our Friends

NR 2025
Fragments of Love

Rodrigo, a piano-tuner and former composer fallen on hard times, begins a love affair with the soon-to-be-married Susana. When a bomb in the city of Medellín nearly kills them, Rodrigo and Susana surrender to their attraction and fall into each other’s arms. Cocooned in her apartment above the vibrant city, Susana opens up to him every night and tells him a story of each of the different men from her past. Her stories inspire him to compose again, but his obsession makes him jealous and paranoid. When Susana finally leaves her fiancée to be with Rodrigo, he becomes obsessed with her fidelity.

Fragments of Love

5.5 2016
Codo con codo

Bruno and Micky are two young people who abandon their studies to dedicate themselves to song. When Bruno meets Mayte and becomes a fashionable singer, he forgets about his closest friends. But success is short-lived ... One of the most delirious manifestations that Spanish cinema saw of the 'ye-yé' hatching, with an absolutely priceless Micky, half-self-interpreting, like Bruno Lomas and Massiel. The story revolves around the desire to succeed that drives the trio, as well as the romantic relationships established between them. Seen today, it must be as delicious as it is moving, especially considering that it premiered a year before Massiel caused a national earthquake by winning at the Eurovision Song Contest with the famous "La, la, la".

Codo con codo

6.5 1967
Nada+

Carla, a young postal worker in Havana, spends her days postmarking thousands of letters and dreaming of the day when she can be reunited with her parents, who moved to Miami when she was fifteen. To fulfill her longing for intimacy, she opens random letters and rewrites them into lyrical prose, believing she is helping her fellow Cubans understand one another better. Beautifully filmed in black and white accented by brilliant colours, Nada+ has a stunning visual composition. With its delightful mix of visual humour, theatrical characters, satire and a lighthearted love story, it has a distinctly Cuban flair.

Nada+

6.6 2001
The Salvation Poem

Pablo Olivares is a lively and talented child born into a Christian family. His mother, Carmen, devotes her time to teach him biblical principles and cultivates in him a love for music. His father, Roberto, spends most of his time working, which keeps him busy and distant from Pablo's life. Because of his father's emotional absence, Pablo gets involved with friends who introduce him to the world of rock n' roll, and becomes captivated by occultism. His musical talents are evident, and even though Carmen believes in him, rock is something that she will not condone. The pain caused by his father's absence and his mother's rejection of his dreams, incite in this young man a hate which he slowly directs towards Carmen and the religion she professes. Driven by his ambitions of success, Pablo makes a pact with the devil. Carmen does everything she can to re-establish her relationship with her son, and faithful to her beliefs, she prays earnestly for him for more than fourteen years.

The Salvation Poem

7.2 2009
When They Left

When the colourful ice-cream van rides through the deserted streets of the village, there are no children trailing behind it. In Plazuela, a peaceful hamlet lost in a mountainous region of Ecuador, only a handful of old ladies remain, who are all widows. In the gloom of their houses, photos of those who are gone hang on walls: husbands who have passed away a few years earlier, children gone to work in the big cities or abroad, and grandchildren who have grown up far away from them.

When They Left

NR 2019
The Streets

Las calles could be regarded as a film about words, about describing and naming, about secrets and confessions, and about language as the matter of memory. In a dialogue between generations, young people are responsible for elaborating the question, and School is the place that tries to come up with a technique for it. In turn, the elderly answer through their stories, which are basically the story of the town. And like the word –which is always a fiction– builds a reality, the film sustains its tone on that intermediate area in which a fictional setting provides the conditions for the pure documentary genre to mark the pace and reach out to people.

The Streets

10.0 2016