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Red News

RED NEWS (1962-67) considers the interplay between media, entertainment, and violence. "I also had Red News simultaneously, that magical little film that I also found mystically by closing my eyes and putting my hands up in front of a whole wall of 16mm films and I just pulled it and it was this perfectly remarkable compendium of disasters, a little feature that they showed at contemporary movies, Movietone or something, and it was just one disaster after another. A boat blows up, motorcycle racers blow up. It was very satisfying, one explosion after another, and then it cut to Santa Claus appearing for the American Legion."

Red News

NR 1967
The Further Perils of Laurel and Hardy

Film historian Robert Youngson presents a feature-length anthology of rarely seen silent films by comedy legends Stan Laurel and Oliver Hardy. Along with clips from many of the shorts that made the duo stars, it includes clips from a 1918 comedy starring Laurel on his own as well as scenes from three shorts Hardy made in 1917 and '18 with his original comedy partner, Billy West. To put the duo's work in context, the film briefly features other comedians who worked with producer Hal Roach.

The Further Perils of Laurel and Hardy

7.0 1967
Square of Violence

Set in Italy, the story takes place in this very country, during WW2, where German occupation army ruled everything, just before the allied forces came, in 1944. Crawford plays here a doctor whose son has been shot by the Germans. Of course he has no more taste in life. He continues his work as a German officers' physician. One day, he throws a bomb just in the middle of German troops. Many soldiers and officers are killed. Some time later, the lead officer of the Nazis troops suspects the doctor to be the responsible of the explosion. He lets him know that he himself knows...

Square of Violence

6.4 1961
Time & Fortune Vietnam Newsreel

Jonas Mekas zoomed in from a completely different angle for his Time & Fortune Vietnam Newsreel. This fake interview with ‘Lapland’s Minister of Foreign Affairs’ brings an outsider’s perspective to bear on the US war, and discusses with ironic perplexity if it might not be possible to kill off the Viet Cong more cheaply. For, whilst white students in the US primarily took issue with the war in South-eastern Asia, African-Americans remained predominantly concerned with their own situation. For them, daily discrimination at home and the Vietnam War were simply two faces of the same racist coin

Time & Fortune Vietnam Newsreel

5.8 1969
Home for Life

Depicts the experiences of two elderly people in their first month at a home for the aged--a man, isolated from the world he knew, and a woman, wrenched from a family setting. The film focuses on the feelings of the two new residents in their encounters with other residents, medical staff, social workers, psychiatrists and family. A touching, sometimes painfully honest dramatic experience, it is valuable for in-service staff training, and for all other audiences both professional and non professional, interested in the problems of the aged.

Home for Life

8.0 1966
The Smugglers' Pony

The film is set in the early 18th Century and involves smugglers and preventative officers. The on-shore leaders of the smugglers are a rascally lawyer and his wife who organise regular 'runs' of contraband. Richard Merivale, a wealthy young boy, whose parents are believed to have been lost at sea comes to live with them. By his efforts and with help of local children who endure many exciting adventures, the gang are brought to justice and Richard is reunited with the father.

The Smugglers' Pony

NR 1962
Death May Be Your Santa Claus

Frankie Dymon's Death May be Your Santa Claus (1969), arguably Britain's first and only example of a 'black power' movie, in which themes of sexual and political identity encircle one another in the context of a hip and hippy London of the late 1960s, suspended between the cinematic radicalisms of films such as Roeg's Performance, Godard's Sympathy for the Devil in which Dymon played a leading role, or Boorman's Leo the Last. Thought lost until quite recently, this inscrutably-titled film is described as a 'pop fantasy' and offers an intriguing look at 60s sex and politics from a black British perspective.

Death May Be Your Santa Claus

5.7 1969
Horny Hobo

A young dude, panhandling in the streets of suburban Smutville U.S.A., gets the chance to earn some bread by washing windows but ends up watching bimbos instead. Peeping through the first window he¹s about to clean, he watches two peach-titted lovely lesbos, Miss Cute and Miss Cuter, as they happily bump beavers in bed. When the gals finally discover him, they drag his horny hobo ass inside and take turns rubbing his bindlestiff raw, while he noses around their sweet little snatches, sneaking licks at their ripe cherries. It’s all like some wild Hatha Yoga session as they assume positions no sex-starved swami could possibly dream up. And when Cute and Cuter are all banged out, another gal, Miss Cutest, a brunette with pigtails and perfect breasts, drops into bed for a bout with our hobo. After her, Miss Cutest Of All appears, a platinum blonde who’s really got the goods.

Horny Hobo

5.0 1969