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Skinnings

MUES is a film of many shadows and only few but glaring lights. It follows the transformation of an intimate place in the outskirts of Paris, home to immigrants and myths, into a prestigious real estate project. The journey of the building is mirrored in a hurtful switch from 16mm footage to a computer simulation. While mastering the risk to get lost in the jungle of voices passing the troubled spot that is a Parisian banlieue today, Daniel Nehm captures an “image juste” of contemporary transformation via the act of cleansing, ignoring and the destruction of dreams. (Patrick Holzapfel)

Skinnings

NR 2017
Every Soul of my Body

After the passing of her mother, Lorena finds the diary that she kept all her life. The entries allow her to discover a different woman. Having grown up in the worship of her father who fought as a partisan during the war, Lorena realises that she must start digging in the secret story of her mother if she wants to understand aspects of her own life. The pages of the diary feel like a book from another time. Working as a nurse, her mother was covertly working for the partisans passing them intelligence that she astutely acquired from wounded German soldiers by administering more morphine than usually required to ease the pain.

Every Soul of my Body

7.0 2017
Un Figuier Au Pied Du Terril

Filmed in Libercourt in the Pas-de-Calais, "Un figuier au pied du terril" orchestrates various testimonies, in particular those of Nanass and Hélène, two grandmothers of Algerian and Polish origin respectively, highlighting in turn the colonial management of the working-class population, male domination and the residential segregation to which Nanass's descendants are still subjected.
The dialectic of the film does not exclude moments of poetry, in Nanass's garden, where the fig tree, which is the same age as Nanass's stay in France, is still cherished even though the cold prevents it from bearing fruit. The humble tree from the South transplanted to the land of the North is seen as an allegory for the family of this amazing grandmother, forever uprooted but still standing, who continues to hope for the good days when her "family tree" can finally bear full fruit...

Un Figuier Au Pied Du Terril

NR 2017
Washi MM

A video documentation of a live performance at LUX in London, 2017. In 2003, I saw Drawings for Expanding Permutation (1969) by the UK artist Mary Martin at a gallery in London. Paul Martin, Mary Martin’s son, kindly gave me a book with pictures of her drawings that I constantly refer to for my Washi Series. This is a set of films and performances, made in response to Martin’s work, that uses the patterned colors of adhesive Japanese washi tape applied directly to clear 16mm film. These patterns are also responsible for the optical soundtracks of the films. In Washi MM three 16mm projectors are used as live instruments of performance to explore rhythmic patterns of color and sound created by the overlays of washi tape.

Washi MM

NR 2017
Fairport Convention: Folk Heroes

In the late 1960s, a group of North London musicians shook traditional English folk music to its roots by fusing it with rock - simultaneously outraging the purists and delighting a new and devoted audience. Through new interviews with the band including Richard Thompson, the film examines how the group survived tragedy when their drummer was killed in a car crash early in their career, followed by the tragic death of lead vocalist Sandy Denny; and how they overcame numerous line-up changes to continually reinvent themselves by discovering and recruiting some of the finest virtuosos in the country.

Fairport Convention: Folk Heroes

NR 2017
Lost Children. Thirty Thousand Minors Missing

There are thousands of them. Children. Aged between nine and sixteen. They come to Europe from the middle East and Africa, and now they are on the move across our continent – alone, with no adults to accompany them. A blot on European immigration policy. Of all people, minors whose young age should guarantee them special protection and speedy integration into the new society, slip effortlessly through the net of the inadequate security afforded by European asylum procedures, escape to wherever they can, and are easy prey for criminals both from their own home countries and from Europe. Since the beginning of 2014 at least two hundred thousand unaccompanied child migrants have managed to cross Europe's borders. But according to the authorities, at least ten thousand of them have simply vanished en route. These are children, and one estimate of unreported cases puts the figure at twice or even three times that. Who are these children, and how did they manage to make themselves invisible?

Lost Children. Thirty Thousand Minors Missing

8.0 2017
Diffrerent

'Diffrerent' is an animation that explores neurodiversity learning disabilities such as dyslexia. The film follows an ant’s journey, as it breaks from its chain-like system, as a metaphor for those who are unable to fit in. There’s always been this feeling of without Dyslexia who would I be? As it’s such a large part of me as a person and in everyday life. This film explores this area of my life by looking back at a childhood hobby, the collection of insects, and the problems I experienced when I was younger and still as an adult today. Some days I can wake up and not be able to remember my full address and other days I can. However the previous hobby and study of insects always remained. I’ve always felt out of place, out of the normal system, and in time while having this feeling I’ve found other ways of coping. The film aims to be more of an understanding of the past and present that can give back a positive attitude to dyslexia within society.

Diffrerent

NR 2017
La botta grossa - Storie da dietro il terremoto

The 30th of October 2016 an earthquake hits Central Italy. It is the strongest earthquake registered in Italy in the last 40 years: a magnitude 6,5 with epicentre in between Perugia (Umbria) and Macerata (Marche) devastates the whole area of the Sibillini mountains, where the director was born and grew up. Starting from his own demolished house and from his own pain, Baldoni takes a journey "from inside" the experience of the earthquake to tell the deep fears, the trauma, the anxiety, the rage and the hope of the people whom's life has been changed by these events.

La botta grossa - Storie da dietro il terremoto

6.5 2017
Bare-Handed

Martin Meyer is an Imam called Husamuddin. Imam Meyer fights his own war against ISIS by teaching the Koran. He deals with religious training and his students are the inmates of the Wiesbaden prison, in the heart of Germany. Imam Meyer knows these inmates well, some of them are returning fighters, they went to Syria to join ISIS and then fled back to Germany. They all are Germans citizens, second or third generation's immigrants coming from Islamic countries: misfits, excluded, marginalized and fascinated by the words of the ISIS recruiters. Prisons always have been a fertile ground for the seeds of revenge, social redemption and hatred.

Bare-Handed

NR 2017