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Gudrun

Gudrun is a teen-aged girl living in Germany during World War II. Her father is away serving in the army and her mother has sent her to a rural village to stay with her grandmother, a cafe proprietor. In that ironically idyllic setting, Gudrun frolics with a youth who yearns to join the Hitler Youth, though his father is a pastor who has been outspoken against the regime and will soon be arrested. Meanwhile, Gudrun's mother has been having an affair with an army officer. This causes grave difficulties when her husband, who has deserted and is hiding out in grannie's cellar, stumbles upon the couple.

Gudrun

7.0 1992
Journey into the Past

With her daughter Anita, a young singer, the widow Marianne von der Halden undertakes a journey into the past. She wants to see her former admirers again. One of them is the chamber singer Paul Schneider, who only remembers his childhood sweetheart with irony. They meet the former student Werner Birkner at his wedding, where Anita meets the teacher Michael Brantner. But the encounters make no impression on Marianne. Until she meets her former great love again at a concert given by her daughter, the general director Elmers. The concert is a resounding success and Marianne reconnects with Elmers, who is still unaware that Anita is his daughter.

Journey into the Past

6.0 1943
The Funeral Dancer

“The Funeral Dancer" navigates the life of "Jazz," a skilled funeral entertainer thriving in a world where funerals symbolize social prestige. In this realm, these ceremonies are not only obligatory but also serve as platforms for entertainment, with Jazz responsible for captivating and engaging attendees during these poignant gatherings. Expectations are high, morals are low. While Jazz tries to entertain the mourners, she is forced to face severe problems of her own.

The Funeral Dancer

10.0 N/A
Rembetiko Road

Sonja has reached her limit. As a lawyer, she has been advocating for asylum seekers whose applications have been rejected. But the emotional and professional strain of this work has taken its toll—she is burned out. Now seeking a job with less responsibility, she encounters people who share their stories on camera. REMBETIKO ROAD moves between fiction and documentary, gradually painting an increasingly vivid portrait of life in Berlin - its everyday working realities and the individual’s place within the neoliberal economic system.

Rembetiko Road

NR 2014
Urban Solutions

An european artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.

Urban Solutions

NR 2022
Don't Be A Stranger

Seventeen-year-old Charles from New York is supposed to do an exchange with a family of musicians in Berlin at the request of his two mothers. But instead of ending up in the capital, Charles finds himself in the depths of the Black Forest, where Western fan and gun enthusiast Fränk runs a cattle farm, living his very own dream of freedom and adventure. Charles is confronted with an image of America that is completely foreign to him, and he wants only one thing: to get away!

Don't Be A Stranger

NR N/A
Ivo

Ivo works as a palliative home-care nurse. Every day, she visits families, couples and single people. They live in small flats and large houses. They all have different lives and deaths. They all have different ways of dealing with the time that remains. At home, Ivo’s teenage daughter has long since become independent. From morning to night, Ivo drives around in her old Skoda which she has made into her personal living space. Here, she eats her meals, works, sings, swears and dreams. One of her patients, Solveigh, has become a close friend. Ivo has also formed a relationship with Solveigh’s husband, Franz. Day after day, the two work together to care for Solveigh. And they sleep with each other. Solveigh’s strength is diminishing and she soon has to rely on support for the simplest tasks. She wants the final decision to be her own: she wants Ivo to help her die.

Ivo

6.2 2024