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1983: O Ano dos Videogames no Brasil

1983: O Ano dos Videogames no Brasil tells the story of how video games, as a new form of entertainment, officially arrived in the country in 1983, but it will also bring information about the before and something about the after. The focus is essentially on devices that preceded the cartridges, such as Casio's game watches, Game & Watch handhelds and PONGs/Telejogos, but mainly - and especially - the first national generation of video games itself, the Odyssey generation, the Atari 2600 and its clones, Intellivision and SpliceVision (ColecoVision).

1983: O Ano dos Videogames no Brasil

10.0 2017
A Propósito de Willer

In this short, Willer’s poetic images and his voice dress the streets, the skies, the avenues. Here is Willer, the great poet and living legend of the sixties generation, in front of the camera, letting us into his universe, which Priscyla Bettim & Renato Coelho approach as a poetic encounter, in which experimental cinema becomes a powerful catalyst for his poetry. From an erotic and personal approach, the filmmakers give substance to what Willer states...or perhaps it’s the reverse: it is the images that coexist freely with the sound field of words and music.

A Propósito de Willer

NR 2016
Arara: A Movie About a Surviving Movie

In 2012, Rodrigo Piquet, from the Museu do Índio, showed Marcelo Zelic, from the group Tortura Nunca Mais, a film he had found called ‘Arara‘. The title did not refer to the animal, nor to the people known by that name. Zelic underline it as an important probative record on the teaching of torture during the military dictatorship. They were images of the graduation of the Guarda Rural Indígena, in Belo Horizonte, produced by the anthropologist Jesco Von Puttkamer (1919-1994) in 1970.

Arara: A Movie About a Surviving Movie

NR 2017
Cinéma Casino

CINEMA CASINO is a film that looks at the aesthetics of traditional and pop dance forms experienced by young generations living on La Réunion, a French overseas department in the Indian Ocean. Concentrating on the expression of bodies in movement, the piece frames cultural manifestations historically linked to anti-colonial resistance alongside contemporary trends aligned with a consumer-based industry embraced by emerging economies today. The registered dance sessions involve individuals and groups that perform in a staged event at "Le Casino", a cinema and theatre hall built in the 30's that also served for meetings of the worker's union of the city's port.

Cinéma Casino

NR 2013
São Paulo: Three Visual Essays

São Paulo: Three Visual Essays redeems key characters of the city, with photographs taken in 1862, such as the ones by Militão Augusto de Azevedo, then onwards through the 20th century, with shots by Alice Brill, and finally through the 21st century, with pictures by Mauro Restiffe, among others. The visual communication of the city is presented since the painted walls of the 19th century to its neon lights and billboards by the 20th and 21st centuries. It also accompanies the grand transformations the city has gone through. Within the course of a hundred years, São Paulo, which started out as a village, transformed into one of the world's greatest metropolis.

São Paulo: Three Visual Essays

NR 2017