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Made in 2008–2009, Taiwanese artist Chen Chieh-Jen’s Empire’s Borders conveys the real-life experiences of women who have attempted to cross Taiwan’s borders: first, Taiwanese women denied tourist visas to visit the United States, and second, women from mainland China who have married Taiwanese men and have been denied permission to enter or remain in Taiwan. Shot on 35mm film in stark black and white, each woman relates her story in her own words. The bureaucratic settings for these short monologues recall the interview centre or airport immigration hall where the encounters originally took place.

Director TSENG occasionally began to record the daily life of her mother, out of the need of completing her documentary assignment at school. The films presents a mother's persistence when facing difficulties and her love for her children. In the meantime, interactions and conversations between mother and daughter are revealed spontaneously.

Suat-ah is a contrary and stubborn woman, One day, she suddenly left, and we lost her before we had time to say anything. Suat-ah is my mother. The son tried to reconstruct the documentary of his mother's memory figure in the non-existent reality, hoping that the memory and warmth of his mother could remain in this world.

A young woman in an old town is looking for a place to stay. How does her gaze differ from the goddess's?

Drawing on the first-person accounts of former postal worker and political prisoner Hsu Chin-Yu and her peers, this documentary confronts the grim fate of some who dared to oppose the authoritarian regime of 1950s Taiwan.

In 2021, an orchestrated coup d’état in Myanmar shuts down the country. Gao Gao, who can no longer go to school, spends his days with his friends in the village, passing the time by playing with toy guns, going through life as if nothing has changed despite the unrest around him.

While suspended from a crane eight storeys up in the air, a man performs a guitar solo. The act staged in homage to a failed art project from 20 years ago is one of several moments in Taiwanese history that artist Hsu Che-yu unearths and reanimates.

Centred on the interwoven relationship between nature, spirituality and ritual, Charwei Tsai's​ "Lanyu — Three Stories"​ portrays the everyday life of the Tao people.​ Telling three short stories, the video is a journey into the indigenous communities that live in Lanyu, a rocky island off the southern coast of Taiwan, which controversially houses the nuclear waste of the country's three nuclear reactors.

This documentary tells the sorrow and helplessness faced by villagers in Nansalu Village (Ming Tribe) of Namaxia Township at southern Taiwan, a hard-hit area by typhoon Morakot. The twelve short stories about homes depict the kind of emotional entanglement experienced by the tribal people after going through a drastic disaster. These stories portray the cruelty of reality and allow the audience to see how it forges endurance of life.

"The Yang Notes" records a legend about a mythical creature known as the "Shahuadu" (shark-deer). It is said that in western Taiwan, residents often share tales of this bizarre creature that can switch between the form of a deer and a shark; when on land, it appears as a deer, but when it enters the water, it transforms into a shark, retaining a One day, a half-fish, half-deer creature with antlers crawled out from a fish pond filled with black water, slowly making its way towards a town that continuously discharges waste. Is it the manifestation of the mythical creature from legend, or a "fish pond monster" conjured up by the local residents

This film is dedicated to the house that has anchored a home for my family for over 30 years: Chang Chun, my grandmother’s house. Just like the fate of several old buildings in Taipei, she will be demolished by the end of this year.

If infants were born asexual, they could choose their sex organs: breasts, genitals, or phalluses, according to their wishes. Proposes a new imagination for the human body and reflects the phenomenon of modern society. Nowadays, people have multiple roles and enjoy the right to choose the gender they prefer.

A woman’s boyfriend is missing but he returns as a vampire and then things get weird.

River Without Banks (2014) takes poetry and war as its main theme. As homage to Death of a Stone Cell, the film is structured into ten segments; each led by the first lines of the first ten stanza of the poem. Correspondences between the poet and his friends are incorporated throughout, taking the audience back and forth between Lofu's youth and middle age, only to eventually depict a full picture of the protagonist. The camera follows Lofu on his trips back to the bomb shelter and tunnel in Kinmen and his hometown Hengyang in Hunan Province of China, while also capturing his daily life in his adopted country of Canada. Acclaimed as the "Wizard of Poetry", Lofu shares through the film of the most insightful reflections.

A boy's adventure in the ancient temple where were burned by the mysterious reason.

A pregnant woman awakes at the start of a day. The camera invites the viewers along with a placid, light-feeling view, as she goes about her day, taking into view unhurried pedestrians, tricycles, a traditional market place, and a plain city still unencumbered by high rise buildings.

A lonely photographer, who developed the same photo of his ex-lover every day.

The film focuses on Cao Liou, a 25-year-old drag queen. The explosive creative energy he delivers is stunning, but at the same time, he also displays his egotistical nature and wanton lifestyle. Director Pan Hsin An is the same age as Liou. He peeps into Liou’s life through a camera lens, questioning and exploring. During the filming process, the two often fail to understand each other, and each has his doubts about the other. But in the end, at opposite ends of the scale, they find the same desires behind huge differences.

Hong Kong is facing tyranny, and a pair of brothers are marching on their own ways in the revolution. However, the horror is approaching, and it’s like this city knows everything, it reborns after it collapses. There seems to be a huge energy behind this, asking inwardly: What is the fight for?

This is a story about a father who drifted from New Zealand to Taiwan to look for his missing son. Although his son was never found after many fruitless searches, he gained love and friendship from many Taiwanese. This documentary tries to trace a father’s journey for searching his beloved son as well as to present how he recovered from his initial pain of losing son and turned it into his love for Taiwan at the end.

By constructing, re-filming and hand animating the photographs and objects, island is no more an geographical term, but a state of mind, in which the film as a process and medium to express nostalgia and reexamine my relationship among land, nation and identity.

She moves to Taipei with her mother. years later, she runs away, and returns to her childhood home.

This is a story about individuals from small, geographically marginal communities who still maintain a connection with nature, illustrating how they honor their ancestral hunting culture by reinventing and reinterpreting it.

The protagonist Junnan went to the hospital for a check-up due to his dizziness. On New Year's Eve before the holiday, he received a call from the hospital informing him that there was a tumor in his brain and he needed brain surgery within ten days. Faced with this sudden and significantly shocking news, he decided to seize the time to capture beautiful memories of traveling with his wife. Despite the concerns from his friends, Junnan decided to complete this film based on his personal experience with his wife, striving to cherish this extraordinary journey of life.

This restrained, documentary-like work explores the central role the manufacturing industry has played in Taiwanese history and the way in which this history continues to haunt it today.

Jie Yu grapples with family issues and his growing feelings for his friend Yan Shiu, torn between friendship, love, and his own emotions.

2013／HD／Color／52min／

On a mountain climbing trip, a man falls into a mysterious forest. In a trance, he beholds a woman in white approaching. Tempted to stay but yearns to escape, he repeats this cycle day and night. Failing to locate the exit, he gradually wanes and ages, finding himself lost both in the forest and in time.

Fei Lung kills his boss in a mining accident. After serving a jail sentence, he returns to his village and finds his former girl friend married to Ju Hu. Ju Hu has gambled his family's fortune. He then sells his house and land for more gambling money. He loses it all, after being cheated, and is then beaten to death by gangsters. Fei Lung is captured and framed for Ju Hu's murder. He is taken to jail but escapes. After a bloody fight with three gangsters, one of them confesses to killing Ju Hu. There is a tremendous battle between the police and the Gangsters. The Gangsters are defeated and Fei Lung's enemies are killed.

Li Yi-Fan’s What Is Your Favorite Primitive (2023) narrates “a death match” between the artist and their software while grappling with the production process. In a fight between social and ethical concerns, it also raises questions of image production and communication.

Taking care of the children on their own, a group of women just realise how ignorant the whole society is, regarding the daily needs of mothers and children. In this film, the filmmaker shares her own experiences with two other women caught in the same dilemma.

This documentary chronicles a strike of a computer memory due to the human needs for images. The automatic generated images by a mac and Davinci Resolve reflects the reciprocal relationship between the value of human labor and the so-called professional equipment, as if the work could be done without human involvement, it really is bullshit jobs.

We are comforted by facts, by the familiarity of things we know to be ‘true.’ The sun rises in the East. There are twenty-four hours in a day. I exist. These truisms simplify our lives, enable us to get through the process of living. We are not afraid to leap into the air, because we know we will land on the ground. So we get by, day by day, until that unexpected moment when we are overwhelmed by the whisper in our hearts as we are sitting in a bustling coffee shop or walking down a crowded sidewalk, or as we are lying in bed with a loved one, nestled together... Despite all of our knowing, we will never be known. All That Remains is a meditation on the fluid boundary between dream and reality, fear and desire. It is an invitation to see and be seen.

Eighty years after World War II, memory clings like frost to glass-blurred, fractured, yet never fully fading. Filmmaker Ming Chun retraces the forgotten journey of Taiwanese soldiers conscripted by Japan, captured by the Soviets, and exiled to Siberia. From departure and defeat to captivity and return, he follows a path of war and displacement-toward a home that no longer felt like home. Across Taiwan, Japan, and Russia, he searches for traces of their lives-abandoned camps, fading photographs, fragments of memory-while opening a dialogue across three generations: elders whose recollections falter, children burdened with unanswered questions, grandchildren confronting fractured identities. When history falls silent, what do we hear? And where do restless souls finally belong?

When working in Tokyo, Erika embarks on the journey of stepping outside the role prescribed by her biological sex and relieving the suppressed feminine self. This film documents Erika’s life journey of gradually building up her ideal body image, including the sexual reassignment surgery (SRS). Through Erika’s experience moving between Japan and Taiwan, as well as male and female identities, the film sheds light on the unique life experience of transgender people.

In this documentary, 60 men living in 7 cities were interviewed to see what they were looking for, revealing their experiences of love, lust, and lost as gay people in modern times.

Lovers Journey

That Photograph is an 8mm experimental film made from an animated still. From the Czech photographer, Josef Koudelka’s photography book, KAO chose a photo of his family beholding a body and made copies of it in a myriad of ways. The photo and the camera are stationary; however, the relationship formed between them through production is in motion.

Hua Yang and Afa are two competitive freediving athletes. One is focused on breaking the deepest record in Asia, while the other aspires to claim the crown of Taiwan’s top freediver. Both received invitations to compete in the prestigious Blue Hole Vertical Blue Depth Competition. This documentary follows their journey from land to underwater,capturing their contrasting styles and perspectives as they merge in the tranquil yet mysterious blue depths.

Lin Yongjie gets a call from her ex-girlfriend Yuan Qing and the two meet. Yuan Qing reveals that she's pregnant, and wants Lin Yongjie to go with her to get an abortion. What follows is a slow unraveling of the complicated emotions and feelings over the course of one evening.

The Malaysian father, Beng Soon, came to Taiwan to investigate the disappearance of his son, Kah Choon. During the process, he gradually realized his lack of understanding towards Kah Choon, while also discovering the changes in Kah Choon.

Umezawa Sutejiro came to Taiwan to work in 1911, and had stayed in Taiwan ever since then. He participated in design and construction of nowadays, to name a few, Songshan Cultural and Creative Park, Law School of Taiwan University, T&L Hsin Chu, Taichung Normal University, Chiayi Art Museum, Tainan Art Museum, Hayashi Department Store. This documentary film is in attempt to draw a finer portraiture of Umezawa by interviewing Umezawa’s grandson, scholars and architects and by focusing on the discourse of Chiayi Art Museum building. It also intends to pay tribute to Umezawa.