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Magdalena Montezuma

In March 1977, I published a poem about Magdalena Montezuma, actress, collaborator, and inspiration of German filmmaker Werner Schroeter, in issue 13 of the magazine Les Soleils d'Infernalia . This poem was included in my book Werner Schroeter, published by the Cinémathèque Française and the Goethe Institut in January 1982. To celebrate the 30th anniversary of my encounter with this brilliant actress, who passed away too soon, at the Berlin Film Festival in February 1980, I printed the text of this poem directly onto around twenty frames of The Death of Maria Malibran , Werner Schroeter's masterpiece.

Magdalena Montezuma

NR 2010
Just a Beginning

Ils s’appellent Azouaou, Abderhamène, Louise, Shana, Kyria ou Yanis, ils ont entre 3 ans et 4 ans quand ils commencent à discuter librement et tous ensemble de l’amour, la liberté, l’autorité, la différence, l’intelligence… Durant leurs premières années de maternelle, ces enfants, élèves à l’école d’application Jacques Prévert de Le Mée-sur- Seine, dans une ZEP de Seine-et-Marne, ont expérimenté avec leur maîtresse, Pascaline, la mise en place d’un atelier à visée philosophique.

Just a Beginning

5.8 2010
1789 : Les Amants de la Bastille

In the spring of 1789, France is devastated by famine. The French people begin to rise in unrest against the ruling French king Louis XVI. Ronan, a young peasant, leads a revolt marching to Paris, where he encounters Olympe, an assistant governess of the children of Marie Antoinette of Austria. The two fall in love during the tumultuous stirrings of the French Revolution, their romance playing out amid encounters with major Revolutionary figures such as Georges Jacques Danton, Maximilien de Robespierre and Camille Desmoulins. After they are separated, Ronan and Olympe find each other again on 14 July 1789 in the course of the assault on the Bastille prison— an encounter that seals their destiny even as a new era begins.

1789 : Les Amants de la Bastille

7.8 2014
Normal!

After the December riots and the first peaceful marches in Algeria, while the Arab Spring begins in Tunisia and Egypt, Fouzi wants to gather his actors to show them the unfinished editing of the film he made two years ago on the illusion of a young man who seeks to express his artistic ideas. He seeks another point of view, especially an end, and he relies on the reactions of the actors to invent a new resolution of his history, in a country suddenly raised by a wave of disputes. During the projection of the film, the debate takes place: what is the place of art creation in Algeria today? How to create something without confronting censorship? How to resist ? By making movies or walking in streets towards a new revolution? Two stories intertwine, fiction and reality? A new vision of the Algerian youth of today in full political and artistic questioning.

Normal!

5.7 2012
French Tour

Far’Hook is a 20-year-old rapper. Following a violent dispute with a rival, he’s forced to leave Paris for a while. His producer, Bilal, suggests that Far’Hook acts as driver for Bilal’s father, Serge, on a tour of French ports, following in the footsteps of the classic painter Joseph Vernet. Despite the age gap and culture clash, an unlikely friendship forms between this talented rapper and a bricklayer from the north of France during a road trip that concludes in Marseille for a final concert, one of reconciliation.

French Tour

5.3 2016
Benny Lévy, traces d'un enseignement

Impressed by Benny Lévy's teaching, which he had attended for several years at Paris-VII, Jackie Berroyer quickly came to the conclusion that it was necessary to keep a record of it. To do so, he suggested filming one of his seminars. This was no easy task: Benny Lévy was wary of images, preferring words and the patient study of texts, and feared that the intrusion of cameras would profoundly alter the teaching relationship – a discreet, dense and intimate relationship. Berroyer eventually overcame his resistance and asked Pascale Thirode to produce the film. The result is Benny Lévy, traces of a teaching, which presents selected moments from the 1996 course on Plato's Alcibiades, considered an introductory dialogue to his thinking.

Benny Lévy, traces d'un enseignement

NR 2014
The Childhood of Icarus

Jonathan Vogel (Guillaume Depardieu) would like to turn back the clock and undo the accident that led to his disability and destroyed his life. When he learns that Stivlas Karr (Carlo Brandt), a well-known professor and geneticist, has developed a gene therapy for regenerating the human body, he makes an appointment with him for some clinical tests. But the therapy doesnt go according to Professor Karrs plan and leads to unexpected results. Jonathan, whose life is now in danger, has become aware that there is only one person who can help him: Alice (Alysson Paradis), the professors daughter.

The Childhood of Icarus

5.5 2010
I Love Eva Marsh

Summer 1996. A small town nestled in the shadow of a gigantic factory. Ben, a shy eleven year old boy, lives there alone with his mom when she leaves him to strike. The coming of the troubling Eva in his bunch disturbs him a little bit more, especially when she mentions the legend of a mysterious creature hidden under a nearby lake's pontoon. As a game, Eva challenges Ben: walk through the "pontoon of the death", and come back. But Ben fails miserably. At night, the Creature appears to him.

I Love Eva Marsh

2.7 2017
Get Well Soon

After an accident, Pierre, a sixty years old grumpy man, ends up stuck on an hospital bed with a cast. While Pierre dreams of silence and solitude with his strong character, the whole world seems to invite himself to his hospital bed. Powerless, he has to support the daily visits of doctors,nurse and hospital staff then his closes including his brother Herve. Visits after visits, funny or touching, Pierre starts to reconsider some people and reexamine his environment. And after all, his stay becomes a second chance ...

Get Well Soon

5.4 2014
Hugo Pratt, trait pour trait

Several key words emerge from Hugo Pratt's work, inseparable from his life: travel, adventure, erudition, esotericism, mystery, poetry, melancholy... and of course, Corto Maltese, his hero and alter ego, who established him as one of the greatest names in comic books. Born in Italy in 1927 and dying in Switzerland sixty-eight years later, Hugo Pratt, born without an H and with only one T, grew up in the shadow of a fascist father who took him at a very young age to Ethiopia, which was occupied by Mussolini's forces. The teenager developed a fascination for the wide-open spaces of Africa, soon followed by an irresistible attraction to the Indian world. This was the starting point for a life of travel, success, conquests, rare failures, and marked by his veneration for the American cartoonist Milton Caniff, his absolute master.

Hugo Pratt, trait pour trait

7.0 2016
6999 Doors

Located on the île de la Cité, in the middle of the Seine, the Paris Law Court looks like an impenetrable fortress. Like Kafka’s castle, it guards its secrets well. It is the place of power. The filmmaker, who worked there for several years as a crime reporter, is extremely familiar with its labyrinthine spaces, its practices, its ceremonies. She comes back to it now, while the Courthouse, such as she knows it, is about to disappear: its relocation is planned in 2017. So, she explores it, camera in hand, on the traces of her experience.

6999 Doors

NR 2018