The sun is rising. The wedding party is over. Everyone is asleep except the bride, Jessica. She is soon joined by Cathy, who is also awake. They are the oldest friends in the world and they are going to spend some time together this morning.
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The sun is rising. The wedding party is over. Everyone is asleep except the bride, Jessica. She is soon joined by Cathy, who is also awake. They are the oldest friends in the world and they are going to spend some time together this morning.
In March 1977, I published a poem about Magdalena Montezuma, actress, collaborator, and inspiration of German filmmaker Werner Schroeter, in issue 13 of the magazine Les Soleils d'Infernalia . This poem was included in my book Werner Schroeter, published by the Cinémathèque Française and the Goethe Institut in January 1982. To celebrate the 30th anniversary of my encounter with this brilliant actress, who passed away too soon, at the Berlin Film Festival in February 1980, I printed the text of this poem directly onto around twenty frames of The Death of Maria Malibran , Werner Schroeter's masterpiece.
In a small Indian village, Lila is learning to dance from her mother, Devadasi, a Bharatanatyam dancer. She falls in love with low class Shyam, who dreams of becoming a sculptor. Shyam asks Lila to model for him as he sculpts a goddess, and the two become very close. However, their relationship is discovered by the village chief Subha, and Lila decides to sacrifice her happiness for her mother and Shyam.
Experimental and anarchist young generation before May of 68'.
A wealthy Japanese patron, enamored with Rousseau, offers an atypical and versatile filmmaker the opportunity to freely adapt Jean-Jacques Rousseau's epistolary novel into a film. The filmmaker brings together three young actors in a deserted palace above Clarens and begins shooting. Rousseau's tragedy then reverberates through the contemporary characters.
A man is caught in a seemingly endless cycle...
Ingrid Caven offers a rich repertoire of songs in French, German and occasionally English; at times, she dispenses with words and simply plays with sounds.
Ils s’appellent Azouaou, Abderhamène, Louise, Shana, Kyria ou Yanis, ils ont entre 3 ans et 4 ans quand ils commencent à discuter librement et tous ensemble de l’amour, la liberté, l’autorité, la différence, l’intelligence… Durant leurs premières années de maternelle, ces enfants, élèves à l’école d’application Jacques Prévert de Le Mée-sur- Seine, dans une ZEP de Seine-et-Marne, ont expérimenté avec leur maîtresse, Pascaline, la mise en place d’un atelier à visée philosophique.
An ordinary morning for the Guarneri, a modest family of Sicilian origin. At breakfast, a bell rings. The police are here. And everything changes.
Jacqueline has lost her mind a bit, but whatever, for her trip to the seaside, she has decided to take the train by herself, like a big girl!
Pamela, a young Roma, insolent, spontaneous and funny, embarks on a journey into the unknown, breaking away from the traditions that suffocate her. She arrives in Belgium with three words of French and the hope that marriage will change her and her daughter’s destiny.
A still frame, the hallway of the gray, dull house of Horse, Cowboy and Indian. Cowboy and his crazy stooges fill the place, giving it life and color. Until a troublemaker enters and ruins everything.
After a break-up, Jimmy has returned to live in the neighborhood where he lived as a student. He knows the streets, cafes, and discussions among friends by heart. And yet, this afternoon, everything seems foreign to him, apart from his sorrow.
Pavel has a good job in the village factory and is sure to marry Anja, his best friend from childhood. It's written in the Book of Life. But reality doesn't follow books.
In the spring of 1789, France is devastated by famine. The French people begin to rise in unrest against the ruling French king Louis XVI. Ronan, a young peasant, leads a revolt marching to Paris, where he encounters Olympe, an assistant governess of the children of Marie Antoinette of Austria. The two fall in love during the tumultuous stirrings of the French Revolution, their romance playing out amid encounters with major Revolutionary figures such as Georges Jacques Danton, Maximilien de Robespierre and Camille Desmoulins. After they are separated, Ronan and Olympe find each other again on 14 July 1789 in the course of the assault on the Bastille prison— an encounter that seals their destiny even as a new era begins.
After the December riots and the first peaceful marches in Algeria, while the Arab Spring begins in Tunisia and Egypt, Fouzi wants to gather his actors to show them the unfinished editing of the film he made two years ago on the illusion of a young man who seeks to express his artistic ideas. He seeks another point of view, especially an end, and he relies on the reactions of the actors to invent a new resolution of his history, in a country suddenly raised by a wave of disputes. During the projection of the film, the debate takes place: what is the place of art creation in Algeria today? How to create something without confronting censorship? How to resist ? By making movies or walking in streets towards a new revolution? Two stories intertwine, fiction and reality? A new vision of the Algerian youth of today in full political and artistic questioning.
A scientist has created her own android clone to replace her in the outside world so that it can face it for her.
A social drama about a woman who is obligated to return to her parents’ home and agrees to work for her uncle in a doghouse.
When Frank is diagnosed with depression, his friends try to cheer him up -- and it quickly becomes clear that they're just as down and out as he is.
Filmmaker Lodge Kerrigan makes a self-referential movie about a fictional attempt to make a Grace Slick biopic.
Far’Hook is a 20-year-old rapper. Following a violent dispute with a rival, he’s forced to leave Paris for a while. His producer, Bilal, suggests that Far’Hook acts as driver for Bilal’s father, Serge, on a tour of French ports, following in the footsteps of the classic painter Joseph Vernet. Despite the age gap and culture clash, an unlikely friendship forms between this talented rapper and a bricklayer from the north of France during a road trip that concludes in Marseille for a final concert, one of reconciliation.
Between 1978 and 1979, the inhabitants of the Oise are in fear of a maniac who kills several hitchhikers and escape the police. He was then dubbed "the killer of the Oise" is actually a shy young policeman who will investigate his own murder, only to lose control of the situation.
Impressed by Benny Lévy's teaching, which he had attended for several years at Paris-VII, Jackie Berroyer quickly came to the conclusion that it was necessary to keep a record of it. To do so, he suggested filming one of his seminars. This was no easy task: Benny Lévy was wary of images, preferring words and the patient study of texts, and feared that the intrusion of cameras would profoundly alter the teaching relationship – a discreet, dense and intimate relationship. Berroyer eventually overcame his resistance and asked Pascale Thirode to produce the film. The result is Benny Lévy, traces of a teaching, which presents selected moments from the 1996 course on Plato's Alcibiades, considered an introductory dialogue to his thinking.
When Vlace is suspended for hitting a classmate, Sasha is called to come get his son at school and has no choice but to take him along on his delivery route. During this intimate journey, we discover what provoked Vlace's uncharacteristic act, as father and son find their way toward a new understanding.
Jonathan Vogel (Guillaume Depardieu) would like to turn back the clock and undo the accident that led to his disability and destroyed his life. When he learns that Stivlas Karr (Carlo Brandt), a well-known professor and geneticist, has developed a gene therapy for regenerating the human body, he makes an appointment with him for some clinical tests. But the therapy doesnt go according to Professor Karrs plan and leads to unexpected results. Jonathan, whose life is now in danger, has become aware that there is only one person who can help him: Alice (Alysson Paradis), the professors daughter.
Summer 1996. A small town nestled in the shadow of a gigantic factory. Ben, a shy eleven year old boy, lives there alone with his mom when she leaves him to strike. The coming of the troubling Eva in his bunch disturbs him a little bit more, especially when she mentions the legend of a mysterious creature hidden under a nearby lake's pontoon. As a game, Eva challenges Ben: walk through the "pontoon of the death", and come back. But Ben fails miserably. At night, the Creature appears to him.
After an accident, Pierre, a sixty years old grumpy man, ends up stuck on an hospital bed with a cast. While Pierre dreams of silence and solitude with his strong character, the whole world seems to invite himself to his hospital bed. Powerless, he has to support the daily visits of doctors,nurse and hospital staff then his closes including his brother Herve. Visits after visits, funny or touching, Pierre starts to reconsider some people and reexamine his environment. And after all, his stay becomes a second chance ...
Rayan, a young French boxer of Algerian origin, loses his mother. As tradition dictates, he must accompany his remains to his native country. There, he meets his family for the first time, managed in a patriarchal manner by his uncle. Through the discussions, Rayan understands that there is a serious family conflict. For him, a new fight begins.
Judith and Robert wonder about the apartment which separates them. It was Vino's, who died last year, the simpleton of the district. Without knowing it, they are going to dive into the intimacy of their former neighbour, without imagining what waits for them.
Three guys have a discussion sitting on the ground floor of their building. Their conversation is about their best friend's trip and a strange event that is meant to take place the next day. Upstairs, Fouad packs his bags. He still doesn't know whether he'll dare to say goodbye to them or not.
While in high school class, a French teenager of Moroccan origin loses his parents in a car accident. A few days later, social services learn that he was adopted and that his natural parents are his aunt and uncle who live in a small village in the Sahara... He decided to join them.
In his classroom a philosophy teacher opens the discussion on the place of religion in society. Out of his course he faces the realities of the street.
Somewhere in the middle of the ocean, a school of fish comes to the rescue of a goldfish floating on the surface of the water. They vow to do everything they can to help it back into the water and breathe. What they don't know is that it's actually a balloon.
Kamel, a young Bedouin, is a proud security guard at the Be’er Sheba central bus station. When the Israeli government threatens to tear down his settlement he decides to act. Kamel comes up with a plan to stage a bomb attack, which he will then prevent from happening, making him the hero of the day, hopefully saving his settlement and earning him the respect he's so desperately yearning for.
On an imaginary dating site, via webcams set up in La Grande Borne projects in Grigny, young people meet and confront each other for the first time on line. This film is a portrait of young people today, where gentleness, violence, and confessions mix with poetry : the film is inspired by "I Am Gong", a poem by Henri Michaux.
Between 1900 and 1920 more than 14 million immigrants arrived in the US, like Howard Zinn's parents. They came fleeing poverty or war, or racism, or religious persecution. They dreamed of a promised land, of wealth, or simply of a better life.
A car drives on a lost highway in the middle of nowhere. On board, a man listens to the radio to keep him awake, but everything turns off. Stuck on the highway, the man finds himself alone...
Eugène is dependent on software capable of generating a continuous flow of dreams and that's what we're looking for, right?
"The boys won't let us play football at school": pencil and paper to hand, a minimalist treatise on the war of the sexes by a little girl who loves playing football.
Several key words emerge from Hugo Pratt's work, inseparable from his life: travel, adventure, erudition, esotericism, mystery, poetry, melancholy... and of course, Corto Maltese, his hero and alter ego, who established him as one of the greatest names in comic books. Born in Italy in 1927 and dying in Switzerland sixty-eight years later, Hugo Pratt, born without an H and with only one T, grew up in the shadow of a fascist father who took him at a very young age to Ethiopia, which was occupied by Mussolini's forces. The teenager developed a fascination for the wide-open spaces of Africa, soon followed by an irresistible attraction to the Indian world. This was the starting point for a life of travel, success, conquests, rare failures, and marked by his veneration for the American cartoonist Milton Caniff, his absolute master.
Located on the île de la Cité, in the middle of the Seine, the Paris Law Court looks like an impenetrable fortress. Like Kafka’s castle, it guards its secrets well. It is the place of power. The filmmaker, who worked there for several years as a crime reporter, is extremely familiar with its labyrinthine spaces, its practices, its ceremonies. She comes back to it now, while the Courthouse, such as she knows it, is about to disappear: its relocation is planned in 2017. So, she explores it, camera in hand, on the traces of her experience.
Mathan and Colin have been in love for three years already, but Colin cannot imagine his life without children. This is also the case of the mysterious Mérédith who interferes in their lives. What future for a couple of men when the desire to be a father takes precedence and where will the shock of their desires lead them? "Un Cœur de Père" is the third in Christophe Botti's trilogy.
A documentary about brain, his capacities and his poetical aspect using testimonials from researchers around the world.