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Qianbi goes missing on Malaysian Airlines flight MH370. The Beijing office of Malaysian airlines promises to send the family members of missing passengers a parcel containing search results. Xiangpi, Qianbi's boyfriend, goes to Qianbi's hometown Chongqing. He takes a job as a mailman, hoping to intercept the parcel containing information on Qianbi's fate. At the same time, the girlfriend of Qianbi's mother is also waiting for news in Chongqing. She hopes she will receive the parcel on 16 May... In a confusing and confused society, where everything that is right looks like it's wrong, two people are longing for a parcel at the same time - throughout their waiting process, they discover what is true.

The story of American POWs, who were surrendered in the Philippines to the Japanese Army, then sent to slave labor camps in the northern Chinese city of Mukden (now Shenyang).

Art / Gonzo film about a Voodoo Revenge plot on a crowded plane

A man who was hiding for 7 years to avoid creditors has embarked on his journey home because of the death of his mother. On the way back home, the childhood memories stroke him constantly just like dreams. In search of a notebook full of poems written for his ex-wife, he went to the former factory to find an old friend. Elsewhere in the city, three senior students are talking about their future plans. All the wandering man under the bridge, the little boy in his childhood and the young senior students, imperceptibly but inexorably are linked together by the river, and the memory has been revived.....

A giant ginger mountain landscape that five cooks spent a week to make: Once magnificent culinary works of art were created in Chinese restaurants. Food was associated with a wealth of money and time. The world today is short-lived, customers have become few and far between. Chefs talk about the connection between food culture and socio-economic change in China.

In 2021, a young female worker, a male worker and a cute AI robot are working in a large automated logistics centre “Asia One Unmanned Warehouse”. After long periods of loneliness and repetitious labour in the factory, the young workers start to have a special feeling for each other. In a humdrum day-to-day work-life, they seem to have fallen in an emotional entanglement between the ‘unmanned’ (intelligentised production), “human” and “non-human” (robot).

This is the fourth film in my self-portrait series. I went back to the village named 47 km in 2013. My grandfather was critically ill, and I accompanied him like accompanied the death. The old people and their memories are like dead leaves. I got familiar with the children and we acted together to build a bookroom in village. Between the solitary old people and the naïve sunshine children, can I find my dream here?

Zhan Qin, a renowned scholar of the State of Lu, was widely respected for his virtue. He managed to avert a crisis in Lu by successfully locating the envoy Cen Ding. The rival State of Qi tried to bribe and manipulate Zhan Qin with money and power, but to no avail. They then sent a woman named Zhijiang to seduce him, hoping to break his resolve. However, Zhan Qin remained morally upright and unmoved by temptation. Unexpectedly, Zhijiang fell in love with him and ultimately saved his life. Zhan Qin later resigned from office and returned to his hometown Linquan, where he lived out his days. He was later honored as the "Sage of Harmony (He Sheng)" by future generations.

New Castle is a remote rural village where houses and mountains have been distorted due to excessive mining. Under the "New Village" campaign, all the villagers will be moved into the nearly completed Luxury Buildings. The documentary depicts the life of two groups of people, miners and villagers. The miners who are from all over the country, lost their jobs because of the Olympic Games in Beijing - the mine was shut down to make the air less polluted. The villagers had no better luck. Granny Fan lost two sons and two grandsons in a mining accident. Old Han and Old Wang are still farming. Some youngsters are gambling in the house of Han Bin, who was crippled in another mining accident. In the film, you can also see the village election, the service of local Christians, and people worshipping for a better year to come.

Chinese short film directed by Wang Xiaoshuai.

People call those who haul camels to and from desert areas and take camel transportation as their profession camel caravans. However, with the development of modern transportation, the camel's transportation function in the desert has gradually disappeared, and the camel caravans have faded out of the historical stage. The documentary tells the story of the last generation of camel caravans in Minqin County, Gansu Province.

Contemporary Chinese artist Sun Xun uses woodblock printing, a centuries-old technique, to reimagine and transform the 21st century medium of digital animated film. In Time Spy (2016), Sun Xun has created a three-dimensional cinematic world that roams freely across time and cultures, following an enigmatic and visually driven narrative that draws its influences from both Eastern and Western traditions of art, history, myth, and imagination.

This story is about the group's marvellous life without money.The film tell this story from six points of view: the screenwriter, the recording, the photography, the art, the performer and the director.

Aco is a game company CEO and game designer. Recently, he has been designing an upcoming game called “Devil World,” which provides players with a more realistic experience. In the last player test, a player Almost because the game lost its life, and has not been identified. Ake, who is under great pressure, often has hallucinations in his life. At the same time, the eyes also have problems. The game design was completed on schedule, during which Ake had prevented the company from holding a game conference, hoping to find out the security of the game, but was blocked by a mysterious person.

A group of friends died in nightmare one by one except the last two. They decided to figure out the reason by not falling asleep.

Academy Caochangdi, (2012) is a silent, 65-minute film comprised of a series long takes of a flooded side street in Caochangdi, a village in the north of Beijing. Caochangdi is undergoing considerable changes due to its recent designation as an official ‘art zone,’ with newly constructed gallery compounds, artist residencies and restaurants. The side street in the film is located in a gated, gallery compound where artists Armstrong and Collins spent a two-month residency in 2011. At the end of the street in the film, is a wall belonging to the Three Shadows Photography Art Centre and Ai Wei Wei’s compound.

For photographer Zou Qiao, Golfville and the behemoth-like golf course nearby are bizarre and unforgettable. He never expects that the hotel owner’s daughter is so pretty. Neither does he expect that he will be involved in a murder case. He is going everywhere with his camera, shooting birds, women, hands washing golf balls, and glitter of broken glass. Yet he grows more and more confused.

Mr. Zhu has reached a point in his career where he is left with only a few acting offers on the table, so he hops on a ferry in search of his wife, on the island where they first met. It is low season on the island, with few visitors in plain sight. Yet Zhu continues to actively photograph everything on the island. He encounters various islanders, gets familiar with a hotel owner, becomes attracted to a primary school teacher, and engages in romance with the manager of a local dance club. While he begins a fascinating journey, his wife is still nowhere to be found…

The world is full of flaws; life is far-from-perfect. It is all the more challenging for people with disabilities. Joanna and King are facing their darkness, as they are losing their eyesight bit by bit. Baobao is hearing-impaired since birth, she cannot communicate with the others but her greatest desire is to speak and express herself. Hazel has cerebral palsy and cannot walk; even though wheelchair can replace her legs, she is fed up with the prolonged pain. Life is strenuous, but Joanna, King, Baobao and Hazel rediscovered the passion for life when they embarked on a journey to the theatre stage, making the impossible possible. Light Up is a documentary about the struggle of the four protagonists against their personal restraints in the Hand in Hand Capable Theatre, witnessing how they made their way to the stage after difficult but ultimately positive training and rehearsals.

After the electricity went off, many eyes grew from the playground.

Over the course of an ordinary day, a young Chinese construction worker deals with isolation and loneliness all the while searching for something meaningful to hold on to.

Liu Chuang’s video installation constructs a speculative journey through the history of technology, infrastructure, ecology and finance, intertwining this with anthropological knowledges and science fiction’s global imaginary.

Wang Bing is one of the greatest documentary-makers alive today, and his films offer a very insightful overview of the transformations occurring in Chinese society. Here, Dominique Auvray conducts an interview that, in addition to the biographical information, focuses above all on the relationship with things unsaid: Wang Bing attempts to do justice to his theme and the testimonies he’s gathered, but he stumbles over the words, struggling to keep his emotions in check. The pain of tackling history shows through the awkward speech.

The urban white-collar Richard is a man with high self-esteem. He is well-dressed and well-mannered, and he never leaves his briefcase in his daily life. He has extremely picky and even harsh requirements for his future partner, who must be beautiful and virtuous. There are hundreds of girls whom Richard had met, but none of them could fall into his eyes. On this day, Richard was scolded by his boss. He was indifferent and suddenly received a strange text message. The text message introduced him to a mysterious APP. As long as he entered what he wanted, his dream would come true. After a little experimentation, Richard confirmed the authenticity of the app, so he typed in the words "let a love come". Has the perfect love he hoped for here come?

In collaboration with Hasbas Entertainment, Moment Factory created an epic projection mapping show to welcome Disney’s most ambitious theme park to date. A carefully choreographed grand opening ceremony featured hundreds of performers, a live orchestra, children’s choir, celebrity vocalists, and a Frozen-inspired performance by China’s piano prodigy Lang Lang.

King of the shadows is looking for his girl, who has to be his bride. Lin Xi is pretending to be her brother, who has died, because she is trying to solve his death.

There are more than 2,500 pensioners living in a large private retirement home located in a suburb of Canton (Guangzhou), China. As we discover the daily lives of these people, the film focuses on the lives of two elderly ladies: Ms. Kuang and Ms Xie. The documentary reveals how today's urban China can be reflected by the story of these two women, who find themselves away from their families, in a retirement home. Here, in the wake of serious health considerations, they have to build new relationships, define a new rhythm to their daily life and invent new ways to be with others.

Pai Hsien-yung has lent Chinese-language literature some of its most colorful and most memorable characters, and served as the inspiration of multiple generations of artists working in mediums as different as television, film, and theatre. From the youthful air of the Modern Literature magazine, which he helped launch at the age of 22, to the humanistic sincerity in his recent works My Father and the Republic and Healing the Pain, Pai looks back on his 29 years teaching at Santa Barbara, a four-decade relishing of Guilin rice noodles, and a return visit to the gardens of Suzhou after 10 years. Through the darkened realm of the stage, to the countless lectures and courses he taught, Pai has been at the forefront of literature for multiple generations, with his unique blend of resilience and tenderness reverberating through the film, and bringing audiences closer to his warmth as a novelist.

The story is about Lao Jia, a farmer on Chongming Island, Shanghai. On this island, he applies natural farming to show his wish and love to the land. Lao Jia calls himself a natural farmer. He left the metropolis Shanghai and his wife LiZi for Chongming Island three year ago. There Lao Jia contracted a farmland of about 25 acres. Without using any fertilizers or chemicals, he believes in his land and tries to plant with an ancient agriculture philosophy of returning the land to nature, which is the so called natural farming. Lao Jia said: “Farming helps people to find back some simple but real things in life, and the farmers’ emotions will in return affect the land and the plants.” Now there are many people who agree with his idea. But the reality is cruel, when Lao Jia described to me his wish to his land, problems keeps cropping up to test his attitude of “re-discovering the love to land”.

When Xiao Bang returns to China after studying abroad, he starts a debt collection business with two friends. Their methods are unconventional, a style somewhere between gangster, intellectual and hippie. Dong Rui, the classmate of Xiao Bang’s 11-year-old brother Liu Dun, thinks he’s dying. In exchange for 100 yuan, Dong Rui asks Xiao Bang to help him scare off his love rival. The 100 yuan note travels from hand-to-hand in the neighborhood, drawing a vivid portrait of the community.

Feel the shade, live the fantasy. A new documentary about the Shanghai drag scene.

Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.

A black screen. Four voices are heard. Two men are telling and repeating to two others that they are “welcome to the region”. Gradually, the situation becomes clearer: the filmmaker, Zhu Rikun, is on a shoot in Sichuan. His interest is in the lung diseases that plague the region’s workers, a health problem already present in his film Dust and which the Chinese State is trying to hush up. So here he is, invited to a brief interview with the local authorities, which is audio-recorded and played back in full in the film. A raw document that bares the methods of power: the insistence of the censors, their successive changes in strategy ranging from sugar-coated threats to the express demand that the images be destroyed, which only fuels the desire to bear witness even further.

There are two large talent markets in a Shenzhen called Sanhe in Longhua District, Shenzhen. In the alleys around the market, there are small hotels, small supermarkets, and cheap Internet cafes. Many young people live here for a long time, and they may not have ID cards. Perhaps they are burdened with huge debts, and some of them cut off contact with their families and linger in Internet cafes all day long. They have become popular on the Internet with the survival method of "you can play three days a day, one day."