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Summer School, 2001

A teenage boy returns to his family after years apart, scarred from being sent to Vietnam while his younger brother stayed in Czechia. After reunion, he faces a distant father, a mother desperate to mend the past, and a brother uneasy about sharing the spotlight. One chaotic summer pushes them to their limits when the younger brother falls from a roof. Between misunderstandings and clumsy family dynamics, they learn that sometimes, healing begins by letting the cracks show.

Summer School, 2001

6.3 2025
Courtroom Reaper: Chapter 1

Attorney Noboru Shigami (Hitoshi Ozawa), known by the nickname “The Courtroom Reaper,” once served as legal counsel to a yakuza organization. Now, together with his assistant Koji Toda (Sho Aoyagi), he runs the Harukaze Law Office. Shigami is asked by Seigo Kishi (Shinzo Hotta), the first chairman of the Kishi-gumi, to defend Shinya Narumi (Masataka Fujishige), the wakagashira of the second-generation Kishi-gumi, who is currently undergoing mediation. Heading to court underprepared, Shigami faces prosecutor Mika Akiyama (Nagiko Tsuji). During the proceedings, he senses something off about Narumi’s testimony. Meanwhile, Toda uncovers new information about the Kishi-gumi, prompting Shigami to dig deeper into the truth behind the case.

Courtroom Reaper: Chapter 1

NR 2025
Soldaderas

Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.

Soldaderas

NR 2025