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Only Once in a Lifetime

For 20 years, since his wife died only a year after they came to California as young, hopeful newly-weds, life has been hard on Francisco. A talented, but as yet unrecognised artist, he is forced to scratch a living growing corn and breeding canaries until the Public Health Authorities step in. Out of this develops a humorous and quizzical love story. Francisco searches for a new home for his old and alcoholic dog, having decided that he himself is worth more dead than alive. But just as his old dog finds that it is never too late to learn new tricks so Francisco rediscovers love and a zest for living in the beauty and serenity of Consuela.

Only Once in a Lifetime

5.7 1979
Dagmar's Hot Pants, Inc.

Known to her clients as Dagmar, she's a classy Swedish call girl in Copenhagen. After two years, she's ready quit, and we follow her on what she hopes is her last day in the trade. She wakes at 9 AM, gets her first call and a marriage proposal, checks in with her doctor, pays final visits to various clients, arranges to lease her flat, passes on her black book to a colleague, tries to beg off on an impromptu session with Japanese businessmen, has a quick conversation with her brother, and makes a couple of charitable contributions. All the while, her eyes on the clock, there's the threat of her pimp finding out about her plans. If she pulls it off, what awaits?

Dagmar's Hot Pants, Inc.

4.5 1971
A Labor of Love

In 1975, Chicago filmmakers Flaxman and Goldman got carte blanche to film the shooting of a local film called THE LAST AFFAIR. Neither AFFAIR's director (who envisioned the film as "a combination of Fellini and Bergman") nor its cast (which included then-unknowns Betty Thomas and Ron Dean) had ever worked in the industry before. Made in the classic cinema-verité style of Drew and Leacock, A LABOR OF LOVE is a revealing and often hilarious exposé of the hidden side of adult film: onscreen partners despise each other offscreen, male performers can't "get wood," an actress has her period, Ivory Liquid is substituted for semen, and the director declares, "I really dislike every minute of this!" (Gene Siskel Film Center)

A Labor of Love

4.7 1976
Probe

That hipster ring that special agent Hugh Lockwood wears? It's a camera, transmitting image and sound of his surroundings. It's also a scanner, detecting telltale changes in pulse or other biometric readings of himself and the people around him. This ring and more electronic devices -- some embedded -- keep Lockwood linked with Probe Control, where experts and banks of computers provide instant mission-critical warnings, intel, even language translations. In this pilot film for the short-lived series "Search," Lockwood is on a quest to recover priceless diamonds stolen by the Nazis during World War II.

Probe

5.8 1972
Support Your Local Serpent

The Blue Racer is trying to catch Japanese Beetle. He first tries to catch him by hiding inside a hose, however, plan is backfired when Japanese Beetle turns on the faucet. Then he tries to catch him by hopping, but again, plan foiled because he ran across a rolling roller. While chasing the Beetle again, Blue Racer runs into a venus flytrap, which spits the snake out (the flytrap claims that it tasted awful). The Blue Racer decided he needs to fly in the air to catch the bug and sucks a can of helium, and floats in the air. However, when he opens his mouth, he flys off in the air and falls into a bag of genuine fertilizer.

Support Your Local Serpent

5.8 1972
Test Tube

Produced by De Appel, Amsterdam, while General Idea was in residence there, Test Tube was conceived as a program for television. Presented under the brand "The Color Bar Lounge," a cocktail bar in the mythical 1984 Miss General Idea Pavilion, the program is a hybrid of popular television formats […] and infomercial. […] Advertisements for the bar are placed throughout the program; a loaded word choice, full of double-entendres and innuendo, betrays the influence of both Dadaism and consumerism. This collapse of popular and high culture is central to General Idea's agenda, as Felix Partz observes: "You know, the mass media are like a vast pharmaceutical complex developing new cultural elixirs of an unprecedented intoxication…but art remains a curious and elitist drink. Despite its unique flavor and heady cultural properties, it has never effectively been exploited."

Test Tube

NR 1979