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Who Cares About Jamie?

This film explores the challenges of childhood development, emphasizing the importance of support from parents, teachers, and other adults in helping children navigate their growth. It illustrates the hurdles that Jamie, a typical boy, faces as he learns crucial life lessons, such as the consequences of stealing and the need for acceptance and understanding. The narrative highlights the role of adults in fostering resilience and emotional health, suggesting that collective care and guidance can prevent mental illness in children.

Who Cares About Jamie?

NR 1963
Missa of Zen

In Missa of Zen, a TV screen, filmed from an extremely oblique angle, appears as a ghostly, flickering sliver at the side of a darkened frame. The images playing across its surface are rendered abstract by the perspective: we witness the transmission of information, but at a great distance. Isolated in silence and darkness, the television set slips into the realm of the unheimlich — an uncanny object, at once familiar and unfamiliar. Situating mediated America at the crossroads of missa — Latin for the Christian mass — and Zen Buddhism, Paik highlights the connections between mass culture and the transcendental.

Missa of Zen

NR 1967
The Illiac Passion

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

The Illiac Passion

4.3 1967
G.I.T. on Broadway

G.I.T. on Broadway was a 1969 television special produced by Motown Productions and George Schlatter-Ed Friendly Productions. The special, a follow-up to 1968's successful TCB program, was a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing primarily Broadway showtunes, the special was taped before a live studio audience in mid-1969 and originally broadcast November 12, 1969 on NBC. Like TCB, the title of the program was derived from an acronym, this one standing for "Gettin' It Together". A soundtrack album for the special, titled On Broadway, was issued the same month the program aired. Though there were no singles released from this album in the states, "The Rhythm of Life" did become a Top 20 hit for the ensemble in Australia. Two months after its release, Diana Ross left The Supremes to start a solo career.

G.I.T. on Broadway

NR 1969
Thigh Line Lyre Triangular

Only at a crisis do I see both the scene as I've been trained to see it ( that is, with Renaissance perspective, three-dimensional logic–colors as we've been trained to call a color a color, as so forth) and patterns that move straight out from the inside of the mind through the optic nerves... spots before my eyes, so to speak... and it's very intensive, disturbing, but joyful experience. I've seen that every time a child was born... Now none of that was in WINDOW WATER BABY MOVING; and I wanted a childbirth film which expressed all of my seeing at such a time.

Thigh Line Lyre Triangular

5.4 1961