Valentin is lost and penniless. He reunites with his son Joseph after 20 years of absence and plunges him and his wife Alice into total chaos. With JP, Mila and Gigi, the devil had better watch out...
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Valentin is lost and penniless. He reunites with his son Joseph after 20 years of absence and plunges him and his wife Alice into total chaos. With JP, Mila and Gigi, the devil had better watch out...
Anna, a friendly but reclusive fortysomething, harbors an unusual phobia: she’s terrified of children. When she reconnects with Alexandre, her ex-boyfriend she never stopped loving, she thinks she’s finally found happiness… until she discovers he has two kids. When circumstances force her to care for them alone, a panicked Anna reluctantly agrees. Between ridiculous rules and absurd situations, this forced living arrangement might just change everything… for worse, but also for better.
Albert is an eccentric inventor of missiles who comes under fire from his investors when his first prototype explodes. Even his sympathetic mistress has her doubts, as Albert lashes out in a verbal tirade condemning those of little faith in his genius.
In the Alps, Bertin a big man and Yohann a little one robe a charity shop.
A burnt-out New York psychoanalyst exchanges apartments with a Parisian woman. When his patients arrive, they talk to her and then pay. He returns early and becomes a patient as well.
A silent French film depicting the story of the nativity.
Christmas? The joy of rejoining the family and spending the most anticipated holiday of the whole year. Seeing family members you haven't seen for a long time and spending the holidays together like when the children were little. But the children have grown up and have new things to tell. This news will turn the traditional family reunion into a hurricane. The coming out of the homosexual son is almost an outing, but one that testifies to the love that binds the two gay lovers together.
A mischievous child feeds his father a laxative, leading to disruptive bouts of intestinal disorder—and an unexpected reward. (MoMA)
A new lawyer, looking to establish himself, wins a difficult case and deals with the unforeseen consequences that may destroy him.
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
In Paris, the student protests of December 1986. Alice Lazard is having her own revolution, expressing herself and trying to confront a world whose aggression and hatred ignite her fierce will to live and her madness. Or so we imagine. Swept away by her colorful language, her youth, her vivacity, her humor, we remain fascinated, and yet she expresses so much despair in the slow destruction of her relationship with a man... Romain, the creator of this character, is overwhelmed by her. He projects himself into another woman, Alice Lazard, brunette, warm, and aggressive. She comes to present herself to Romain for a role in his next film, but she doesn't understand his reactions at all. All of this unfolds under the sometimes amused, sometimes irritated gaze of Jean, the film's editor.
Two couples, one old and one young, have blind dates at the same meeting place. The arrival of the wrong people at different times makes a fun confusion.
Haroun is an old bachelor who has lived in Oran for several years. A retired civil servant, he leads a reclusive life until the day he meets Kamel in a bar—a journalist to whom he tells an incredible story dating back to 1942. He claims to be the brother of ‘the Arab’ killed in a story told in one of the most famous novels of the 20th century, ‘The Stranger’ by Albert Camus. An Arab with an erased name: Moussa. Through anger, assertions, details, and confidences, Haroun finally convinces the journalist to listen to his story. His confession is a cry of freedom and distress—but above all, a cry of revolt: against an abusive mother, against a country that failed to achieve true independence, against a book, and against a famous French writer.
A man and a woman are involved in the production of an animated film. He animates by day, she makes and repairs the accessories at night. Behind the scenes, a woman is waiting for her entrance.
French chanson star Amélia Starlight is dying. More than a decade has passed since the singer abruptly retired from TV shows and concert halls. Tonight, on Danielle Villard's famous talk show, France reunites with her for a very special live show…
The first remake of The Sprinkler Sprinkled, filmed in a much more elaborate garden from a different angle.
With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.
A superficial woman finds conflict choosing between her abusive husband and her vain lover.
Au milieu de nulle part, une cité ouvrière vidée de sa population depuis quelques années déjà. Pourtant, certains habitants ont décidé d'y rester, plus par choix que par nécessité, parce que c'est là qu'ils sont nés et qu'ils ont grandi. Parmi eux il y a Francis, l'ouvrier consciencieux qui continue d'entretenir la machine sur laquelle il a travaillé toute sa vie ; Samir, son fils.
Three young men meet Djamel (Yassine Azzouz), a charismatic manipulator, who turns the three friends against society.
After a job interview gone wrong, Lulu sets sail leaving her husband and three children behind. But being an adventurer is easier said than done.
A widower and his daughter witness the retirement of a colleague of his and the closing of her department at her university.
After the disaster, the border must be retraced. Men dressed in white survey the mountains to do it.
"The choice of each period is intimate, as each period awakens a particular emotion in me. This emotion reflects what is around me, not everyone is able to recognise it -- that is the risk I take. I think that this is good enough reason to make a film that will make visible small yet revealing things in differeent ways. I believe in tropisms and that is what interests me in this film." -- Marie Vermillard [taken from London Film Festival 2006 catalogue]
A young teenaged girl tries to get affection from her cold-hearted mother in this gentle French drama. 14-year old Rosine lives somewhere in northern France where the cold rain continually falls. It is a metaphor for her life. Her mother Marie had her when she was only 16 and now wants little to do with her. She spends most of her nights out on the town. Rosine hungers for her mother's love. She is almost obsessed with getting it. She is frustrated because she never does. One day Pierre, her father shows up from the blue and Mare gladly takes him in. Rosine is a good sport and likes that he takes an interest in her. The brief respite from gloom doesn't last as Pierre soon begins to beat Marie and eventually rapes Rosine. The traumatized girl tries to get her mother to admit the incident, to pay attention to the hurting child, but Marie just doesn't care. Marie has no choice but to run away from home and make her own way.
Without fear and beyond reproach: the life of the brave knight de Bayard reviewed and corrected with humorous sauce.
In conflict with his daughter Isaure, Alexandre discovers that she has been selected for the oral exam of a prestigious business school—her greatest dream. However, Isaure is nowhere to be found, lost in a weekend of medieval fantasy role-playing. To find her, Alexandre enters the game, taking on the role of a devious Game Master. But as the adventure unfolds, he realizes that he himself has been lost for years. Under the guise of "Renard Chafouin," he gets a chance to reconnect with his values—and to avoid losing his daughter forever.
Four guys from a Paris housing project fabricate a documentary about drug dealers working in the City of Lights. When a television network falls hook, line, and sinker for the prank video, the foursome are given a free three-week vacation in the upscale resort community of Biarritz. As they interact with both locals and fellow tourists, they learn about love, friendship, racism, and the differences between the rich and the poor.
A prize-fighter spends 16 years in prison for killing his wife during a blind rage. Upon his release, he wanders the grim streets of an empty French housing project in search of his now teen-age daughter. His quest forms the basis of this gripping French drama. Krim is the fighter and Yasmine his estranged daughter. Krim finds his old apartment block, but it is abandoned and slated for destruction. He is terribly disappointed, for all Krim wants right now is to be happy and to have his daughter back. He sends messages back to his friend and mentor in prison telling him how wonderful it is to be out of jail. His friend, Eugene, a lifer, isn't fooled for a second and is very angry at Krim for lying to him. Meanwhile, Krim stumbles across Nora, a teen-age drug addict, who could be his long-lost daughter. Eventually, he locks her in an abandoned flat and helps her get off the junk cold-turkey. It is a terrible scene, but he succeeds and the two begin a new kind of relationship.
"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.
Part of the series La Vie telle qu'elle est.
Jacquot Demy, the son of a garage owner and a hairdresser, is fascinated by cinema and decides to pursue his dream of becoming a filmmaker by any means necessary.
A modern variation on the myth of Faust, the film features Henri Faust, an influential man at the head of a gigantic financial empire. One day, the Devil himself visits her. The Evil One offers him a range of happiness, youth, love, fortune, power; but Faust has everything he wants and he refuses the pact offered to him. However, a fault exists and the Devil will know how to discover it.
Published in 1949, The Second Sex became the bible of global feminism. An essential work that passionately advocates for gender equality, women's independence, and the liberation of morals. Today, how does this seminal work continue to resonate in our contemporary world? Conceived as an initiatory journey to the origins of Simone de Beauvoir's thinking, the film The Second Sex: In the Footsteps of Simone de Beauvoir takes us to the United States, to the places that inspired the philosopher and nourished her theories. An American road trip bringing together the worst and the best, predatory capitalism and mad love. A unique reinterpretation in the company of the great thinkers of our century.
Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.
A French soldier, gently bent at the waist, a rifle lodged in his mouth. The rifle fires. Whether he dies or dreams is left unresolved, the decision deferred to the viewer.
1944. Lucien, a fighter in the Free French Forces, is taken prisoner by the Germans. He is sent to a prison camp and then becomes a pianist in a palace.
A man developes an obsession with a wig.
In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
Game of marbles between four or five boys.
When the dead body of Mr Kaplan is found, a kitchen knife in the back, all eyes turn to the maid. When the widow reveals that her departed husband was incapable of giving her children, all eyes turn to the widow. Beneath this passionate crime, a modern day detective will discover that temptation, devotion, remorse and desire are the best fuels for killing love.
At the peak of her career as a rock climber, Catherine Destivelle goes to the United States to get away from the competitions and to recharge batteries. There, Destivelle travels by car through Utah and Wyoming to make spectacular free solo ascents in Indian Creek, where she soloes 'Supercrack' (5.10d), in Dead Horse Point State Park, and on the iconic Devil's Tower, where she climbs unroped the second half of the classic 130-foot route 'El Matador' (5.10d).
An 80-year-old lonely man feels sorry for the loss of his wife and the divorce of his son. One day, his old maid makes a hopeful dream. For her, that is for sure, the situation will be getting better soon.
Alpine shooters perform various boxing exercises.
In July of 1976, the Societé Générale of France was robbed of well over $10 million dollars by a group burrowing through the sewers of Paris. This movie is based on a book by the thieves' mastermind, Albert Spaggiari. The famous theft won the nickname, "the great drain robbery," and this romanticized cinematic retelling of the true story stars Francis Huster as Spaggiari.
Les aventures tragi-comiques de quelques individus ou comment reagir quand votre maison se retrouve ensevelie sous les eaux, envahie par de droles de personnages et qu'on va accoucher dans les heures qui viennent?
Mon Guerlain, the house's new fragrance, is a tribute to today's femininity - a strong, free and sensual femininity, inspired by Angelina Jolie. Mon Guerlain is characterized by the freshness of Lavender Carla, an exceptional variety cultivated in Provence, which contrasts with the voluptuousness of the Sambac jasmine from India and the Australian Album Sandalwood, associated with the sensual Vanilla Tahitensis of Papua New Guinea.
Capucine, her sick mother and Eugénie hit the road to try to escape the radioactive cloud that is heading straight for their little town.
Véra Cabral, an emergency psychiatrist, is called in to help Giselle Leguerche, who has been incarcerated for murder. The inmate, who is about to be released and has no previous history of prison life, commits the irreparable act of murdering a female prison guard and taking an infant hostage. After resolving the situation, Véra Cabral is entrusted with the prisoner's psychiatric expertise. An investigation into Giselle Leguerche's past then begins, leading the psychiatrist down unexpected paths linked to the prisoner's past.