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Daredevils

The film explores unobvious connections between the cultural and political phenomena of Italy and Ukraine. Suddenly, fans of Italian futurism and fascism appear among the Ukrainian far-right community. At the same time, conservative ideas are spreading in Italy and Europe. There are its own heroes, villains and victims including Ukrainian soldier Vitalii Markiv, far-right publishing house Iron Dad, former Italian Deputy Prime Minister Matteo Salvini, a group of pro-Russian recruits for the war in Donbas, and others.

Daredevils

NR 2020
What has left since we left

On February 7th 1992, the Treaty on European Union was signed in the Dutch city of Maastricht. Decades later, the representatives of the last three countries left in Europe meet again in the very same room where it was signed, this time to deliberate on the permanent shutdown of their Union. In what seems to be a looped therapy session, the three characters - helped by a British interpreter as a self-appointed analyst - try to deal with their feeling of loss.

What has left since we left

NR 2020
Fragments Part I – “Traviata” – Act III: Preludio, scena e aria

The project “Fragments” features a series of iconic opera scenes recorded during lockdown at musicAeterna’s home residence, Dom Radio in St Petersburg. With their signature perfectionism and dedication, Teodor Currentzis and the musicians have spent many hours rehearsing and recording in the studio in order to capture the true expressiveness of the performed masterpieces. Each of the recorded scenes will get its own visualization by various filmmakers who will create videos that reflect the concepts behind the music. The first recording in the series is taken from Giuseppe Verdi’s La Traviata and is made in collaboration with NOIR Films (St Petersburg), a team of video artists that specializes in experimental films and video art.

Fragments Part I – “Traviata” – Act III: Preludio, scena e aria

NR 2020
A Georgian Toast

During the filming of the documentary film “The Gift”, Giuliano Fratini meets the master Marlen Khutsiev, who agrees to speak about Tarkovsky. But before being asked any questions, as a sign of thanks to his Italian guests, he wants to talk about Italy and in particular about Fellini, about the friendship they forged at the Moscow Festival in 1963. Back then the Italian master asked to meet him, the little Georgian who had problems with the regime. This small film is a tribute to the Italian genius but also to the Georgian master.

A Georgian Toast

NR 2020
Ratti

Armando is 10 years old, he's a little boy like everyone else, he lives in a village with his mother Amelia, a charming woman who has always been very attentive to his son. There is also Arturo with them, Amelia's husband after the passing of Armando's father. Unfortunately Arturo reinvests all the few money, left by the poor man, to go drinking, and when he comes back home he's always drunk and he beats and abuses the poor Amelia. They both think that Armando doesn't know anything, but he can't manage to close his eyes every night, until his mother stops screaming and groaning. On Armando's birthday his mother gives him a seal box left by his father, who made a particular request, when he was still alive: she had to give it to Armando on his tenth birthday. This is a gift that will change their lives forever.

Ratti

NR 2020
ARTASERSE

A one-of-a-kind cinematographic experiment. A grotesque fairy tale, staged in the real lives of the characters. A completely self-produced movie, designed and directed by two visual artists, with the purpose of telling the tale of Artaserse, a retired worker, boxer, trainer and life-long painter. Everything is staged in an industrial, now decadent Terni; like a steel bay without the sea, here it's difficult to dream about becoming an artist. This movie is like a suburban western movie; the boxer and the painting dancing the communal square dance together, in life and death, the meeting-match between Artaserse and an allegorical and remorseless art world, and more generically, the battle of all the colorful characters, appearing throughout.

ARTASERSE

NR 2020
La Napoli di mio padre

Giuseppe looked at the horizon as one observes a desire, as something to be reached in order to try to be free. Since childhood, his daughter Alessia, the director, often saw him looking out the window, wondering what was able to attract his attention in such an intense way. Several years later, during a return trip to Naples, her father's hometown, Alessia finds herself observing her father again. Also this time Giuseppe is always in profile and, while the landscape flows framed in the window of a train, his gaze tries to capture every moment, to stop those moments and save them from the fast passage of time.

La Napoli di mio padre

NR 2020
Arthur and the Seagull

Arturo is almost 90 years old. Widowed for a long time, he is used to being alone and his days pass as a pensioner, without doing anything special: walking, sitting by the sea, pretending to listen to the radio. Then one day he gets a newspaper advertising cameras in his hands and, for a moment, the opportunity to devote himself to a hobby becomes a different color among the alleys of an empty and old country like him. The seagull that was chosen as the subject, however, seems to have an entirely different idea on the perfect photography and, what was born as a game to deceive the waiting, turns very soon into a small enterprise that has the slow pace of the age, but the same urgency of freedom and fantasy as a bird’s flight

Arthur and the Seagull

NR 2020
Sulle tracce di Maria Lai

The film reconstructs with care and tactile and optical sensuality the path and legacy of a unique figure of woman and artist: from the turn of the sixties with the "Looms", the "Sewn Canvas", the "Breads", the "Scriptures", the collective action carried out with the citizens of Ulassai in 1981 ("Tying to the mountain"), which anticipates relational art, one of the main artistic currents of the late twentieth century, by a decade. The repertoire materials and landscapes integrate the chorus of testimonies from friends, collaborators, artists, and critics with the same mysterious serenity of the artist's voice.

Sulle tracce di Maria Lai

NR 2020