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Angela's Diaries. Two Filmmakers. Chapter Two

I felt an urgent need to continue with I diari di Angela - Noi due cineasti. Capitolo secondo, for me a world of symbols and colors. Our long journey together could only be given new meaning again. I set out, with considerable reserve, to make the second part of the film that in 2018 had had a favorable reception all over the world. I thought for a long time about how to make use again of her words, her drawings and her silences. Angela and I filmed and wrote two parallel diaries. The images I shot around Europe, America and elsewhere fit perfectly with her writings.

Angela's Diaries. Two Filmmakers. Chapter Two

NR 2019
Amazonia - La Loma Santa

Every year the inhabitants of San Ignacio de Moxos, a large Amazonian village in northern Bolivia, celebrate Ichapekene Piesta, a festival that reinterprets the Moxeño myth of the victory of the founding father of the city, the Jesuit Ignazio de Loyola, and mixes it with indigenous traditions. The festival lasts for a week day and night, with processions, drumming, singing, dancing and games with the bulls. The major representation of St. Ignatius' victory involves 12 "warriors of the sun" wearing extraordinary feathers and fighting against the guardians of the sacred flag, the ancient masters of the forest and water, before defeating them and converting them to Christianity.

Amazonia - La Loma Santa

NR 2019
Aida: Grand Théâtre de Genève

British director Phelim McDermott offers the audience a new take on the culture of the people of Ancient Egypt in Aida, one that allows us also to question the world in which we live. This new perspective entails a number of bold creative choices that do not make use of the traditional staging imagery associated with Aida. Aida’s command to Radames — “Ritorna vincitor!” — comes at a price. The triumphal march of the victorious Egyptians is a procession for the coffins of the heroes fallen in battle, the chorus are their grieving kinsfolk. McDermott’s staging resonates keenly with the images of so many civilian and military funerals that crowd our newsfeeds. Here is a triumphal march that does not seek to hide the true, lethal and disastrous nature of war, whatever side you are on.

Aida: Grand Théâtre de Genève

NR 2019
The Saved Night

“La notte salva” (The night of nature) is a path of sensations that attempts to gather around its nature without revealing it, without opening itself to any human language. Rather, as an animal’s night call, it exists vanishing in its own closure and muteness. The film reestablishes itself onto its state of unsolved, lost and forgotten space, as a word without name, experiencing itself as a simple gesture, dreamily suspended through its own electric tension, far from any sort of destination, salvation, redemption.

The Saved Night

NR 2019
Ocean’s Breath

Coral reefs are the greatest living organism of this planet.They are the lung which permitted life to exist on Earth for hundreds of millions of years. But today something has changed.The coral reefs are dying.Three young scientists, Federico Fanti, Grace Young and Vanessa Loveburg are hot in pursuit. But how can a geologist and paleontologist, a robotic engineer and a marine biologist find the killer of an organism which does not follow the rhythms of human beings? But not all is lost. The way of saving the coral reefs is buried in the breath- taking views of the Dolomites.

Ocean’s Breath

6.0 2019
Secretaries – A Life for Cinema

Six secretaries (Cesarina Marchetti, Paola Quagliero, Liliana Avincola, Anna Maria Scafasci, Resi Bruletti and Fiammetta Profili) delve into the past to tell us what it was like to work in the world of Italian cinema when our films used to clean up at award ceremonies, from Venice to Los Angeles, via Cannes. The documentary is a revealing flash­back of their lives, both off and on-set, enriched by anecdotes, revelations, unpublished photographs and other curiosities related to some of the great classics.

Secretaries – A Life for Cinema

NR 2019
Moon on Fire

After his village is attacked, a cowboy steals a black sphere. The mysterious object changes hands and it finally arrives to a bandit camp. The Indian girl who is carrying the sphere is captured and tied to a big cross. The cowboy confronts the bandits, in the attempt to have the sphere back, but they are all distracted by the arrive of the obscure owner of the craved object. The fight is ruthless, dramatic. Only the girl tries to escape, but she will have to meet her fate.

Moon on Fire

NR 2019