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Baghdad Thirudan is a 1960 Indian Tamil-language swashbuckler film produced and directed by T. P. Sundaram.

Anu daughter of Jyotiba, sets out to avenge her parents loss of face by excelling in the art form 'tamasha' to defeat her fathers arch nemesis Raghoo.

The film depicts the life of Lord Rama from birth to his marriage with Seetha.

Sapne Suhane is a 1961 hindi-language Romance movie.

The wealthy patriarch of a Mumbai family learns more than he wants to about his own origins after his refusal to accept his sons' chosen spouses drives them and his own wife away.

After being acquitted for the murder of his first wife Deepak is suspected for attempting to kill his second.

Babu, a wealthy heir, returns to his ancestral home, only to find that his aunt has ruined their family name. However, he strives to rebuild the lost honor while also pursuing his love interest.

Shekhar is a Lothario. He's also the son of the Public Prosecutor. After his philandering has exhausted his parents' patience, he takes a fancy to Saradha and contrives to put her in a compromising position. She cannot escape from marrying him after her father accepts the Public Prosecutor's proposal of a union between their offspring. Shocked by his bride's contempt for his behaviour, Shekhar resolves to wait until his wife accepts him of her own volition. When she contracts pneumonia he gains the opportunity to win her love. However, an encounter with an old flame lands him in jail and Shekhar finds himself facing his father across a courtroom, charged with murder.

Pachai Vilakku (English: Green Lantern) is a 1964 Indian Tamil film, directed by A. Bhim Singh and produced by Rama. Arangannal, A. R. Hassan Khan and T. S. Aadhi Narayanan. The film stars Sivaji Ganesan, C. R. Vijayakumari, S. S. Rajendran and S. V. Ranga Rao in lead roles. The film had musical score by Viswanathan–Ramamoorthy.

Ek Gaav Bara Bhangadi is a 1968 Indian Marathi drama film released on 1968. The film is directed by Anant Mane.

A poor Afghani leaves his family behind to earn a living as a dried fruit vendor in India. Profoundly homesick, he befriends a young girl who reminds him of his own daughter. Meanwhile, the locals are distrustful of all foreigners.

To better himself, a spoiled prince temporarily assumes a commoner's identity. But he soon learns his palace has been gifted to his father's new wife.

Umminithanka is a 1961 Indian Malayalam film, directed by G Viswanath and produced by PK Sathyapal. The film had musical score by V. Dakshinamoorthy

Subho O Debotar Gras was a film in 2 parts- one was the story of the deaf-mute Shubha who features in a short story by Rabindranath Tagore & the second part was based on the poem titled "Debotar Gras", in which Tagore describes the frantic desire of a dip in holy waters during the Ganga Sagar pilgrimage as well as the selfishness of the pilgrims.

Jeevanlal, who is a thief, lives in a small village in India. He is married to Sita and together they have a daughter Meena and a son, Dharmchand.

Mr. Gupta passes away after an accident while on duty, leaving behind his ailing wife and school-going son, Ramnath. Both await for some compensation, and when they are informed that the company does not accept liability for Gupta's death, his wife falls down the stairs. and passes out. When Ramnath goes to fetch a doctor, he is knocked down and run over by a speeding car, losing the use of his left leg. When he returns from hospital, he finds that his mom has passed away, and his landlord has evicted him. Penniless and hungry, he roams the streets of Bombay and befriends a blind young man, Mohan, and both use their talents - playing and harmonica and singing respectively to earn some money. Mohan is on the look-out for his sister, Meena, who works as a Nurse in one of the hospitals and hopes to be reunited with her. Both friends befriend a ailing young girl, Manjula, and hope to get some money from her so that Ramnath can attend school.

Kundan, a nomad, is offered a music deal when his songs are noticed by a pair of music directors. His lover, Rupa, convinces him to accept it but misunderstandings cause a rift in their relationship.

Raju lives with his widowed mother, Janki, in a small town and works as garage mechanic. One day he meets with wealthy Rachna Malhotra, and after a few misunderstandings, both fall in love with each other. When Rachna's guardian, Diwan Mahendranath, finds out he forbids Rachna to ever see Raju again, as well as goes to Raju's house and humiliates his mother, for he wants Rachna to marry his son, Ramesh. An enraged Raju wants to avenge this humiliation and decides to teach Mahendranath a lesson. He enlists the help of his maternal uncle, Chamanlal Kapoor, and together they succeed in fooling Mahendranath and making him give up all his money.

Amal, a young boy with an incurable disease is trapped inside the house by the local pandit-doctor’s orders. He spends the day chattering with passersby and villagers while daydreaming about those encounters later. When the chowkidar tells him the new building across the road from his house is a new Post Office belonging the Raja, Amal starts fantasising about visiting the King beyond the hills, and getting a letter or delivering the letters going all around, setting out from the confine of his house

An ancestral property is distributed between two brothers, then a couple of years later, bitterness divides their families. An outsider in the younger brother's family tries to kill the others, which is resisted in time, and they reunite.

Hesitant to marry dancer Rajni, Ashok initially refuses but slowly falls in love with her. However, when Ashok and Rajni are about to get married, they find themselves embroiled in a murder.

Sage Narada instigates Goddesses Saraswati, Lakshmi and Parvathi against each other. The trio set out to answer what is paramount in a man's life, knowledge, wealth or strength.

A rich young man woos proud girl against her father's wishes.

Geeta, a five-year old orphan of Seva-Kunj, gets adopted by wealthy Asha and Ashok Gupta, believes them to be her missing birth parents, and moves in with them in their palatial house.

Prakash and Chandan are enjoying their college trip with with their friends when Sumer Singh arrives with the news that Chandan's father is unwell and his mother has asked him to rush home.Paraksh who wants to slip from flirty Rekha accompanies Chandan to his house to provide him moral support.On the way Prakash finds out that the mansion he is going is haunted by a spirit of a women named Rani who was suspected to be murdered by Lala Bajinath.

A young girl,Archana, falls in love with Sukhendu, an educated young man. Her father gladly accepts Sukhendu as his son-in-law. But Sukhendu’s income and nature come in way of this marriage.

Chanda, unconscious for three days goes home only to realize a stranger by the name Rajkumar claims to be her husband and calls her by the name of Rekha. Will Chanda be able to solve this mystery?

Sawan Ki Ghata is a 1966 Bollywood film produced and directed by Shakti Samanta. The film stars Manoj Kumar, Sharmila Tagore, Mumtaz, Pran, Madan Puri.

A doctor , through a series of mysterious and unfortunate incidents, is inclined to believe that in his past life he was in love with a woman and her ghost is now haunting him, wanting to kill him. However, the truth turns out to be much much different than he expected.

At an orphanage, Kailashnath identifies Vijay as his biological son and takes him home. Years later, a man named Ashok arrives and claims to be Kailashnath's real son.

A humorless and pompous businessman goes wild when he falls in love. Now if only his domineering mother could understand his new lease on life.

The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.

Paalum Pazhamum is a 1961 Tamil-language film directed by A. Bhimsingh and featuring Sivaji Ganesan, B. Saroja Devi, Sowcar Janaki and others. Sivaji is a doctor searching for a cancer cure. Saroja Devi is Sivaji's nurse assistant. Sivaji offers to marry her after her father's death. Saroja Devi assists him in his research. After putting in enormous efforts, Sivaji emerges successful in formulating a new drug but Saroja Devi is diagnosed with tuberculosis. Sivaji neglects his duties as a doctor and starts focusing more on Saroja Devi's health. Saroja Devi flees on a train as she does not wish to divert him from his research.

A woman awaiting surgery recalls her life as a revolutionary along with seven other countrymen.

Shyam works for Mr. Choudhry, and lives in a small village in India with his mother. Ranjeet, Shyam's childhood friend, returns from overseas, and all are overjoyed to see him back. Ranjeet and Shyam have a lot in common: Both are handsome, dedicated, pleasant and polite; Both share the same date of birth; and both also love the same woman, Barkha. It is the last similarity that causes friction between the two, so much so that Shyam is accused of impregnanting another woman, Roopa, and charged with stealing money.

This movie is based on the great poet Raghavanka's 'Harishchandra Kavya'. Satya Harishchandra is an epic based on the mythological King Raja Harishchandra who was renowned for upholding truth under any circumstance. So much is his resolve that Harishchandra and his family are sold into bondage and separated.

Ajit lives with his mother, and comes from a very wealthy family. He meets with beautiful Shobha and both fall in love with each other. Ajit's mom is delighted and agrees to meet with Harikishan Rai, Shobha's father, to finalize their marriage. The marriage takes place with great pomp and ceremony. A few years later, Ajit notices a change in Shobha's behavior. She changes her lifestyle, adopts a more liberal outlook, takes to drinking alcohol, and has an hair-cut. Ajit and his mom are perplexed and appalled at this change, and want to find out, but Shobha refuses to tell them anything. One day, Shobha and Ajit's mom have an argument, and Shobha angrily lifts up her hand to slap her, only to be stopped by Ajit, who asks Shobha to leave immediately. Shobha leaves and returns to her father's house, leaving Ajit and his mother behind wondering what had changed Shobha so much, and whether to get Ajit married a second time or not.

Fated to die at the hands of a child, a demon wreaks havoc on the lives of the to-be parents.

Kalyani is married into an aristocratic family. Bhuban Mohan Choudhury is unhappy because his daughter-in-law, Kalyani, has dark skin and is illiterate. Despite this, Kalyani becomes the heart of the family. Over time, Bhuban undergoes a transformation as he witnesses how lovingly Kalyani takes care of everyone in the household. However, Bhuban’s son-in-law, Phatik Chand Basu, who lives in the house, conspires and breaks the unity of the family. Can Kalyani bring the family back together?

A grieving widower has a complex relationship with his daughter, blaming her for his wife's death. As she grows up, a kind poet helps her heal and find happiness despite her father's conflicted behavior.

Though from India, this tale rings of Western familiarity -- especially of the Old West. When a beautiful courtesan is kidnapped by a burly bandit, the baddie gets far more than he had anticipated; he finds himself falling for her. Unfortunately for the couple, the authorities catch up with him and their short-lived romance ends in tragedy.

An orphaned woman becomes governess at mansion where the occupants hold a dark past.

Mamta lives a poor lifestyle with her husband, Dinu, and two sons, Mohan, and Sohan. When Ram Lal, the wealthy Zamindar, Kanta Prasad Gupta's Munim, comes to them to take Sohan to Mrs. Sharda Gupta for ten days, they reluctantly permit him to do so. After 10 days, Gupta himself approaches them and begs them to let his wife keep Sohan for life. They tearfully agree. Then Mohan gets into trouble, and Dinu scolds him, only to find out that Mohan has run away from home. A search proves futile, and the couple continue to live a childless life. Now 17 years later, Mamta is seriously ill, and asks Dinu to bring Sohan back. Dinu goes to the Zamindar's house where he meets a young man who identifies himself as the real son, Suraj, and informs him that Sohan has been asked to leave. A devastated Dinu loses his memory and roams listlessly on the streets of Calcutta, unable to remember anything.

A lawyer investigates the case of a woman who is adamant about taking the rap for a murder, although the details of the case don't add up.

Beena falls in love with Rajan after he rescues her from some goons. Soon they marry and she is pregnant. The trouble starts when Beena spends the night with Gopal. What compels her to do this?

Rajan, a wealthy Basantpur man, accidentally causes Shanti's vision loss with face afire. He becomes an eye surgeon, but his friend Ramdas is arrested and sentenced to prison.

About to be married, Nisha learns that Sunder had already been married to another woman, whom he is accused of murdering. And Sunder scrambles to come up with an explanation and absolve himself.

An Indian army captain must break bad news to a sick woman.

Eight unsuspecting people stumble across a bathing woman -- but she's no mere mortal, she is a mighty goddess. The goddess is angry when she learns she's been spied upon and, in a rage, uses her powers to curse the peepers and take away their wisdom. But the only way the poor fools can restore their smarts now is to visit the wizened sage Paramanandaiah -- a man they may no longer know how to find.

Asha lives a wealthy lifestyle in Bombay with her widowed dad, who would like her to get married to Dr. Prakash. While vacationing in Kashmir, she meets with a young man, Rajan, and both fall in love with each other. When she returns home and attends Dr. Prakash's birthday party, she gets a pleasant surprise when she finds out that Rajan is Prakash's friend. Rajan introduces Asha to his mom, while Asha introduces Rajan to her dad, and both parents approve of their match. Before they can get engaged, Rajan had promised his late father that he would obtain a degree from Oxford University, and be back after one year. He decides to travel by boat, which meets with an accident and there are no survivors. A shocked and devastated Asha finds out that Rajan's death has killed her dad, and she throws herself in her work as a doctor, working side by side with Prakash.

A simple-minded, yet loving young couple, Rajoo (Sunil Dutt), and his wife Maya, who allow their child to be adopted by Rajoo's sister-in-law/Bhabhi, Shanti (Kamini Kaushal). Shanti's child was still-born after an accident. But Shanti does not know this, and believes the child to be her own. She is misled and misguided by Gangajali (Lalita Pawar), and as a result Rajoo and Maya are humiliated, not allowed to come near the child, asked to leave the house, and ultimately are charged with kidnapping the child. Rafi's joyful song "Aaj mera haal na poocho..."; and Lata's lullaby "Sohya mera pyar aanchal me pehli bar...", are still popular on radio.

Shanker and Rita's marriage is finalized by their elders in their childhoods, however, after growing up, Shanker loves Shobna. Shanker is told to marry Rita instead, and he does so. The marriage is rocky as Rita does not pay attention to her husband and son. Then Shobna re-enters their life.

Seventy years ago the wealthy Thakur of Neelamghat had an affair with a gypsy girl, and then married another woman. The gypsy girl's dad placed a curse on the entire Thakur family that whenever a male marries, his wife will die in mysterious circumstances after an year. The curse has come true over the years, and none of the Thakurs have escaped it's wrath. The latest Thakur, Prabhat has now come to settle in Neelamghat, and is attracted to the local doctor's daughter, Sandhya Gupta. When Dr. Gupta proposes marriage, Prabhat tells them about the gypsy curse, and both father and daughter scoff at this. They quickly change their minds one night, when they find Prabhat dressed as a groom, getting ready to marry a reincarnated gypsy girl.

A top secret microfilm gets stolen and secret agent 077 aka Rakesh is assigned to retrieve it from the enemies. The adventure of returning the microfilm to its rightful owner intertwined with Rakesh's evolving love story forms the basis of the plot

Raja and Ashok are old friends, almost like brothers. One day Raja meets and falls helplessly in love with Madhu. A bit later, Madhu and Ashok meet by accident, and Ashok also falls in love with her. It gets further complicated by the fact that Ashok's father was in love with Madhu's mother and continues to carry a grudge against the family.

A story about a young man, who had to quit his studies as a doctor due to difficult circumstances, coming back and saving a young lady by performing a very difficult surgery.

Raju, a rich man gets along even with the poor unlike his father. He falls in love with Parvathi, a poor girl but is forced to marry Vimala because of his father. Director duo Krishnan–Panju’s Midas touch made this remake of the 1966 Bengali film “Uttar Purush” a tremendous success in Tamil. Often considered as one of Sivaji Ganesan’s all-time greats, this drama is poignant account of the tragedies that befall a young heir following an act of atrocity.

A man accompanies his uncle to Tokyo but finds himself in a dilemma when he must travel to Europe immediately, with only $8 at his disposal.

A man faces a problem when his very own brother decides to marry the woman he loves.

Shekhar's maternal grandmother loves him dearly, but she is also very religious and firm in her beliefs. Convinced that every man must have a male heir to carry on the family's name, she will only permit Shekhar to marry a woman who will bear him a son. Shekhar wants to marry Sunita, but an astrologer tells the grandmother that Sunita cannot bear any children, and so she disapproves of her. However, Shekhar and Sunita marry anyway.