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The Final Truth

Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.

The Final Truth

7.0 1955
Kalyana Parisu

Baskar and Vasanthi are college-mates. A naughty girl creates misunderstanding between them, and an enraged Vasanthi complains to the college dean, who immediately dismisses Baskar. Now left homeless, Baskar however manages to get employed at a tea company, and gets to stay with his close friend Sampath. Vasanthi approaches Baskar and apologises for her cruel act. Baskar forgives her, and they both fall in love. Vasanthi lives with her mother and her elder sister Geetha who is unmarried. Baskar rents the vacant portion of their house. Over time, Vasanthi passes her exams and gets employed.

Kalyana Parisu

5.7 1959
Aawaz

Mr. Bhatnagar alias Masterji comes from a poor family, and lives on a day to day basis. He has a daughter and a son, alongwith his wife, who he has fooled into believing that he has saved quite a bit of money, to retire happily, and to get his daughter married. Masterji's dreams turn into a nightmare, as he is unable to meet his debtors, loses his job, and dies tragically, leaving his daughter to the mercy of a cruel society; his son, who has taken up crime, and his wife desolate, and destitute.

Aawaz

10.0 1956
Sahodari

Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.

Sahodari

7.0 1959
Afsana

Ratan and Chaman are twins brothers who love the same girl, Meera. During a fair, all three are separated. While Chaman and Meera are found, Ratan is untraceable. Years later, Chaman is no longer attracted to Meera, but in a dancing girl named Rasily, while Meera awaits word of her childhood sweetheart Ratan, who she feels is still alive. Then the unexpected happens, Chaman gets into a fight with another man, killing him, and is on the run from the police. Misunderstandings are clarified, and the law declares this to be an accidental death, and as a result Chaman returns. But this is not the same Chaman any more. For one thing, he has lost interest in Rasily, and is more interested in Meera - could it be that Ratan has returned in place of Chaman? If so, what has happened to Chaman?

Afsana

7.5 1951
The Judge

The plot revolves around a series of flashbacks that reveal a judge's past and hidden secrets. Gyanendra, a judge, lives with his wife Sarama. Being the Judge, every time he has a trial of similar cases he remembers his past, the truth about his questionable actions. Gyanendra always recalls when he was a popular lawyer, married to Sumoti, a suspicious and rude lady. But he had a weak feeling for his professor's daughter Sarama. One day Gyanendra's house was burnt and his first wife Sumoti died. Gyanendra could not make any attempt to save her, perhaps he was unable to bear Sumati further. Thereafter he marries Sarama and becomes a judge but he realizes his crime and his past haunts him much.

The Judge

NR 1959
Beyond Death

Rai Bahadur Bhujanga Choudhury married Smritikana many years after the death of her first wife. Often she remembers the incidents in her previous life and she behaves in extremely unnatural way. Tanima (Suchitra Sen) is the daughter of Bhujanga from his first marriage. Tanima takes his stepmother Smritikana to the hospital for treatment. There Tanima fell in love with the Doctor Ashok (Uttamkumar) who was treating Smritikana. When she saw Dr. Ashok first time, Smritikana behaved in an weird way and she thought Ashok is his Son. Although in love with Tanima, Ashok refused to marry her because he himself is an orphan and doesn't know his parents. One day while Dr. Ashok was talking to his senior Dr (who looked after Ashok since his childhood) and Tanima, suddenly they heard some people chasing a thief (Gurudas). When the thief entered, Smritikana devi saw him and instantly recognized him as Gurudas. Then the story from her previous birth unfolded.

Beyond Death

7.0 1954
Amara Deepam

Amara Deepam is a Tamil film is directed by T. Prakash Rao released in 1956. A educated unemployed person Ashok (Sivaji Ganesan) falls in love with athe daughter Aruna (Savitri) of an wealthy Industrialist.Aruna is taken hostage by her husband to be Sukumar (M.N. Nambiar), and while Ashok trails them to save Aruna, Ashok loses his memory in an accident. Ashok Meets Roopa (Padmini) and they begin to like each other. Sometime later Aruna comes back and as Ashok fails to recognize Aruna things look complicated.The rest of the film deals with how Ashok struggles with his memory and how both Aruna and Roopa try to win him over. The Udhavi Thayaripalar(Co-Producer)-- L.S.Mani

Amara Deepam

9.0 1956
Chor Bazar

Circa the Mughal Rule in the Persian Gulf, a noble man asks his soldiers to bring a man trustworthy enough to commit a crime. The soldiers go to the Chor Bazar, where they find a beggar-cum-thief, Yusuf Ustad, and bring him before the noble man. The noble man asks Yusuf to abduct and kill the child, who will be the future king. Greedy Yusuf accepts the offer, but is unable to kill the cherubic child, and ends up abducting him, leaving evidence in blood to show that the child has been killed. The young prince is thus brought on to the streets of this Chor Bazar where he will grow up, and be destined to spend the rest of his life as a thief and beggar.

Chor Bazar

8.0 1954