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The Son

Using unpublished photos taken by Italian war photographer Enrico Sarsini, and the reconstruction of key events, this film examines the battle for a strategically-located church that was defended by Azerbaijani teenager Natig Gasimov. After his surrender and interrogation by Armenian forces, he was never heard of again. This film finds out what happened to Natig and who may be responsible. Filmed over a period of three years, filmmaker Karan Singh spoke to witnesses in Armenia, Azerbaijan, Italy and Russia in his search for the truth.

The Son

NR 2021
My Years with the Queen

In this one-off documentary for ITV, Lady Pamela Hicks talks for the first time on television about her incredible life growing up within The Royal Family and her close relationship with The Queen. Lady Pamela is the daughter of Lord Louis Mountbatten, great great-granddaughter of Queen Victoria, cousin to Prince Philip and second cousin to The Queen. She is uniquely placed to document her memories of her years with The Queen, whether as her childhood friend, bridesmaid or as her Lady in Waiting.

My Years with the Queen

NR 2021
We the Power

Imagine upending the traditional energy system and giving the power of clean electricity production back to your neighbors. We the Power follows friends, families and visionaries, as they break down legislative barriers, take power back from big energy companies, put it in the hands of locals, and share the benefits to strengthen their towns. The film chronicles four local cooperatives from deep in the Black Forest, to the streets of ancient Girona, to the urban rooftops of London, as they pave the way for a clean energy revolution and build healthier, financially-strong communities.

We the Power

NR 2021
Keyboard Fantasies

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.

Keyboard Fantasies

5.0 2021
People Just Do Nothing: Big in Japan

Since the end of their pirate radio station, life has been quiet for the Kurupt FM boys, but everything is about to change. News reaches them that one of their songs has been used on a popular game show in Japan. They've made it. Their music is reaching hundreds of thousands of people. It's finally time for them to enjoy the fame and fortune that they've always known they deserved. Chabuddy G steps excitedly back into his management role as Grindah, Beats, Steves and Decoy begin their journey to international stardom - but is Japan really ready for Kurupt FM?

People Just Do Nothing: Big in Japan

6.5 2021
The Man Who Fell from the Sky

The Man Who Fell From The Sky is a Channel 4 documentary. It tells the fascinating story of two men who stowed away on a flight from South Africa to the UK in 2012. But what was their story, and what happened to the two men? The documentary is billed as a ‘stranger than fiction’ story, that features two men who made the ‘most extreme journey’ ever taken by humans. South Africans Themba Cabeka and Carlito Vale made the trip clinging onto the undercarriage of the plane. Together, they made the 11-hour, 5,639-miles trip braving -60C temperatures. The incredible journey made news around the world.

The Man Who Fell from the Sky

6.0 2021
512 Hours

In the summer of 2014, tens of thousands of guests flocked to the Serpentine Gallery in London to experience Marina Abramović’s exhibition ‘512 Hours’. But when it opened, it dawned on everyone that the audience itself was the actual work in the iconic performance artist’s landmark exhibition. The audience members were also active participants and co-creators of the social experiment, which - set against the minimalist background of the gallery’s empty space - developed continuously into new, unpredictable directions during the three weeks (or 512 hours) in which the exhibition took place, while Abramović herself took part in the performative ritual.

512 Hours

NR 2021