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Fernando Bonelli

A short horror film.

A cowardly priest must exorcise a demon from the body of a teenager whose life seems to have changed for the better.

The director addresses mental health, homosexuality and the identity of Canarian women in the rural world.

Marta's pregnancy is the perfect opportunity to reconnect with her mother, who has many pending issues with her daughter.

Silvia, 34, who lived in Kerala with her family, returns to what was her home. On this trip to India she is accompanied by her friend Cristina, 21, and her little daughter Lucía. Silvia has become Cristina's life teacher, who feels a special fascination for her mentor. During her journey, Silvia will teach Cristina aspects of the Hindu culture and will guide her and answer the many questions that she asks of her because of her youth. Silvia feels that this relationship is the same one she had with Ana, a woman who taught her how to live, but that she abandoned her when she met another person after the tsunami that hit Kerala. For Silvia, who is rooted in Hindu culture, this experience with Silvia is part of the wheel of life, where what dies is always reborn.

Lucas, a writer without ideas, receives an unexpected visit from his neighbors.

A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.

José Luis López Vázquez, an essential artist in the history of Spanish cinema, manages to find a late love that changes his life, after having a successful professional life for years, but a rather neglected personal life.

Ainhoa is born by chance in La Paz (Bolivia); but she grows up in Cuba and, at the age of 21, in 1988, she travels to the Basque Country (Spain) to discover the land of Manex, her father. In the midst of political struggle, she meets Josune, a committed journalist, and her group of friends.

Malik is the only black boy in school and gets bullied by his fellow classmates.

A house. From outside come shouts of what looks like a demonstration. Inside, two children, Luis (six years old) and Ana (eight years old) play while her mother, Carmen, tries tough it out in front of the little ones.

Maruja lives with her husband in San Ildefonso, a working-class neighborhood of Cornellà, on the outskirts of Barcelona. She is 87 years old, she gets bored at home and often goes out in search of fresh air that makes her smile, always with her shopping cart.

A woman is forced to continue working while one of her colleagues lies unconscious on the floor due to the long, hot work days. This fact causes insomnia problems and the suspicion that something is happening at night.

A group of people are walking in the forest. They seem to be heading somewhere. In the sky, a plane is flying and inside it, a child is crying.

A sequel to País de todo a 100 (Country of Everything at 100).

A boy. A girl. An (unexpected) date.

Nei performs a strange ritual that all the class friends have practiced. And it apparently works.

A group of youngsters search for something unknown at night.

A companion piece to Mum’s Cards, For Dan explores an intense period of correspondence between the artist’s late father and his closest friend, radical university lecturer Dan O’Neill. Filmed in an eco-community in Queensland, the film impressionistically documents both the friendship between these two young men and sketches a partial political history of Australia in the early 1960s.

Isi is a 50-year-old gay "young man" tired of his perpetual adolescence. Everything takes an unexpected turn when his elderly mother falls ill and Isi must return to the family home to take care of her. Desperate, he discovers that there is only one way to get his mother to eat and take her medicine...to read her his favorite novel, "Gone with the Wind".

Two ladies are talking about a very serious issue on which their lives depend. Will they be able to overcome this situation?

Jim is going insane, he has been in the hospital forever. When the doctor finally arrives with his tests, the results are unexpected. A matter of laugh or death.

A group of pirates chases a mermaid until a cave where they will find something that even in their worst nightmares they could never have imagined.

In a Lisbon courtroom, a young man stands accused of having stolen thousands of confidential documents to expose professional football’s deepest secrets. Through the trial, his spectacular revelations are unfolded, giving new insights into the hidden forces controlling a game gone billion-dollar industry - where 700-percent profits and parties on private islands are part of the business model.

Having escaped a destructive relationship, film artist Maja Borg explores two ritual practices: Christianity and BDSM. At first glance, the two could hardly be further apart, but perhaps there is a spiritual kinship between religion and subculture in terms of their healing power. Borg confronts herself and her deeply personal traumas in a dark and theatrical form, while exploring the European queer scene and the Christian heritage of northern Europe to find back to her own core. Passion and suffering are two sides of the same complex case in ‘Passion’, whose transcendental imagers lets literary and cinematic traditions come together in a ceremonial whole. But the abstractions give a sense of human depth to the film’s encounters, where Borg is challenged in both body and soul. And maybe it is precisely this humanity that proves to be the thing that connects theology and BDSM on an emotional and possibly even spiritual level.

A trip of friends destined by themselves to be immortalized in their memories.

Ávila, Spain, March 28, 1526. With the help of her cousins, Teresa, who is eleven years old, writes a letter to her mother with the purpose of asking her to allow her to change her name to that of her favorite saint.

Rhea is a 24-year-old woman who has just moved into a new house with her husband. Over the course of 10 years she will have three different partners with whom she will experience three moves in different parts of the world. In the intimacy of a universal living room, the viewer will experience the passage of time and how the protagonist is getting rid of many material belongings. Her relationships seem very volatile and light. However, a novel written by her first love will endure in time amidst so much personal and material rupture.

Four young Balearic singers, Maria Hein, Clara Fiol, Marga Rotger and Júlia Colom, share their concerns and creative processes while working on a common project.

Alejandro has to discover what it is that keeps him in limbo.

Ivan, 32 years old, lives in a town where everything remains the same, and begins to question his identity as a human being. Is he a product of his circumstances? Has he decided who he really is? How honest is he with himself? Through different social and family atmospheres he will manage his feelings, his life.

David and Roberto, a couple of journalists stationed in DR Congo, take refuge from the war in a shelter. There is hidden Badou, a frightened and friendly child interested in photography. Will this be their last coverage?

«La Loca y el Feminista» is a conversation with no return. A conversation about what the exercise of feminism means and the use that we give to a word that has become fashionable, also among men. A couple’s conversation about the unequal distribution of household chores,the extra burden that she assumes and his unconsciousness about what her attitude really means. He, who is a committed feminist, and she, who is going to question it based on a request that is an ultimatum: please, do not say again that you are a feminist.

Pedro, who is having a tough time, receives the news that his grandfather died. He inherits 2 cows and a donkey. He and his uncle go to the village where his grandfather lived. But this journey will end up as they never expected.

Gilda Love / Eduardo, the last transformist of the Chinese neighborhood of Barcelona, survives with a miserable pension while trying to continue acting on stage. His priorities are altered with the arrival to his life of Chloe and her mother, Hanna, with whom he will have the opportunity to form the family he has never had.

A near future in any country. Refugee 28312 and her baby manage to reach a cold and hostile cabin controlled by a machine. The cabin serves as an anteroom to access the raft that can carry the Refugee and her child to the other side. Refugee 28312 has enough Units to pay for the ticket, but the machine decides Refugee 28312 is not suitable to go on board.

A report on the life and career of Carlos Sainz, from his beginnings to his time at Ferrari.

A historical and archaeological investigation of the mass grave of Pico Reja, located in the cemetery of Seville, where the remains of about two thousand people, victims of the brutal repression exercised by the rebel side during the Spanish Civil War (1936-39), are buried.

In a boarding school, legend has it that a time capsule has been hidden in the walls. They say it could change the world. Today, the new students fall in love, play cards, dream and laugh in their rooms, which in turn become their own time capsules, like snapshots of a generation at 20 years old.

The queue is a visual poem. A reflection of this society, increasingly lacking in solidarity. It can be the unemployment line, the hunger line, the line of the sick, the retired, women, migrants. We are all standing before that door, always closed to those who have nothing and wait in vain for the Leviathan that is the State to let them in and become part of a society that casts them aside like outcasts.

Maricón POP is a singing game that will uncover the deception in a relationship. Each player has to choose a trigger word and say it to the other player, who has to sing at least five words from any pop song containing the trigger word.