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Migration

"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography, stop-framing, and slow motion. The migration of the title is interpreted as the flight of a ghost bird through aeons of space/time, through the micro-macro universe, through a myriad of complex realities. A seagull is seen flying gracefully in slow motion against a grainy green sky; suddenly the frame stops, warps and burns, as though caught in the gate of the projector. Now begins an alternation of fast and slow sequences in which the bird flies through time-lapse clouds and fog and, in a stroboscopic crescendo, hurtles into the sun's corona. Successive movements of the film develop rhythmic, organic counterpoints in which cosmic transformations send jelly fish into the sky and ocean waves into the sun." - Gene Youngblood. Preserved by the Academy Film Archive in 2014.

Migration

6.0 1969
The Challenge of Change

"Today the rate of change and the areas of life molded by it are increasing astronomically ..." states the introduction to this film. Impressions of all that constitutes the environment of modern man are conveyed in the film in a kaleidoscope of movement and sound -- a montage of pictures from the urban and industrial scene, reflecting the creativity and inventiveness of which people are capable but which in turn demand adaptation and adjustment if we are to survive.

The Challenge of Change

NR 1969
Saint-Jérôme

This socially-driven film explores the impact of technological changes on the city of Saint-Jérôme, which faced a severe socio-economic crisis in the 1960s, mirroring issues in other Quebec cities. Citizens from all social classes come together in a monumental effort to address the crisis. The film serves as both a reflection of this situation and a catalyst for action, acting as a mediation tool between technology and those affected, and facilitating participation in the reorganization of society.

Saint-Jérôme

9.0 1968
Atomic Energy in Canada

A look at what has been happening of late in Canada's nuclear laboratories where new uses of atomic energy are being pioneered. The film shows the earlier reactors at Chalk River and the reactions that take place between heavy water and natural uranium. Here, too, is seen the production of radioactive isotopes for use in medicine, agriculture, industry. At the Douglas Point prototype power station, the film explains how nuclear energy makes electricity. A film for science student or layman. Produced by Crawley Films Ltd. for Atomic Energy of Canada Limited.

Atomic Energy in Canada

NR 1967
Nuclear Roof

Construction of the Diefenbunker. "A recently declassified film, Nuclear Roof depicts the design and construction of Canada's secret nuclear bunker, engineered to house the federal government in the occurrence of a nuclear attack. Built in secrecy during a 14 month period between 1959 and 1961, the facility became active in 1962 and operated 24 hours a day, 7 days a week, 52 weeks a year for over 33 years. This fascinating engineering feat, now a museum, is open to the public. Take a rare look at how it all began..."

Nuclear Roof

NR 1962
Knife Throw

"The static camera is placed in a room lit by an overhead controlled lighting system. Two flashlights are strapped to my ankles and the other to one wrist. I begin throwing the tree knives at 20 feet away from the panel and move toward the panel at 2 foot intervals, throwing the set of knives to 10 feet from the surface and then move back to the 20 ft. mark. The lights in the room are dimmed a specific amount at each interval until the room is totally dark revealing only light specks given by the flashlights reflecting off the broken surface of the panel. The soundtrack consists of the knives striking the surface and sometimes bouncing to the floor; a woman's voice is heard speaking: 'stick, bounce, stick, stick, bounce' etc., as each knife is thrown." - David Askevold

Knife Throw

NR 1969