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Examining the change of culture in the small island after American television began being broadcast.

A look at the life of a 16-year-old girl, focusing on the person she loves and what happens to him, and how it affects her.

Two Australian children chase a cat and a dog into a swamp near thier homes. Here they find a treehouse which they never noticed before. Inside the treehouse is a trapdoor which brings them to a wild and wonderful world with pirates, talking trees and bunyips!

Various shots of streets.

In 1965, a busload of boy scouts go for a camping trip, where they start telling campfire tales. One of the older scouts, in attempt to scare the youngers, tells the "true story" about The Berko Brothers , which according to the legend, used to be a pair of Italian brothers who crashed their plane near the area years ago.

A diary film. A university student reflects on his time at uni, longing for the days when he was "pretty naive".

Sydney, 2112 A.D. - Children scavenging among the rubble of their city accidentally discover a long sealed Hall of Ages, containing the tools of an arcane art.

A young boy creates a world of puppet friends using pieces of rubbish found in the street.

Three-color separation imagery expands the experimental documentation of landscape. Alternating nuances of color conjure up; a formal beauty, which are echoed in birdsong and the buzzing of insects.

Australian Made: The Movie is a 1987 live concert film of the Australian Made tour from December 1986 to January 1987. The tour featured internationally performing Australian acts, INXS, Divinyls, Models, The Triffids, The Saints, I'm Talking, and Jimmy Barnes. Concert segments were linked by Troy Davies interviewing audience members and musicians.

A fake documentary following around a man who claims to be a serial killer.

Simone Buchanan plays a young camera fanatic who is marooned on a desert island. Here she is threatened by a refugee from South America (Henri Szeps) who isn't keen on having his whereabouts known. Hostility melts into friendship before the rescue boats arrive.

Alison Berger has only recently moved from the country to take up a new job as a computer programmer and already her future looks promising, both professionally and personally. But, unbeknownst to Alison, one of them has become besotted with her. Against her better judgement, Alison agrees to a 'once only' date with Matthew Pitt and from that night on, her life becomes a nightmare.

Based on the True Story about the 'Care & Rehabilitation situation of the residents of 'Leumeah'in Australia and the case put forward and action that the residents took towards the media amongst other things to get attention brought to their cause in 1973.

This concert, taped on 14 December 1986 at the Sydney Entertainment Centre, was the last of a series of concerts done throughout the last two months of 1986, which were part of John's Tour De Force of Australia and New Zealand.

An animated Dreaming story.

A film about waiting for love.

As much a parody of the typical BBC documentary style as an extravagant curtsy to Dame Edna Everage, Housewife Superstar. The Dame is known mostly through her special broadcast in 1983; in Britain s/he is a household name. This 1984 birthday tribute is a deeply probing investigative profile of one of the world's spookiest celebrities.

Shots inside and outside a house.

Various tableaux of Melbourne in 1989, as experienced by the film-maker.

A documentary style drama depicting the life and times of one of Australia's greatest explorers. Matthew Flinders was the first man to circumnavigate the vast island continent known in the 18th century as New Holland. However few people are aware that he was also the first person to formally name it Australia.

Dot sets out on a mighty adventure that takes her to Hollywood. With the help of Hollywood stars Dot wins a talent quest, and discovered by a famous director, she becomes what all Hollywood dreams are made of – a film star. This enables her to raise money for her little friend Gumley the koala who needs an operation on his eyes.

Two young Australian filmmakers meet in London and return home with dreams of making films that reflect their Australian ideals. A film about dreams and aspirations.

Flashing back and forth between the Fifties and the Eighties, the film explores with wit and panache the political and social connections between the two eras, converting a potential nostalgia trip into a sharply focused but entertaining analysis of the pressure placed on men and women then and now.

Four people, at different times, wait at a tram stop. A film about life.

“I lived in Darlinghurst [central Sydney] at the time. The hustle and the bustle of that section of the city intrigued me. I used a hectic camera, grainy newsreel film, a 75mm lens and a long matte box to create four intersecting segments…a degraded symphony of the city. Building facades, people and traffic variously interlocking and going their separate ways, across the grid of the Square.” (Paul Winkler)

Five hundred Australians were killed in combat in Vietnam. Four hundred and seventy Australian veterans have committed suicide since returning. Based on actual events, this drama tells the story of Paula Voltz whose husband, a Vietnam veteran, hanged himself at Christmas 1980.

Two hybrid characters become fixated by an idea. As they talk to each other they become more and more obsessed with the idea, but the more they talk the less capable they are of translating their ideas into action. Witty, wicked and kinky in concept innovative in use of animation. Prequel to the short film Crust.

The protagonists of this surreal drama are seated at the kitchen table arguing over a broken biscuit. Evan Rude (voiced by Bruce Currie) resembles a medieval knight with a propeller head, Ropeshair (voiced by John E Hughes AKA Hobart Hughes) has a head that is a cross between a football and an African sculpture. Each figure sees a fish – supposedly the protagonists’ dinner – circling in space. Inside the biscuit, a hardworking ant works for a 'crust’ to feed his family.

A Tahiti is a rugged, forest-clad South Pacific island, surrounded by coral reefs. Its traditional Polynesian way of life has been swamped over the years by foreign influences, particularly that of France. However, the long-awaited re-emergence of traditional culture is the focus of this documentary. We look at some of the people responsible for the cultural revival and their arts including the building of a double hulled canoe, the art of full body tattooing and the fierce dance competitions at the high point of celebration of Polynesian culture, the Tiurai Festival.

“When you walk through the Bush, you hardly ever see any animals—they tend to take cover long before you actually come anywhere near them. Like a lizard, or a wallaby, which sees you and disappears. So I decided to make a film where I’d insert them… from photographs…into footage of the Bush. To make this work physically and filmically I had to invent and construct my matte-box image shifter. I wanted the animals, the sentinels of the Bush, to appear and disappear…the Bush to be living and moving. With the image shifter I matted them in and matted them out…what they now call ‘morphing’. This film was very popular with people who didn’t know much about avant-garde film—it was easy to watch, and they could get a lot of information about the type of flora and fauna in this country.” (Paul Winkler)

A circus owner attempts to capture a mysterious Bunyip, but Dot and her bushland friends try to foil his plans. Dot soon discovers that the circus is merely a front for an international wildlife smuggling operation. Backed by her pals, Burra the Kookaburra and two boxing kangaroos, Dot goes on the warpath.

Heavy rain. Then, a change. Melbourne.

This short film (entitled 'Neon') was shot in Australia, 1980, by Alex Proyas and Salik Silverstein and also served as a music video for Fad Gadget's second single 'Ricky's Hand'. The video consists of single-frame time-lapse journey through Sydney by night.

A documentary of a young couple and their two children living in a squatter settlement in the Philippine capital, Manila. Rather than just a report on poverty, this is a universal story of people experiencing everyday events with a mixture of humor, irritation, weariness, and courage. Cora and Celso make a living selling cigarettes at night outside a downtown hotel in defiance of City regulations. The film follows their lives over a three-month period, beginning with Cora's attempt to find a new room for the family after they have been evicted from their previous home. Later, Celso and Cora face a crisis in their own relationship aggravated by the stresses of their daily life.

“Some had given me an iris—a little gadget which opens and closes—they were used a lot in silent movies to indicate the beginning or end of a scene. And that got me thinking about how we actually see, and how, though we barely notice it, every time we blink our own irises close down to black, and then open up again. Black and image. Black and image. I wanted to do something with time…with time as an iris closes and an iris opens. The name Traces refers to the traces we leave in time as, say, we walk across footpath, or traces on buildings, paint peeling off, or windows being dirty and being cleaned again…everything to do with time lagging. To show traces within traces within traces I put irises in many parts of the frame.” (Paul Winkler)

A man arrives home from work and relaxes. Who is he?

The first documentary about Australian trans lives. Given only a limited release in 1983, it has rarely been shown since. Filmed in Sydney in 1981, the film unusually seeks to provide a voice for trans women and men of the time, in contrast with the sensational viewpoints that were a feature of most reportage of the period. Man into Woman features eight interviews with trans women and men, interspersed with the views of ‘authority’ represented by figures like the then Attorney-General of NSW Frank Walker. The film was a turning point in the Australian media for understanding the complexity and diversity of the trans experience.

Various tableaux of home life.

Despite all their idiosyncrasies, a dysfunctional family's lives all revolve around their blue cattle dog, Bonza. When Bonza's life is threatened all hell breaks lose to save her and it re-unites them around their common love for the dog.

Filmmaker Corinne Cantrill traces her fascinating life story through hundreds of photographs. Formally rigorous and emotionally profound, Corinne's insightful narration explores how photographs both reveal and hide our identity.

Australia's strange and often beautiful wildlife is no more apparent than in the Lyrebird with its exotic courting displays and its ability as a mimic, which is unrivalled in the world of birds. Following its life for a year through Australia's great rain forests, we see a large variety of songbirds and the marsupials who share its natural environment.

Philippines my Philippines (1989) is a feature length documentary about the situation in the Philippines two years after the notionally democratic Cory Aquino replaced the dictator Ferdinand Marcos in the ‘People Power’ revolution of 1986. Touching on the influence and interests of the United States and Australia, it examines the social context and dimensions of the violent conflict between government and big business on one hand and the rural and urban poor (led by the Communist Party of the Philippines and its New People Army) on the other.

Helena Rubinstein is rightly seen as one of the pioneers of a market worth millions - the female beauty market. Born in Krakow, Rubinstein started her career in the early years of the twentieth century in Australia, from where she quickly went on to conquer Europe and the United States. What began with twelve jars of her mother's beauty cream was to develop into a company with 100 branches in 14 countries and a workforce of 30,000 employees.

A man walks the streets of Melbourne, which looks very New Yorkish.

Documentary using archival footage, newsreels and contemporary interviews with women of the WW2 Australian Women's Land Army.

“I was interested in how people behave at street crossings… particularly at ‘Walk’ and ‘Don’t Walk’ signs. With a 200mm lens I shot stills of people at traffic lights and pedestrian crossings. The look was flat and harsh. Again I used the matte-box image shifter, to create motion where there was no motion…to create a tension. I wanted to show the frustration you sometimes feel when the damn light doesn’t change. You stand there…in your mind you’re already moving…but you can’t move.” (Paul Winkler)

I'll be Home for Christmas cuts through social taboos to explore the subculture of people commonly dismissed as ‘derelicts'. In its portrayal of five homeless men, the film challenges conventional views of alcoholism and homelessness by depicting these men as members of a social network with a highly developed sense of mutual concern and camaraderie.

Set in working class Brisbane in 1953, Stations is an evocative short drama featuring Noni Hazelhurst as a young woman coning to terms with her romantic illusions. “A sensual piting of black-and-white social realism against memory-hazed fantasy sequences . . . It is a film of immediate and engaging feel for human weakness and strength”

At her birthday party, Lindy wishes she knew her actual birth date. But only her real parents would know, and they're both dead. Or so she believes.

People whose family originated in India comprise just over half of Fiji’s population. Indians came to Fiji in colonial times under an indentured labour system to work in the sugar cane fields. Some indigenous Fijians wish to repossess the land now worked by the Indians and this results in Indians feeling insecure about their livelihood. The film looks at the life of Bechu Prasad, an old Indian man, who has lived in Fiji all his life in a large extended family of which he is now head. We watch him at work on his self-owned sugar cane farm and in his position as well-respected community leader who gets on well with both Indian and indigenous Fijians.

A 16mm record of the anti-nuclear demonstration in Melbourne, Australia on Palm Sunday 1985. The soundtrack is made from several group chants recorded at Down to Earth Confests during the 1980's.

Kannava, 10 years after migrating to Australia as a 15 year old in 1974, returns to her home city of Limassol in Cyprus, to reconnect with her beloved grandmother.

A look at the history of Australia's 1 Commando Regiment during the period in which commandos were all members of the Australian Army Reserve, rather than full-time soldiers.

The story of a 1865 murder trial that scandalized the people of Sydney. Louis Bertrand, a society dentist and womanizer, is determined to have Mrs. Kinder, a woman of dubious morals, to himself, and so plots to murder her husband.

Cars, buildings, trees. A film about independence and life's ultimate redemption.

Two young men experience paranormal activity, making them question notions of reality, God, existence.

Various shots of streets, and Mousoulis household.

The somnambulist caressed by shadows disappears into light. Doppelgänger in blue.

A collage / meta-narrative / music film, set to Koo de Tah's "Too Young For Promises". An experimental narrative film.