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Following the appeal of the Palestinian poet Mahmoud Darwish, founding member of the International Parliament of Writers besieged in Ramallah, a delegation of writers went there to demonstrate alongside the Palestinians a "beautiful linguistic collaboration" in these "high places of spirituality” (Ramallah in Arabic) where the Israeli program of humiliation is also a “verbicidal war”. “We want to listen and make other voices heard in the din of war, that of writers, artists, academics, all those who are preparing for the future... Opposing the logic of war, not a force of "interposition but INTERPRETATION FORCES", says the French writer Christian Salmon, member of this international delegation.

"Manneken Pis, the raining child" - takes you into a warm and sometimes tragic Brussels. You will discover the story of a city with capital ambition, which carefully hides its wealth and pride under the derisory appearance of a little boy who pee. Why? Through the investigation between past and present, you will see what this curious symbol contains. And why the inhabitants of Brussels boast ... to be modest.

Parades to demonstrate gay pride may be a well-established fact of life in cities such as Paris and Berlin – but this is not the case in Sion. In this Catholic stronghold, which is also capital of the ruggedly mountainous Swiss canton of Valais, a group of six women and a man, led by Marianne Bruchez, dared to organise the first gay parade ever held in this small provincial town. The date: July 2001.

This short film was shot in 2002 during Bilan du Film Ethnographic for the purpose of introducing Jean Rouch to the audience at 2003 Taiwan International Ethnographic film festival. Unexpectedly, Jean Rouch passed away in 2004. In this film Jean Rouch talked about his new marriage, his anger towards the moving of the artifacts of the Mankind Museum, his anarchistic nature, his dreams and fantasies, etc.

Camille returns from a business trip. Young and rich heiress of a cosmetics company, Cosmos, which she has taken over since the death of her father, she discovers that Vincent, the man who shares his life, took advantage of his absence to leave and move his business without even leaving him a word of farewell. Determined to win back her former lover, she finds an unexpected ally in the person of Zac, Lena's betrayed fiancé, whom she met fortuitously at the Bois de Boulogne, while both were in the process of to spy on their ex. Zac is a broke writer, lacking inspiration: they make common cause to recover their lost loves ...

Alain Guingal conducts the Orchestre du Teatro Regio di Torino in this production of Massenet's opera based on the novel 'The Sorrows of Young Werther' by Goethe. Roberto Alagna stars as the titular character, a lovelorn poet whose heart is set on a beautiful young woman of his acquaintance. Unfortunately, the girl in question has already pledged herself to another. How will Werther deal with the thwarting of his romantic ambitions?

Mali born Manthia Diawara's documentary is a complement to Ângela Ferreira's artistic project on the Maison Tropicale by Jean Prouvé, which was shown at the Venice Biennale 2007.

Prior to any other treatment, the emulsion is covered with layers of chemical products, resulting in a black filmstrip. "The black leader can be anticipated as Malevitch's white painting: a space in which everything is possible, the space of absolute potentiality and virtuality." This is because cinema, contrary to painting, gives light to its own image, via the lamp projector. This is not about covering a blank surface with forms and colors since they already exist on the black film. Whilst ALL OVER is a film made without "instrumentation" (like a camera), it also differs from direct films in that the film remains untouched by any tool (not even the hand). As in dripping, materials and color are spontaneously laid down on the film in semi-controlled gestures, which create a shower of colored dots. The soundtrack functions according to the same principle: the sound, in all its expressions, is formed using one single formal element.

A behind-the-scenes look inside Yves Saint Laurent’s legendary atelier during the creation of his final Spring line.

"Avant que tu reviennes" is the fragmented, deliberately cubist story of a group of friends who get together in a nightclub a few days after one their tribe, who had ties with all of them, abruptly killed himself, leaving no note of explanation.

Forty-year-old Joanne Guiberry runs a modest hairdressing salon in Saint-Pierre-et-Miquelon. Twice a year, at each solstice, she brightens up her rather dull life by meeting up with her lover. Twice a year, on the other side of the sea, on the banks of the immense St. Lawrence River, three hundred thousand snow geese land with a thunderous roar for a few weeks of feasting during their migration. Like a bridge between the time of the solstices and the time of the birds, there is Manon, a twenty-year-old student, and Louise, a large, wounded goose. Louise and Manon, each in their own way, will experience love and give Joanne a new lease on freedom.

Beirut is a wonderful town. It's like you're at the center of everything. In Beirut, between 1975 and 1990, there was a civil war, everybody wanted to exterminate everybody. Today, war is over. It stopped a day, like that, after having corrupted our lives. I wanted to shoot the void it had left. Its ghostly presence. That wound...

Documentary about Sri Lankan filmmaker Lester James Peries

Strolling through Paris successively takes us to the Jardin des Plantes where the gardener's mower lets bloom bunches explode; then to the Daumesnil lake in Vincenne's woods which is as always full of strollers and rowers; and finally to the Père Lachaise cemetery where cracks invite beyond improvised ruins and neglected almost-temples as impossible windows and mirrors' backs opened to the unfathomable chasm of parallel worlds...

François, a young photographer is hitch-hiking on a Mexican road. He comes across two strange ladies called Colette and Evelyne, they stop and take him in their car heading to some hot springs in the middle of the desert.

“If a lion could speak, we wouldn't be able to understand it”, said wittgenstein. we look at animals with the same curiosity, as if we'd lost each other's memory. a thin veil of incomprehension separates us and casts us into a deep melancholy. there they are, with their hair, feathers and scales, survivors from a fabulous world, mythical heroes of edifying stories and phantasmagorical material of our dreams. over the past two centuries, we have begun to study, classify and naturalize them, at the same time as their disappearance has begun. in museums, their remains have accumulated, the tangible form of our view of them and its history. what could be more natural? museums are the place for this. we observe the passing of time, that which precedes us and that which is yet to come.

Martin Kušej's brilliant 2006 Carmen represents a landmark interpretation of a truly timeless opera. Led by Rolando Villazón as Don José and Marina Domashenko in the title role, the virtuoso cast joins forces with the celebrated Staatskapelle Berlin under the direction of the legendary maestro Daniel Barenboim.

The pupils of about fifteen secondary schools in the suburbs of Paris react to the projection of two short films taken from the series "No More Lies ! 12 perspectives on everyday racism". Their comments, questions and reactions are of course focused on the subject of racism, but they also take a stand about what it means to have two cultural identities. Is it enough to be born in France in order to feel French ? What is their vision of a society obsessed with the idea of integration? What do they expect of the future ? With their questions and their protests, they often put their finger on the heart of the issues at stake. Beyond fiction, we discover their reality...

A staging of Denise Chalem's play "Dis à ma fille que je pars en voyage" by herself.

At the beginning of the 20th century in Jacqueville, near Abidjan in the Côte d'Ivoire, traditional music was forbidden by the missionaries. But the inhabitants' enjoyment of their local festivals proved stronger, and the little town developed its own brass band. This is the story of that brass band, a brass band that isn't at all like a military band. It's a dancing brass band, an African brass band, that accompanies all the big and little moments of life: national festivals, religious ceremonies, funerals, fetes and celebrations, a musical game involving a football, tunes from the famous Mapuka dance, or the experimental use of sacred drums together with the brass band. A lively debate between the musicians, in which a sense of humor is clearly present, as they examine fundamental questions about their tradition and its transformations in the context of the life of people today.

A caveman interacts with his cave paintings

Very little was left of the film by Anne Prat, a brilliant student who studied cinema with me at the University of Paris in the 1970s. Anne Prat was not just any student. Three weeks before summer break in 1976, even though she had not taken part in any of practical lessons, she presented a short film, shot in the Brakhage style, which surprised all of us with its technical mastery. She informed me she was going to stop studying and go to Australia, and that her film was just the beginning of a larger and more complicated cinematographic work. She had left me the material for her film at the university, in a big box, and asked me to pick it up. At that time, I had no idea I would never going to see her again… (C. L.)

A young couple, Sophia and Freddie has just got their first baby, but this little thing makes their lives way to complicated and difficult for them to handle. They both have jobs, Sophia is an actress and Freddie a balloon-flier, which makes it tough to be home with the baby and such. They also have to deal with Sophia´s family, which includes a depressed dad, a close to senile mother, and two eccentric sisters. The family life is nothing what Sophia and Freddie expected.

Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.

Chantal is employed one summer to look after Paul, 16. He is suffering from an incurable illness that contributes to his violent, aggressive temperament. With Nelly, the family cook, to help, Chantal tries to befriend the young patient. To escape the oppressive reality of her job, Chantal dreams. She dreams of her favorite singers and other popular idols who reassure her the time it takes to sing a few songs.

In Brussels a conversation taks place between two jewish elderly men (us) and an Algerian women (them).

short film presented by Gobelins school at the 2007 Annecy Festival.

The Putin System is a documentary chronicling Putin’s rise to power in Russia along with the implications for ordinary Russian people. Russia is once again flexing its muscles. This time its weapons are not the Red Army or its nuclear arsenal, but the huge energy resources lying under the Siberian tundra. Vladimir Putin is the man responsible for the reemergence of Russia as a global power, but how much is really known about him and his ascendance? This film explores his journey to the highest echelons of the Kremlin and contextualizes his rise against a newly belligerent Russia nostalgic for the past glories of the Soviet empire. This investigative documentary covers 30 years in the history of Russia through the personal history of Vladimir Putin: a man who has single-mindedly played all the rules of the game to reach the throne of power.

From Austrian princess to ill-fated last queen of France, Marie Antoinette's life journey is captured in this meticulously researched documentary about the woman who is considered to have triggered the French Revolution for her lavish lifestyle. Vilified for extravagant tastes that epitomized the wanton excess of the French aristocracy, the young queen found herself caught in a political firestorm, doomed no matter what course she followed.

Michael Gaumnitz takes a look at the life and works of Paul Klee, one of the great painters of the 20th century.

When the train suddenly stops in the middle of the line, passengers begin to contact each other.

The breath of a mouth makes the image appear. In the middle of the night, a light exposes a face. Self-portrait of a man as an images producer. A trilogy that call to mind the bird of an image through an antique and original proceeding : the pinhole video.

A perspective on the Romanian revolution which started in Timișoara.