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Reflection

Clara is a self-demanding, perfectionist, nine-year-old girl. Despite her efforts and deprivations, especially from the temptations her friend Bea offers continuously, she gets a failing grade in Physical Education. She has embarked along a path of obsessions and self-deception that will lead her to fall into a bottomless pit. A journey through darkness on which she’ll lose everything and the people close to her, in particular her parents, full of doubt and questions, will be the beacon to show her the way out of the tunnel. Will she manage to do it?

Reflection

NR 2020
Händel / Mozart: Der Messias

Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images.

Händel / Mozart: Der Messias

NR 2020
#005

The fifth cartridge exposed by Yonay Boix’s super 8 camera offers a continuation of the author’s filmed journals that he carefully composes frame by frame, exploring the potential of celluloid and in-camera editing. This time, the leitmotiv is either a spot of light or a dark spot that he generates using a pierced piece of paper and a glass filter onto which he has previously painted a black dot, respectively. These procedures trace back to the mechanisms of early cameras, reminding us that what we see is not the world but the glimpse of it that a contraption was able to catch.

#005

6.0 2020
Pas en mon nom !

Does being Jewish mean that Israel's policy must be systematically defended? Does criticizing Israel automatically make you an anti-Semite? Does declaring yourself anti-Zionist and pro-Palestinian imply de facto that you are not racist? All these questions, Daniel Kupferman, whose membership in the Jewish community is in no way opposed to his humanism, has been asking himself for years and here he is asking them to eight quality people, a guarantee of a fruitful dialogue far from any hateful or partisan blindness.

Pas en mon nom !

NR 2020
Alma pura

A plastic artist is discharged from a rehabilitation where she was admitted for drugs and surménage. She is going to live alone in an old family house in the mountains, where the noises and the strange things that happen test her weakened nerves. She becomes suspicious of the few inhabitants of the place, who seem to be creating a world of conspiracies against her. Fantastic events end up showing that sensitive people can look out and see a world that is not ours, at the risk of their lives.

Alma pura

6.9 2020
25 de octubre

In the middle of the social crisis and repression in their country –Chile–, Leonor and Manuel have an ongoing relationship that has hit rock bottom. Due to the uprising, a curfew has been imposed, and Nico spends the night with the couple, twisting things up. The next morning, engulfed in fear of what’s happening outside and confused about their own relationship, Leonor and Manuel learn how to live and take care of each other in the midst of these unknown and frightful times.

25 de octubre

NR 2020