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Once Upon a Time in Rio

Situated just above the awe-inspiring Ipanema beach in Rio is the Cantagalo slum. Every day, floods of Cantagalo residents make their way down the mountain, only to disappear into their surroundings as part of the invisible working-class that cleans apartments, works in restaurants, and sells food along the scenic, sun-drenched shores. Young Dé (Thiago Martins) is just such a man. Dé lives with his mother Bernadette (Cyria Coentro) in a cramped Cantagalo apartment, selling hot dogs on the beach in order to make the rent. His brother Beto was killed when Dé was just a young boy, and his adopted brother Carlão (Rocco Pitanga) has been jailed for a robbery that he didn't commit. One day, while working on the beach, Dé meets Nina (Vitória Frate). Nina is the only child of a successful lawyer named Evandro (Paulo César Grande), who's none to happy to discover that his daughter is dating a member of the lower class. How...

Once Upon a Time in Rio

7.5 2008
Forbidden Love

Paul (Paulo Vilela), not gay assumed that shares a room with his heterosexual friend Daniel (Thierry Figueira). In the course of the plot, Paul falls in love with Daniel. Disgusted and surprised to discover the sexuality of his friend, Daniel turns away from him, which, sad and hurt, decides to confide in her best friend Marina (Giovanna Ewbank), which, until then, not knowing that Paul is gay, cultivates a passion for him. The story then goes on to mix many feelings: love, hate, prejudice and revenge.

Forbidden Love

1.0 2012
O Trapalhão no Planalto dos Macacos

This movie is a spoof of "Planet of the Apes" (1968) and follows the storyline of the original step by step - in spite of being a crazy parody of the original film. A group of men lands in a balloon on an area (it's not a planet, it's more like a hill) where talking apes rule and humans are slaves. The apes try to transform the guys in monkeys; a simian princess falls in love with one of them; and so on. This film is one of the several movies made for the popular Brazilian group "Os Trapalhões" - Didi (Renato Aragão), Dedé, Mussum and Zacarias (who at this point hadn't joined the troupe yet) -, many of them inspired by American blockbusters. It's a very fun entertainment, but the humor is very "local" to be understood in other countries. Oh, yeah, the ape "makeup" is terrible, but that's part of the fun. The movie doesn't take itself seriously.

O Trapalhão no Planalto dos Macacos

5.7 1976
Black Goddess

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Black Goddess

10.0 1978
Cartografia das Ondas

Gledson is a lonely worker who left his hometown with the dream of becoming an actor in Rio de Janeiro. Tormented by vague memories of his past, he sees his life change when he begins to write a book about Teresa, a prostitute who goes through death expecting a child and ends up on a fantastic island. When a friend of Gledson decides to turn his book into a film, reality and fiction mix: while Teresa has to decide what to do with the child born on the island and the writer deals with the challenge of becoming a creator, the film changes when the director confronts the experience of her own motherhood.

Cartografia das Ondas

NR 2025
Hysteries

Interspersed with documentation of dancer Juliana Carneiro da Cunha’s "Possession" performance, which draws from Christian mysticism, in the filmmaker’s words this experimental short is about “the psychic suffering of women in a patriarchal society”. It takes the viewer on a disorienting journey—with abrupt cuts in sound and image—through the Catholic Church, repressed sexuality, racial violence perpetrated by white women, maternal fatigue, male chauvinism and drug addiction…

Hysteries

NR 1983
Ventre Livre

Is the country of the future where children get pregnant? Is the largest Catholic country in the world where more than thirty thousand women die as a result of abortion? Is the 10th largest economy on the planet where 27% of women are sterilized? VENTRE LIVRE tells the story of Vera, Ivonete, Carmen, Denise, Maria do Carmo, Marlove - people who were born in the country with the most unequal income distribution on the planet. A documentary about reproductive rights in Brazil, while the future is not yet here.

Ventre Livre

8.0 1994
Panair of Brazil

Panair do Brasil revives the story of the most important commercial aviation company in Brazil, between 1930 and 1965, with its commercial daring in establishing routes to the four corners of a continental country, taking the adventure of air transport to never-before imagined places, as well as the first international routes. Four decades after it closed its doors, it still retains a marked presence in the country's collective imagination for its pioneering spirit and stories of heroic deeds and for the bewilderment which was aroused by the facts surrounding its closure during the military regime.

Panair of Brazil

6.0 2007
Option Zero

There are countless stories of Cubans reaching their dream destination of Florida as boat refugees. A lesser known route to the United States starts with a flight in a ramshackle plane to Guyana. Then the refugees travel to Colombia where they cross the jungle to arrive in Central America, from where they hope to reach the promised land of America—a hard and dangerous journey. Cuban filmmaker Marcel Beltrán visits them in a refugee camp in Panama, where one of the residents gives him an idea. Many people here have filmed their journey, she says, and these videos tell their real story. These jerky, shocking videos are interspersed with Beltrán’s footage of the camp, tangibly illustrating the difference between the hectic pace of the journey and the insecure life at the reception center.

Option Zero

NR 2021