The story of Antônio Francisco Lisboa, the famed Brazilian sculptor and architect born in the 17th century who became known as "Aleijadinho".
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The story of Antônio Francisco Lisboa, the famed Brazilian sculptor and architect born in the 17th century who became known as "Aleijadinho".
Down on her luck after an exhaustive job search, Luna returns to the home of her childhood friend following another failed interview. They commiserate over wine, working to re-establish their relationship as young adults navigating São Paulo, Brazil.
Left in her aunt’s care on a family ranch at the edge of the burning Brazilian wetland, 12-year-old Mia is desperate for the touch of her mother’s love. Amidst the volatile natural world and the looming threat of a deadly jaguar, love manifests in unexpected ways.
Monte Castelo is a fluvial shell midden, an artificial island, which was built and occupied from at least 6 thousand years. Located in the Guaporé river basin, in Rondônia, this site was excavated for the first time by archaeologist Eurico Miller in the 1980s. Thirty years later, it was located again by a team of archaeologists and the excavations were resumed, starting a new stage of surprising discoveries.
In the cerrado they inhabit wolves-guarás and bandeirantes.
Three minutes. The time to leave a message. To pass the baton and run 1600 meters. To cook an egg. The time to make a decision that can change your life.
Eu Maior (Higher Self) is a Brazilian feature-length documentary presenting a fresh look at self-knowledge and the pursuit of happiness. The filmmakers interviewed thirty individuals with distinct backgrounds, including spiritual leaders, intellectuals, artists and professional athletes. Their touching personal stories, combined with the film's beautiful images and music, are certain to appeal to any audience's intelligence and artistic sensibility. - Anonymous
Actor/Rapper Malik Work tells his own story of perseverance, love, music, and the struggle to survive as an artist in New York City.
Audiovisual letter.
A Brazilian crime film
Documentary about middle-class people in Rio de Janeiro, in the 1960s, when Brazil was going through a hard period in its history, with the military coup and the following dictatorship. Interviews with people in the street disclose their fears, aspirations and political alienation.
Silmara, an industrial worker and a woman of exuberant beauty, supports her arsonist father and gets involved with two different pop stars, from whom she learns traumatic life lessons.
Follow all the behind the scenes of Cruzeiro Esporte Clube's conquest and celebration of the Sixth Brazilian Cup. Unpublished images and testimonies of the club's tenth national title.
Can fear be a territory? Creatively exploring the ambiguity of fear, the short film uses the metaphor of an ant in a circle to invite us to confront our deepest fears and step out of the circle of comfort.
Three teenagers go visit a friend at his old farmhouse for the weekend. What they didn't expect was to be stuck in the middle of a centenary war between good and evil.
A forest resident faces his fear of the dark during a storm
Vampires rule the world for thousand years disguised as wealthy humans, while humanity has been relegated to middle-class, poor and miserable. Hopekillers use the suffering within the human blood to process their technology.
A housewife spirals while baking her husband’s favorite cake.
Vitória is a girl with Down Syndrome who takes life as any young person of her age. Between swimming lessons, piano and college, she meets Afonso and the passion is instantaneous. The two will start a love story that no difference can shake.
The story of a portraitist of northeastern Brazil and how his art resists time.
Shady and beautiful art dealer involves her former lover and an art expert in a scheme to deceive a rich collector. Exposed, she escapes with her new lover, a pilot.
Situated just above the awe-inspiring Ipanema beach in Rio is the Cantagalo slum. Every day, floods of Cantagalo residents make their way down the mountain, only to disappear into their surroundings as part of the invisible working-class that cleans apartments, works in restaurants, and sells food along the scenic, sun-drenched shores. Young Dé (Thiago Martins) is just such a man. Dé lives with his mother Bernadette (Cyria Coentro) in a cramped Cantagalo apartment, selling hot dogs on the beach in order to make the rent. His brother Beto was killed when Dé was just a young boy, and his adopted brother Carlão (Rocco Pitanga) has been jailed for a robbery that he didn't commit. One day, while working on the beach, Dé meets Nina (Vitória Frate). Nina is the only child of a successful lawyer named Evandro (Paulo César Grande), who's none to happy to discover that his daughter is dating a member of the lower class. How...
Paul (Paulo Vilela), not gay assumed that shares a room with his heterosexual friend Daniel (Thierry Figueira). In the course of the plot, Paul falls in love with Daniel. Disgusted and surprised to discover the sexuality of his friend, Daniel turns away from him, which, sad and hurt, decides to confide in her best friend Marina (Giovanna Ewbank), which, until then, not knowing that Paul is gay, cultivates a passion for him. The story then goes on to mix many feelings: love, hate, prejudice and revenge.
A detective with an unusual gift, a lady who wants to find out who murdered her and a beautiful young woman looking for her missing mother. An engaging plot, with lots of romance, humor, mystery and great discoveries.
This movie is a spoof of "Planet of the Apes" (1968) and follows the storyline of the original step by step - in spite of being a crazy parody of the original film. A group of men lands in a balloon on an area (it's not a planet, it's more like a hill) where talking apes rule and humans are slaves. The apes try to transform the guys in monkeys; a simian princess falls in love with one of them; and so on. This film is one of the several movies made for the popular Brazilian group "Os Trapalhões" - Didi (Renato Aragão), Dedé, Mussum and Zacarias (who at this point hadn't joined the troupe yet) -, many of them inspired by American blockbusters. It's a very fun entertainment, but the humor is very "local" to be understood in other countries. Oh, yeah, the ape "makeup" is terrible, but that's part of the fun. The movie doesn't take itself seriously.
The small town where Ana Cecília lives doesn't fit her dreams. Caught up between conflicts with her older sister and managing first crushes, she must figure out who she is, both within and outside of her family.
A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.
Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.
Gledson is a lonely worker who left his hometown with the dream of becoming an actor in Rio de Janeiro. Tormented by vague memories of his past, he sees his life change when he begins to write a book about Teresa, a prostitute who goes through death expecting a child and ends up on a fantastic island. When a friend of Gledson decides to turn his book into a film, reality and fiction mix: while Teresa has to decide what to do with the child born on the island and the writer deals with the challenge of becoming a creator, the film changes when the director confronts the experience of her own motherhood.
Interspersed with documentation of dancer Juliana Carneiro da Cunha’s "Possession" performance, which draws from Christian mysticism, in the filmmaker’s words this experimental short is about “the psychic suffering of women in a patriarchal society”. It takes the viewer on a disorienting journey—with abrupt cuts in sound and image—through the Catholic Church, repressed sexuality, racial violence perpetrated by white women, maternal fatigue, male chauvinism and drug addiction…
The city and its parking lots.
Is the country of the future where children get pregnant? Is the largest Catholic country in the world where more than thirty thousand women die as a result of abortion? Is the 10th largest economy on the planet where 27% of women are sterilized? VENTRE LIVRE tells the story of Vera, Ivonete, Carmen, Denise, Maria do Carmo, Marlove - people who were born in the country with the most unequal income distribution on the planet. A documentary about reproductive rights in Brazil, while the future is not yet here.
Jorge, an immigrant from Northern Brazil, arrives in Sao Paulo and shares a room in Hotel Jasmim with Fernando, a low life male prostitute. The clash of characters escalates quickly, but they have to join efforts to stop an attempt of murder.
Documentary explores the life stages of different people.
Ana, a young psychology student, is hired as a nanny for two children in Petrópolis, Brazil. Left alone with the children and the groundskeeper, she begins to receive threatening phone calls during the night, entering a spiral of panic with tragic consequences.
Recently turned into a widow, Alice goes to the country to think about her life. There, she's courted by Luis Carlos but falls in love with Marta. However, Jumbo, a horse, also arouses strange and erotic feelings in her mind.
After skipping class, Monique and Lauany join Renan to head to an abandoned mansion, drawn by the legend of a lost girl. On an ordinary morning in the countryside, time stretches.
Panair do Brasil revives the story of the most important commercial aviation company in Brazil, between 1930 and 1965, with its commercial daring in establishing routes to the four corners of a continental country, taking the adventure of air transport to never-before imagined places, as well as the first international routes. Four decades after it closed its doors, it still retains a marked presence in the country's collective imagination for its pioneering spirit and stories of heroic deeds and for the bewilderment which was aroused by the facts surrounding its closure during the military regime.
Brazilian singer Rita Lee narrates moments about her life, from her childhood to the meeting with Roberto de Carvalho. The documentary is permeated with excerpts from the singer's concerts, with songs sung entirely.
At night, loving expectations are mixed with a simple flirtation. Two men meet at a mixed club. Dominated by desire, they go to the house of one of them for a crazy night of sex. But the night is just beginning.
The day-to-day life of a young girl in the town of Diamantina, Brazil, on the end of 19th Century, based on real life diaries.
Super 8 film made in a single take as homage to Arlindo Machado with Patricia Moran, José Roberto Aguilar, Gabriel Borba and Lucila Meirelles.
There are countless stories of Cubans reaching their dream destination of Florida as boat refugees. A lesser known route to the United States starts with a flight in a ramshackle plane to Guyana. Then the refugees travel to Colombia where they cross the jungle to arrive in Central America, from where they hope to reach the promised land of America—a hard and dangerous journey. Cuban filmmaker Marcel Beltrán visits them in a refugee camp in Panama, where one of the residents gives him an idea. Many people here have filmed their journey, she says, and these videos tell their real story. These jerky, shocking videos are interspersed with Beltrán’s footage of the camp, tangibly illustrating the difference between the hectic pace of the journey and the insecure life at the reception center.
In 2001, Fernanda was a 15-year-old Brazilian foreign exchange student in Mesa, Arizona, considered the most conservative city in the United States. Fifteen years later – and two months before Donald Trump’s election – she’s back to understand her experience there.
After the death of his loved woman, Carlos (Hélio Castro) walks around the city and faces their memories. Through many incidents, the images of the local culture, the natural views and the architectural monuments of Belém. This is the first ficcional movie of Pará state, in brazilian Amazon.