Discover Movies

7,686 Matches Found

K: Exil

Two-thirds of K (Exil) consists of images of the women and children who remain at home, alone, while the men leave for a life of exile. These images, always fragmentary (either cut-up or inserted piece by piece within the image as a whole), alternating between negative and positive, complementing or contradicting each other - give an insight into the wrenching separation experienced by those members of the population who remain at home, left to their fate in an inhospitable landscape. Over what we call the 'joints', we will engrave words in French or Kabyle (Berber), echoing the masculine voices of Rachid Adel and Michel Amarger. An original composition by Mr. Djamel Tareb will form the musical sound-track for the film.

K: Exil

7.0 2008
Intrusions

Pauline, une riche héritière, a été mariée contre son gré par son père à un de ses employés, François, qui l'avait mise enceinte.Quand, quelques mois plus tard, son mari lui annonce qu'il veut la quitter, Pauline, furieuse, laisse sur le téléphone de ce dernier des menaces de mort.Alexis Target, un ouvrier qui travaille dans la maison de Pauline, entend la jeune femme proférer ces menaces.François meurt, le soir même, dans un accident de voiture.Le jour de l'enterrement, Alexis revient voir Pauline en affirmant qu'il a exaucé son souhait et a tué François.Alexis entre alors par effraction dans la vie de Pauline. Car lui aussi poursuit une vengeance...

Intrusions

NR 2008
Jean Claude

About Jean Claude Gauthier, a man who had lived 24 of his 49 years in prison and on the streets of Paris. In early 2000 Jean Claude met Swedish filmmaker and cinematographer Adam Nilsson, over time they became close friends and gradually Jean Claude began to talk about the parts his life which he couldn't forget, of his wife, his children, his marriage, his job as a model and florist, the bank robberies, the prison sentences and the feeling of losing everything that you love.

Jean Claude

NR 2002
Figner: The End of a Silent Century

Through her very real subject Edgar Figner, director Nathalie Alonso Casale offers us an intimate sense of the 21st-century Russian zeitgeist. A true alchemist, Mr. Figner has spent his life in Leningrad (St. Petersburg) as a sound-effects artist at Lenfilm Studios, where from the silent era to the present he has used commonplace objects (cabbages, old shoes) to create complex sound effects for films. Under the pressures of contemporary Russian life, Figner begins to retreat into a past comprising his own personal history and the history of Russian cinema. As reality and memory blend with stunning scenes from Soviet films, Figner’s art becomes a soundtrack for the muffled culture created by the repression of the Soviet era. This delicate mix of documentary, reality and cinematic imagination creates a deeply sensitive account of the silences at the heart of the Russian social, political and cinematic experience.

Figner: The End of a Silent Century

5.0 2006
Pax Americana and the Weaponization of Space

Star Wars is no longer science fiction The prospect of Earth being ruled from space is no longer science-fiction. The dream of the original Dr. Strangelove, Wernher von Braun (from Nazi rocket-scientist to NASA director) has survived every US administration since WW2 and is coming to life. Today the technology exists to weaponize space, a massive American industry thrives, and nations are maneuvering for advantage. PAX AMERICANA tackles this pivotal moment. Are war machines already orbiting Earth? Can treaties keep space weapons-free? Must the World capitulate to one super-cop on the global beat? With startling archival footage and unprecedented access to US Air Force Space Command, this elegant, forceful documentary reveals the state of play through generals, space-policy analysts, politicians, diplomats, peace activists, and hawks.

Pax Americana and the Weaponization of Space

10.0 2009
After the Ballot

After the Ballot is a full-length documentary portraying the gruelling everyday life of two Members of Quebec's National Assembly who, although at opposite ends of the political spectrum, share the fact that their sole power lies in their convictions. One is Daniel Turp, the PQ Member for Mercier. The other is Charlotte L'Écuyer, Liberal MNA for Pontiac. The film aptly illustrates that ordinary MNAs have very little authority since the real power is held by ministers who are subject to the ups and downs of a globalized economy. Meanwhile, their fellow citizens keep asking for the impossible…

After the Ballot

NR 2008
Soul Flyers - The Movie

The Soul Flyers Team is composed of four friends, who deal with challenging situations with a natural instinct and a great sense of the air. Val, Claud, Zoune and Loic each have their own speciality, which they share with other Soul Flyers to achieve the ultimate in shear breath taking footage. In the expansive sand dunes of the Namibian desert, in Reunion islands intense nature and on the snow covered tracks of the Swiss Alps. The BASE sequences are even sharper and crazier, and Loic's amazing wingsuit flight. First, he refines his technique flying with the French canopy Relative work Team. Then he is ready for the most incredible human flight: on a snow covered dome in Verbier, witness his shadow testify to his proximity to the ground.....

Soul Flyers - The Movie

NR 2003
Sweet And Bitter

Barely relieved from a serious depression and against the advice of his psychiatrist, Slah, theater director, mentally weakened by his career, announces to his wife Amel, a rich woman who finances his projects, his decision to mount the famous play Essoud (The Dam) of Mahmoud Messadi renowned for its complexity. But the same evening, driving his car, Slah overthrows a young woman named Aisha. At first distraught, he then experiences a strange fascination for this beautiful young girl contrarian who becomes his friend and his muse. Amel, her husband's moral, emotional and financial support, convinced the director of the theater to program Le Barrage. Although suffering in silence of the presence of Aisha, Amel decides for love for her husband to invite the young woman near them, in the field of her parents, in an oasis of the south of Tunisia. A strange three-way household is formed when doubts and suspicions, desires and temptations, love and complexities are revealed.

Sweet And Bitter

9.3 2000
Don't Do To Her What You Did To Me

"One sees a close-up shot of a glass being filled with water. Bubbles are formed but slowly the water regains its still quality. The glass then acts as a deformative device between the viewer and the artist, as a hand is writing "don't do to her what you did to me" on the back of the photographs. Everything is still again for a short while until, slowly and majestically, a flush of black ink flows downwards, staining the water... The ink preludes the more dramatic fate of the repeated haunting images, the deceased woman. One hears a metallic sound as the photographs move in a more frenetic spin. One is aware of the glass again, of the limited space where a struggle takes place between a probable spoon and the photographs which dematerialise under one's eyes. The sheer immediacy of the destruction process is intensified as the image dissolves into an organic paste. Then, a woman, the artist, drinks the solution, the last ironic phase of the talisman." -S.Z

Don't Do To Her What You Did To Me

5.0 2001
The Rat

Out of the shadows of the house, the rat observes the strange activity of the old man: he just succumbs to the yearning for his mother, who died young. Never tired, he patrols the edge of the forest to tow a pretty Dirn. Because most women are easy prey and can be conveniently stored in the tin box, which guards the Corpora Delicti for the most aggressive kit Mama. But as the past floats back, mingling with the contemporary psyche, the old man first has to worry about the figure behind the gas mask poaching in his hunting ground.

The Rat

4.5 2001
Sur Le Fil Des 4000

Sur le fil des 4000 is a documentary film by Gilles Chapaz, which traces the last rope of the mountaineering duo Patrick Berhault and Philippe Magnin. The objective of the roped party was to climb the 82 peaks over 4000 meters in the Alps, by carrying out the connecting routes on foot, on skis or by bike. All at the end of winter and the beginning of spring. They left on March 1, 2004, from Saint Christophe en Oisans. The film shows us in images this alpine adventure, from which the spirit of competition is excluded, to make way for the simple pleasure of being in the mountains. This posthumous film was edited after the disappearance of Patrick Berhault, which occurred during the expedition on April 28, 2004.

Sur Le Fil Des 4000

10.0 2004