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People of the Seal, Part 2: Eskimo Winter

The second of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 2: Eskimo Winter is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Pelly Bay region of the Canadian Arctic. Together, the two films provide insight and understanding of a culture now almost vanished, as they show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 2: Eskimo Winter shows how Inuit families gather in communities on the sea ice to harpoon seal as they come up through breating holes in the ice. Also seen is the mid-winter season, a time of intense socializing in the communal igloo, with games, contests and ceremonial activities.

People of the Seal, Part 2: Eskimo Winter

6.7 1971
Ces messieurs de la gâchette

Gabriel Pelletier's life is no bed of roses. Not because of his job: he is a successful sales manager. But on account of the various wrongdoings committed by his kin. First, there is his daughter Nicole, who has just developed an infatuation with a young man who is not only a revolutionary student but the the son of a Sicilian mobster as well. Then he has to cope with Bernard, his brother-in-law, a ladies'man who has been vamped by one of the sexy daughters of the Sicilian. Let's not forget Albert, his own brother, an avant-garde filmmaker also in trouble with Lombardi, the omnipresent gangster. To crown it all, Maryse, his domestic worker, is a Maoist militant!... In the end, poor Gabriel can't take it anymore. He hits the road and calls it quits.

Ces messieurs de la gâchette

4.1 1970
The Little Triangle

Lázaro and Sabino, employees of a large furniture store, fall in love with Laura, a new young and naive employee, who accepts their love. The trio lives a happy engagement. In the big store is planned a sensational advertising campaign with the bed "Eternal happiness," to be launched on New Year's Day. Lázaro and Sabino have to give the last touches on New Year's Eve. When they leave, they enter the exhibition truck and lie down on the bed. When they wake up in the morning, they are surrounded by a crowd and a scandal is organized.

The Little Triangle

4.2 1972
Frightmare

In 1957, Dorothy and Edmund Yates were committed to an institution for the criminally insane, she for acts of murder and cannibalism and he for covering up her crimes. Fifteen years later, they are pronounced fit for society and released. However, in Dorothy's case the doctors may have jumped the gun a bit. Edmund and eldest daughter, Jackie, try to discover just how far Mother's bloodlust has taken her. Meanwhile, youngest daughter Debbie begins to explore the crazy roots of her family tree as fully as possible.

Frightmare

6.4 1974
Makalu 8481m - West Pillar

The French Alpine Club's film about the French expedition to conquer Makalu (8481m) via the west pillar in Nepal, which began on February 24, 1971. Composed of 11 mountaineers, Robert Paragot (expedition leader), Georges Payot, Lucien Berardini, Yannick Seigneur, Claude Jager, Jean-Paul Paris, Jean-Claude Mosca, François Guillot, Bernard Mellet, Robert Jacob and Jacques Marchal (surgeon), it took twenty-five days of walking on the Himalayan trails with 460 porters and 18 Sherpas to transport 14 tons of equipment to reach the base camp. Finally, it was Mellet and Seigneur who managed to reach the summit on May 23, 1971: 8481 m, temperature - 30°, oxygen 30%, no wind.

Makalu 8481m - West Pillar

10.0 1971
Jesus Blood

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based on a loop of an anonymous homeless man singing the song. The man’s voice is progressively intensified by an instrumental accompaniment, which increases in density and richness, before the whole thing gradually fades out. Dwoskin’s film was produced to be shown during the premiere of Jesus' Blood Never Failed Me Yet at the Queen Elizabeth Hall, London in December 1972. For Dwoskin, it represents “… the singing voice of the last days of a London drunk (anonymous) as the orchestra raises him to heaven. The faint ghost image of a figure swims gradually to you through the grains of film low light…”

Jesus Blood

7.0 1972