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The Tramplers

After the war of secession, the aging Cordeen, who owns thousands of acres in Texas, rules his numerous and quarrelsome sons with an iron hand. He sends them out to deal with the threat of the representatives from the North. However, not all the sons share their father's unlimited hatred for the Northerners and they find it increasingly difficult to obey his despotic commands. To add to the family's unrest, a prodigal son decides to return to the fold, provoking two other sons to down tools and leave. Cordeen, outraged, pursues them and tries to kill them. An absurd family feud ensues, prolonged by the participation of the entire Cordeen family.

The Tramplers

6.4 1965
Jan Palach

For his directorial debut, Raymond Depardon traveled to Prague to document the funeral of Czechoslovak student Jan Palach, who died after setting himself on fire in protest against the Soviet occupation and the suppression of the Prague Spring. Filmed on 25 January 1969, the documentary records the massive public procession that followed, as hundreds of thousands of mourners gathered despite official efforts to discourage public participation. (Note: This film is distinct from the anonymous short "The Funeral of Jan Palach" (1969), which circulated separately as an uncredited protest document.)

Jan Palach

5.8 1969
Tonio Kröger

This drama is taken from Thomas Mann's 1903 semi-autobiographical novel. Tonio (Jean Claude Brialy) is an aspiring writer and the son of a rigid aristocratic father and a music-loving mother. Wandering throughout Germany and Italy to "find himself," Tonio frequently remembers his childhood experiences in a series of flashbacks. The highlight of the film is the expert lensing by cinematographer Wolf Wirth. Erika Mann, the daughter of the late poet and author, collaborated with Ennio Flaiano on the screenplay.

Tonio Kröger

6.3 1964
Blind Corner

Paul Gregory (William Sylvester) is an accomplished composer despite his blindness, and his beautiful wife Anne (Barbara Shelley) seems to be the perfect supporting wife. But unknown to Paul, she is having a passionate affair with Ricky (Alexander Davion), a struggling artist. Keen to support her artist lover and give them more time to make love, she persuades Paul to commission Ricky to paint her portrait. But Paul senses their affection for each other, and threatens to cut Anne off without a penny. Desperate to keep both her lover and Paul s money, Anne plots the perfect murder and asks Ricky to carry it out...

Blind Corner

4.9 1964
Wie einst im Mai

1838: Fritz Jüterbog and Ottilie von Henkeshofen love each other, but the difference in status is too great for Ottilie's parents to give their consent to a marriage. And so, Fritz sets off for America and returns from there 20 years later as a made man to ask for Ottilie's hand in marriage again. In the meantime, however, Ottilie - believing that Fritz had long since forgotten her - is married in a manner befitting her status, but very unhappily. Fritz, who is highly successful as an entrepreneur, is elevated to hereditary nobility because of his great services to the fatherland. It is too late for a union with Ottilie, but despite the years that pass, the two cannot forget their love. 75 years later, Fritz and Ottilie have died in the meantime, their grandchildren Fred and Tilla meet and fall in love.

Wie einst im Mai

10.0 1961
Nothing Barred

Penniless Lord Whitebait's plan to save his sinking fortunes is to open stately Whitebait Manor to the public. But the public ignores his gesture, and his fortunes fade even further, with a stream of debts threatening to run into a deluge when his daughter's fiancé demands a plush and costly wedding. Where is the cash to come from? Whitebait and his servant Spankforth's answer is a scam involving the theft of a valuable painting from the Manor. How could such a cunningly original ruse fail?

Nothing Barred

7.0 1961